Masonic Poetry

Masonic Poetry

Poetry is “literary work in which special intensity is given to the expression of feelings and ideas by the use of distinctive style and rhythm; poems collectively or as a genre of literature.” Poetry tends to be those written works which are short in phrase or sentence and long on emotion, wanting to evoke sympathy or empathy in the reader. Poetry may take stiff, rhythmic inflection or it may be flowing, more akin to prose. From Auden to Shakespeare to Solomon, poetry has struck a chord in human consciousness for thousands of years and its popularity has not waned in modernity.

Poetry, in a modern mindset, may not feel very relevant. We have, literature-wise, moved from very constructed and structured forms of poetry to the later 20th and early 21st century use of exploded syntax, compound words, and disjointed phrasing. Modern poetry uses the impact of singular language to convey emotions based on the listener’s personal experience. While this is true of all poetry, the poetry of the 18th, 19th, and early 20th centuries were far more lyrical and visual, wrapping the listener into not only the emotional impact of words but drawing them into a mindset where those emotions were relevant.

An example is the poem “Victor” by W.H. Auden. It is a ballad form to tell the story of one man’s life journey. It starts thus:

Victor

Victor was a little baby,
Into this world he came;
His father took him on his knee and said:
Don’t dishonour the family name.

Victor looked up at his father
Looked up with big round eyes:
Victor, my only son,
Don’t you ever tell lies.

This is a very rigid structure, true to Auden’s voice and style and while it does evoke very specific emotions, it does so in the context of a very visual story.

Over the past three centuries, there have been many writers who have joined the Masonic Fraternity: Robert Burns, Joseph Fort Newton, Manley Palmer Hall, Carl H. Claudy, Mark Twain, Rudyard Kipling, Jonathan Swift, Sir Arthur Conan Doyle, Benjamin Franklin, Sir Walter Scott, Oscar Wilde, and Alexander Pope. Very few of these authors wrote directly about Freemasonry and even fewer were poets.

In reading some Masonic poems, it is clear that while there is form and structure, there are varying degrees of illustration. Brother Robert Burns, who wrote specifically about becoming a Mason, has a lyrical style and dancing emotion, with little meaning to the non-Mason:

A Mason’s Song (excerpt)

I cryed and wailed but nought availed
He put a forward face on
And did avow that he was now
A free accepted Mason.

Still doubting if the fact was true
He gave me demonstration
For out he drew before my view
The Jewels of a Mason.

Rudyard Kipling, known for his beautiful and insightful poetry, penned this, “A Pilgrim’s Way,” specifically about Masonry. The first stanza is below.

A Pilgrim’s Way

I do not look for holy saints to guide me on my way,
or male and female devilkins to lead my feet astray.
If these are added, I rejoice — if not, I shall not mind
So long as I have leave and choice to meet my fellow-kind.
For as we come and as we go (and deadly-soon go we!)
The people, Lord, Thy people, are good enough for me!

While I find such poetry easy to relate to as a Freemason, I struggle with the idea of Masonic poetry bringing about the same emotions as the actual experience of Freemasonry. Metaphysical or esoteric poetry of the Age of Enlightenment seems to be more fitting to stimulating the Masonic ideals that the ritual may provide. Think, John Donne or John Davies. Yet, there can be some Masonic Poetry which stirs the ideals in the listener, be they Freemason or not. Take this example, from 1915 by Freemason C. M. Boutelle, entitled “In Fellowship.”

In Fellowship

My foot to thy foot, however thy foot may stray;
Thy path for my path, however dark the way.
My knee to thy knee, whatever be thy prayer;
Thy plea my plea, in every need and care.
My breast to thy breast, in every doubt or hope;
Thy silence mine too, whatever thy secret’s scope.
My strength is thy strength, whenever thou shalt call;
Strong arms stretch love’s length, through darkness, toward thy fall!
My words shall follow thee, kindly warning, fond,
Through life, through drear death-and all that lies beyond!

Masons and non-Masons alike can relate to this kind of call of strength in character and love; however, the Freemason will find it particularly significant due to his or her experiences within Freemasonry. There are many beautiful examples of poetry of Freemasons which can be both affecting and lyrical, pleasant to the soul and to the ear. A good deal of Masonic poetry espouses the ideals of the Order in many ways which do not specifically discuss ritual. Even Albert Pike, a thorough ritualist and writer, brought a Freemason’s ideals to poetry. An example of one of his poems is below.

The Struggle for Freedom 

The Ancient Wrong rules many a land, whose groans
Rise swarming to the stars by day and night,
Thronging with mournful clamour round the thrones
Where the Archangels sit in God’s great light,
And, pitying, mourn to see that Wrong still reigns,
And tortured Nations writhe in galling chains.
From Hungary and France fierce cries go up
And beat against the portals of the skies;
Lashed Italy still drinks the bitter cup,
And Germany in abject stupor lies;
The knout on Poland’s bloody shoulders rings,
And Time is all one jubilee of kings.
It will not be so always. Through the night
The suffering multitudes with joy descry
Beyond the ocean a great beacon-light,
Flashing its rays into their starless sky,
And teaching them to struggle and be free, —
The Light of Order, Law, and Liberty.
Take heart, ye bleeding Nations; and your chains
Shall shiver like thin glass. The dawn is near,
When Earth shall feel, through all her aged veins
The new blood pouring; and her drowsy ear
Hear Freedom’s trumpet ringing in the sky,
Calling her braves to conquer or to die.
Arm and revolt, and let the hunted stags
Against the lordly lions stand at bay! —
Each pass, Thermoplæ, and all the crags,
Young Freedom’s fortresses! — and soon the day
Shall come when Right shall rule, and round the thrones
that gird God’s feet shall eddy no more groans.

Poetry specific to the Masonic experience can be found mostly in the 20th Century, and on several Freemasonry websites. The goals and ideals of Freemasonry can be found throughout these sites as well, and perhaps even more so in the actual writings of Freemasons, like Pike. It’s worth the journey to see what might speak to the modern mind.

Is Freemasonry a Spiritual Practice?

Is Freemasonry a Spiritual Practice?

In keeping with the discussion surrounding soul and spirit, I wanted to complete the examination in a part 2, looking at Freemasonry as, to use the “new age” term, a spiritual practice. Freemasonry has been called many things in its lifetime: a fraternal group, an esoteric organization, a cult, a charity organization, and a religion, among other things. Whatever the masses call Freemasons or the Freemasons call themselves, their mission has been the same from the beginning: to create a better world starting with the improvement of humanity at the individual level.

“Remember always that all Masonry is work”, says Albert Pike, a prominent 19th Century Freemason. The Masonic “work,” in my view, is the internal, oblique ritualistic work by which Masons are made and educated for the exoteric work, which consists of activities for the welfare of mankind according to Masonic principles. It is in this mysterious, hidden ritualistic work where much of the speculation of what Freemasonry does and does not do begins. Indeed, sometimes Freemasons themselves may have a difficult time understanding what the “secret” things of Masonry are all about.

In at least one Masonic Order, and probably many others, it is specifically stated that Freemasons have a special charter to input esoteric knowledge into the Masonic members. By esoteric, let’s use the basic form of the word, meaning “knowledge meant only for a few.” Freemasonry, being a select organization, is “esoteric” in this way. That is, generally speaking, the percentage of the overall, human population that belongs to Freemasonry is extremely low. Esoteric, in its uncomplicated form, does not connote anything spiritual, religious, or occult. While some aspects of those forms of study may be “esoteric,” the word “esoteric” does not mean spiritual, religious, or occult.

AstralProjection3Be that as it may, many people find that Freemasonry lends itself toward “spirituality.” “Spiritual” means, quite simply, “pertaining to spirit.” This begs the question, then: what is spirit?

To be simple and clear, for this I’ll use the dictionary.com definition, which is “the principle of conscious life; the vital principle in humans, animating the body or mediating between body and soul.” Could it mean “the soul as it is separated from the body at death” or even “an angel, demon; sprite?”

Yes, absolutely; however, when speaking in relation to philosophical discussions, the first definition is the one to which most people seem to refer. It is the one that for the purposes of this exposition that we will accept and use. The “principle of conscious life” or spirit, and its existence or non-existence, has been for all of human existence the core of much conflict.

What is spirit? Why do people, cultures, and religions view it differently? Is the spirit of humanity divine? Why is this so important? What about the spirit of animals, trees, and rocks? Whence does this spirit emanate? What is its birthplace? The source of many people’s idea of “spirit” seems to be either what many would call God, or gods and goddesses, and the qualities or virtues we assign them accordingly. If we are animated by this “spirit,” and we ascribe this to “God” and say that this part of our being has “godly attributes” or it is “divine.”

However, as is defined above, the term “spirit” is not demarcated by some kind of divine or godly source. It simply is an animation or “vital principle in humans.” It is when we ascribe this spirit’s existence to a specific external entity – be it God, Allah, the Tao, Jehovah, or Zeus – that we run into human conflict. If one is right and true, all others must be wrong and false. Wars have been and continue to be fought over such questions as the origin of “spirit.” Yet, do humans fight over “spirits,” or do they fight over “souls?”

This is where the subject of spirit becomes confused and perhaps convoluted; it is when the word “soul” is interchanged with “spirit.” Wars have been fought over “souls,” not “spirits.” When we discuss soul, I feel we must continue to be very clear about the terms that we’re using, and that the meaning of the word should be as neutral as possible.

“Soul” to a Catholic is very different than a “soul” to a Wiccan, Neo-Platonist, or an Atheist. Resorting to Merriam-Webster for common ground, and looking at this from a purely English literary and linguistic sense, both “soul” and “spirit” originate from a core meaning of “breath, life.”

The major difference between the two seems to be that one is immortal (soul) and one is pure animation and life (spirit) with a specific beginning and ending event. The idea, from these definitions, is that the soul lasts forever while the spirit comes into existence at birth and expires at the death of its human host.

In the base meaning of the word “soul,” there is also the inference of “life giving” qualities. Given that both concern themselves with the essence of life and seem to inhabit the same physical space, it is easy to see that these could be confused and muddled in discussion, debate, and theology. I hear many Freemasons refer to Spirit and Soul interchangeably, but I am unclear whether or not they mean the same thing or spiritual eyesomething different. I do believe that Freemasonry helps provide us a path toward an answer.

We do not normally say we perform a “soul practice”; what we are concerning ourselves here with is the idea of a spiritual practice, as most Westerners use the term. As a verb, to practice is to do something again and again until we’re better at it.

Interestingly, the word “practice” is not a noun – it is in all cases a verb. It is an active principle; as we’ve noted above, so too is Freemasonry. A spiritual practice, using the terms we’ve outlined here, would really indicate “to regularly or constantly work at bettering the vital principle of conscious life.” The term “spiritual practice” is something which we might say develops, by repeated efforts, that vital principle animating humans, “animating the body or mediating between body and soul.”

As the soul is the vital “breath” of humans, one must ask whence it comes, in order to understand if it can be developed. Yet, if this principle is just that, a principle, can it be “trained?” Is it not already perfect how it is? There have been many philosophers, Aristotle, Plato, Plotinus, and Socrates that have all debated this very question – the immortal and thus incorruptible nature of the “soul.” Can something which is, at its core, incorruptible and pure, be “trained?”

Again, if we examine the word soul, as a vital and immortal principle emanating from a divine source, then one must assume that it is something that is pure and pristine as it is. If the Divine is infallible, is not the soul then also infallible? However, if the spirit, being that conduit between or mediator of the body and soul, is truly a breath that can expire at death, then perhaps it is this part to which we are seeking refinement. It would be the washing away of the film of emotions and desires that cloud the conduit that would be the province of a spiritual practice. This is very clearly outlined in some allegorical journeys of English Rites, particularly the higher degrees. In truth, we see it in all allegorical journeys, and stages, that the Freemason takes throughout their entire Masonic career.

Perhaps, what we call a spiritual practice is something that is not to improve or better the spirit itself but to find a way to remind our bodily world of what spirit, and soul if one believes in this, really is. Perhaps it is not to develop the spirit or even a relationship to the spirit but to be conscious and aware of it, to be cognizant of what clouds, conceals, obstructs, or harms that clear pathway of information between body and soul.

If our Divine self, as the soul, is to speak in the material world, the spirit must be clear to enable this to happen. Perhaps this is the reason that Freemasonry does not concern itself with a single religion but with Religion as a whole; if one is to know there is a soul, then there must be a reason for its existence. Perhaps this is also the reason that one must have a belief in a divinity to even be a Freemason. Why would you want to improve Stone_Masons copythe channel between body and soul if you did not believe that one of these pieces did not exist?

To develop the spirit first means to remove those things which impair the conduit and support that which assist the spirit in its duties. This practice would not concern itself with the reason for the soul’s existence – only that it would be able to communicate clearly with the other members of the human world.

This is where Freemasonry interests itself, specifically. As we progress through the degrees, different stories and symbols speak to us; based on our experience, one may find resonance more in one than in the other. They bring forth ideas and discoveries that enhance the channel between body and soul; by bringing forth triggers which illustrate our own blockages, we can identify the reasons and clear the path.

Being self-aware is the first step. As we rise in Freemasonic degrees, the perception and understanding of what bars our way becomes more subtle and refined, and practice of clearing the way becomes more layered. Freemasonry teaches its adherents, with many varied messages and depths, how to clear and keep clear the conduit; it teaches us how to act according to “the Great Law” which permeates the idea of human existence.

One reason Freemasonry builds upon itself, in my opinion, is that you must be able to remove the common, grosser obstructions in communication before you can work on the subtleties. Yet, if we slip, we need to start again. Practice. Hence, the reason Freemasons consider themselves to “always be in the first degree.”

In addition, Freemasonry seems to concern itself with all aspects of the human being, refining and finessing as we progress deeper into its teachings. That is, it concerns itself with our mental, physical, and emotional well-being and actions. One must learn the fundamentals of the physical world, via ritual and memorization, before he navigates into the emotional world: subduing passions, for example. Then, only by understanding and mastering these worlds can he hope to achieve any sense of stability and growth in the realms of the mental.

Most, if not all of us, struggle at any one of these levels and have to pick ourselves up from a setback, working at their rough courser nature again and again. Is this not practice?

Perhaps, then, all of this work we do in all these degrees is the aspect of Freemasonry which seeks to refine the spirit. If one views the degrees as a spiral of life, then one can see the practice built into each of them, culminating in a birth/death. Not only does Freemasonry teach us how to improve the spirit it also tells us why.

Freemasonry does not ascribe a specific religious or theological source to the soul or the body or the spirit – it accredits the supreme & sovereign manifestation with the lessons of the degrees –  a divine source. It assists us to understand how to let the unique symbols_masonic_collagemessage of our individual Divine sparks to be heard and enables us, through the lens of Freemasonry, to understand why it exists in the first place.

There are many ways to understand the soul; religions provide manifold reasons for its existence and purpose of being. While some religions also teach us through their ritual how to access the soul, they may or may not allow for the rich diversity of human culture and multifarious modes of understanding.

I believe, in their dogmatic and rudimentary way, they seek to remove the moral obstacles which block the spirit (conduit) from achieving its goal, which is the free flow of Divine essence from the soul to the expression within this physical, emotional, and mental realm called Earth. Where they might fall short is the lack of cultural messaging that seeks to embrace all, with different messaging tailored to the different human stories that arrive at their doorstep.

Freemasonry seems to provide support for not only a diversity of “soul origins” but also finds that middle-path, the neutral ground in order to develop that pathway that connects between the world we live in and that world in which the Divine resides. The repeated journeys of the degree system seek to teach us, in a variety of ways, what the blocks might be and how to remove them, in straightforward, non-confrontational, and non-segregated language.

Freemasonry allows us as individuals find our own path to the Voice of whatever Divinity speaks to us, and encourages us to express it as who we really are – without pretense, illusions, or corruption. The Work of Masonry is the Work on our self – repeated trials and approbations, developing, cleaning, clearing, and recognizing the path which connects the Divine Soul to our human host. In this way, to me, nothing else could be more spiritual.