The Lego Movie: The Master Builders and Freemasonry

The Lego Movie: The Master Builders and Freemasonry

Every once in a while a movie comes along that is so rich in symbolism and allegory that its message can be applied almost universally. In 2014, Warner Bros. Pictures released the computer animated “The Lego Movie,” which received widespread critical acclaim for its humor, visual style, voice acting, and positive message. Co-written by Phil Lord and Christopher Miller, “The Lego Movie” tells the story of Emmet, an ordinary Lego construction mini-figure who, aided by a team of Master Builders, fulfils a prophecy to save the universe from the tyrannical Lord Business.

The Master Builder’s Prophecy

Described as a children’s version of “The Matrix,” the “The Lego Movie” is set within the Lego universe where a group of Master Builders are fighting to protect the realm from the nefarious Lord Business. Led by the wizard Vitruvius, the Master Builders wthe_prophecyork to keep the “Kragle,” a secret super weapon, out of the hands of Lord Business who devises to use the weapon to freeze the subjects of the Lego world. When Vitruvius is thwarted in hand to hand combat, he prophesies that one day a person will find the Piece of Resistance and save the universe.

One day, a talented lass or fellow, A special one with face of yellow, will make the Piece of Resistance found from its hidden refuge underground.

And with a noble army at the helm, This Master Builder will thwart the Kragle and save the realm, and be the greatest, most interesting, most important person of all times. All this is true, because it rhymes. – Vitruvius

The Hero Emmet

Moving the narrative forward eight years, Emmet Brickowski enters the scene laboring as a contented construction worker in the heavily commercialized town of Bricksburg. Perfectly obeying his instructions, he cheers for the local sports team, listens to pop music, eats at chain restaurants, and drinks overpriced coffee. Subliminally craving escape from this monotony, Emmet must first learn that his soul is being crushed before he can summon the inner strength to do something about it.

The Lego MovieAt his construction site, Emmet comes across one of the Master Builders: a woman named Wyldstyle. Falling down a hole, Emmet finds and touches the Piece of Resistance, whereby he experiences visions and passes out. Awakening in Police Custody, Emmet is shocked to find the Piece of Resistance attached to him.

The Villain: Lord Business and his Weapon of Choice

During his interrogation from Bad Cop, Emmet learns of Lord Business’ diabolical plans to freeze the world with the “Kragle,” i.e. a tube of Krazy Glue with a partially rubbed off label. Business seeks world domination and operates a successful business that creates music, TV shows, surveillance systems, history books and voting machines, in addition to all dairy products and coffee.

Training to be a Master Builder

Believing Emmet to be “The Special” from the prophecy, Wyldstyle compellingly states, “Come with me if you want to not die” and praises him for pretending to be “a useless nobody.” While rescuing Emmet and taking him to Vitruvius, Wyldstyle informs him that he actually lives in a Multiverse that includes many parallel universes including his own, Bricksburg. He finds out that Vitruvius and Wyldstyle are Master Builders, a team of individuals capable of building anything they need without instruction manuals.

Disappointed to discover Emmet is not a Master Builder, Wyldstyle and Vitruvius are convinced of his potential when he explains his vision and belief of a deity he refers to as “the Man Upstairs.” Similar to Morpheus from the Matrix film, Vitruvius believes in Emmet and counsels him to let go and follow his instincts. Vitruvius instructs Emmet that the key to being a true Master Builder is to believe in yourself and follow your own set of instructions inside your head.

The trio then evade Bad Cop’s forces, meet with a council of Master builders, escape a dying world, and devise a plan to infiltrate Business’ headquarters and disarm the Kragle. Unfortunately during the attack, Emmet and the Master Builders are captured and imprisoned. Although killed by Lord Business, Vitruvius reveals he invented the prophecy but informs Emmet that it his self-belief that makes him the Special. Believing himself to be Special, he flings himself off the edge of the tower while strapped to a self-destructing mechanism.  Thus, Emmet saves the Master Builders and the universe, fulfilling the prophecy. Inspired by Emmet’s sacrifice, Wyldstyle issues a rallying cry to all the people to use their creativity to build and stop Lord Business.

The Real World

After his self-sacrifice, the lego figurine, Emmet, finds himself in the real world: a Lego filled basement of a house. The father, “the Man Upstairs,” reprimands his son for ruining his Lego sets by not following the instructions, deconstructing parts, and interchanging pieces from different set. Thus, the Father represeLegoBasementnts “Order” and the son represents “Chaos,” which ultimately represent a dichotomy that need each other to exist. Angered by the changes to his world, the Father proceeds to use Krazy Glue, i.e. the “Kragle,” to permanently lock his perceived perfect creation. Realizing the danger, Emmet wills himself to move and gains the son’s attention. The son picks up Emmet and returns him to the set, where he now possesses the powers of a Master Builder and confronts Lord Business.

Looking at his son’s creations, the Father realizes that he was his son’s inspiration for the evil Lord Business. Through a speech Emmet gives Business, the son tells his father that he is special and has the power to change everything. Father and son reconciling “above,” plays out “below” as Lord Business having a change of heart, capping the “Kragle” with the cap to the Superglue, i.e. the “Piece of Resistance” and using a solvent to unglue the Lego world.

The Masonic Message: The Role of Truth

While the use of “Master Builders” within the Lego Movie is an obvious nod to Freemasonry, the movie is also full of Masonic symbolism in the themes of teamwork, self-improvement, and service to all of humanity. Like Emmet, we are all special and capable of amazing things if we have the will to try.  Freemasonry rejects dogmatic teaching and helps the individual to learn to think for themselves.Emet-Truth

The film also contains many esoteric references including the hermetic principle of “As above, so below.” Everything that happens in the superior world of the real world basement is reflected in the inferior Lego world. Moreover, the movie contains references to the Kabbalah. According to Jewish tradition, one name of YHVH, the God of the Bible, is Emet, which means truth. Emet is spelled with an Aleph, Mem and Tav: the first, middle and last letters of the Hebrew alphabet.

Ironically, the movie also asks the audience to consider what illusions are keeping them from their goals, including the siren song of materialism. The writers deftly hint at the philosophy of Karl Marx,  “to call on them to give up their illusions about their condition is to call on them to give up a condition that requires illusions.” In the Allegory of the Cave, the Philosopher Plato also describes our world as a world of illusion. In the movie, the Lego universe represents the world of shadows, or the Cave. In order to perceive the real world, Emmet follows his inner truth through spiritual perception, which ultimately leads him to divine enlightenment, i.e. experiencing the real world of the basement.  

Mozart’s Masonic Opera: The Magic Flute

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Described as “an Enlightenment allegory, veiled in Masonic ritual,” The Magic Flute was Wolfgang Amadeus Mozart’s final opera. A prolific composer, Mozart’s portfolio of works included over six hundred pieces of symphonic, chamber, operatic, and choral music. Of all his compositions, The Magic Flute receives a distinctive status due to its critical acclaim and public intrigue over the Opera’s esoteric themes. The fact that Mozart and his collaborator Emanuel Schikaneder were both Freemasons has only added to the mystery surrounding his enigmatic masterpiece.magic_flute

Premiering on September 30, 1791 at Schikaneder’s Theatre in Vienna, The Magic Flute tells the tale of a prince compelled to complete a series of Herculean tasks, including vanquishing a wicked queen, assisted by the Princess Pamina. Mozart conducted the orchestra until his illness and death in December of 1791. Experienced through the eyes of the hero, the viewer shares in his enlightenment as Tamino gains knowledge and insight. At the beginning of the Opera, the prince believes without questioning what he sees and hears, however, through the journey, he matures in perception and understanding as he is eventually united with Pamina as members of Sarastro’s order.

Synopsis of The Magic Flute

Set in ancient Egypt, Prince Tamino is lost and pursued by a serpent. Collapsing from exhaustion, Tamino is saved by three ladies inthe service of the Queen of the night, who kill the serpent. When Tamino awakens, he meets a bird catcher named Papageno, who resembles a bird himself being covered with plumSchinkelDesignMagicFluteAct2Scene3age. When Papageno boasts that he strangled the serpent, the three ladies reappear and punish Papageno for lying to the Prince. The women place a padlock over Papageno’s mouth.

After he learns that the women killed the serpent, the Prince expresses his appreciation for their actions in saving his life. The women give him a picture of Pamina, the beautiful daughter of the Queen of the Night, who they say has been kidnapped by the evil magician Sarastro. Tamino instantly falls in love with Pamina. The Queen appears and entreats Tamino to rescue Pamina promising that he can marry Pamina if he is successful. He agrees to the quest, and the women give Tamino a magic flute that can change men’s hearts. Removing the padlock from Papageno, the women present him with silver bells to be used for protection. Papageno and Tamino set forth on their quest, guided by three boys.

In Sarastro’s Palace, Pamina is guarded by a villain named Monostatos, who is attempting to seduce her.  Sent ahead by Tamino, Papageno arrives and terrifies Monostatos into fleeing. Papageno then announces to Pamina that her mother has sent Tamino to rescue her. Pamina rejoices to hear that Tamino is in love with her.carl-offterdinger-papageno-the-bird-catcher-from-the-magic-flute-by-wolfgang-amadeus-mozart-1756-91

Lead by the three boys, Prince Tamino arrives at a temple. He finds three doors, but he is denied entrance to the doors of Nature and Reason. When he tries the third door, the Gate of Wisdom, a priest appears and explains that Sarastro is good and the Queen is the evil figure. After the priest leaves, Tamino plays his magic flute in hopes of summoning Pamina and Papageno and ward off wild beasts.

The tones of his magical instrument are returned with the sound of Papageno’s bells, causing Tamino to leave the scene. Papageno appears with Pamina and they are apprehended by Monostatos and his servants. Papageno plays his magic bells, and the villains are enchanted to release Pamina and Papageno.

Hearing the approach of Sarastro, Papageno is frightened and asks Pamina what they should say. She replies, “The truth! The truth! Even if it were a crime.” Sarastro and his followers arrive and Sarastro conducts a judicial proceeding. During the trial, Pamina confesses that she was trying to escape because Monostatos had demanded her love. Forgiving her, Sarastro informs Pamina she is free of Monostatos , but he will not allow her to leave. Arriving with Tamino as captive, Monostatos enters and tries to convince Sarastro that Tamino deserves retribution. Sarastro denies Monostatos’ claims and sentences him to receive 77 strokes of the bastinado. Tamino and Papageno are taken into the Temple of Trial to be purified, and the First Act ends with a chorus:

“Brethren! Initiates of the Temple of Wisdom; Servants of Isis and Osiris! Tamino, who is waiting at the Northern Gate of the Temple, is yearning to be free of the veil of the night, he wants to behold the sanctuary of Light.”

Act II

tumblr_n6q9o5htsx1rtynt1o3_r1_1280A council of priests, including Sarastro, deliberate and determine that Tamino shall be allowed to have Pamina if he succeeds in passing through the Temple of Ordeal. The council does not want Pamina to be returned to her mother, the Queen of the Night, who they believe has infected the world with superstition. Subsequently, Sarastro prays to the gods Isis and Osiris, askings for the protection of Tamino and Pamina by requesting that the Gods take the two into their heavenly dwelling place should they meet death in the course of their trials.

Back at the Temple of the Ordeal, Tamino is cautioned that this is his last chance to turn back. He responds that he will undergo every trial to win his Pamina. The priest also asks Papageno if he will concede to every trial, but he replies that he is uninterested in obtaining wisdom. The priest responds that Papageno may receive a woman, Papagena, if he undergoes the trials. Papageno agrees to also undergo the trials. Tamino and Papageno are instructed that their first trial is that they must remain silent under the temptation of women.

Three ladies appear and tempt them to speak.  Tamino and Papageno remain firm, although Tamino must constantly restrain Papageno commanding him to be “Still!” Papageno confronts one of the priests demanding to know why he must undergo tests if Sarastro already has a woman that wants to be his wife. The priest responds that it is the only way.

In a garden, Monostatos approaches and gazes upon a sleeping Pamina with rapture. The Queen of the Night appears and tells Pamina that she must kill Sarastro if she wishes to remain her daughter. She gives Pamina a dagger with which to kill Sarastro. Observing the conversation, Monostatos tries to force Pamina to love him by telling her that he will reveal the exchange. Sarastro appears and rebukes Monostatos, while reassuring Pamina.  

Approached by Pamina, Tamino and Papageno continue in their ordeal mandated silence. Papageno can no longer hold his tongue, but Tamino remains firm. Since Tamino refuses to answer, Pamina believes he no longer loves her and is heartbroken.Yearning for his wo524cedc2640499297472a5cfc1001581man, Papageno plays his magic bells. At the first ordeal, an old woman approached Papageno declaring herself his bride. Reappearing, she has transformed herself into the young and pretty Papagena. The priests send her away with thunder and lightning. Frightened, She vanishes and Papageno is miserable. Shattered by Tamino’s rejection, Pamina attempts to commit suicide but is stopped by the three boys.

Counseled by two men in armor, Tamino is given advice and instruction. Sarastro and Pamina appear, and Tamino is allowed to speak with her and assures Pamina of his love. Pamina and Tamino are allowed to undertake their final ordeals together, fire and water. Pamina leads him through the ordeals, and they triumph with the help of the magic flute.

Contemplating suicide, Papageno is distraught wishing for Papagena. Three Boys appear and remind him to use his magic bells, which indeed summon Papagena. The two are united, stuttering at first in astonishment. Seeking to destroy the temple, Monsanto’s and the Queen of the Night reappear, but they are magically cast out into eternal night. Sarastro bids the young lovers welcome at the entrance of the Temple and unites them. The members of the Temple praise Tamino and Pamina for their success in enduring their trials and give thanks to the Gods. 

Masonic Symbolism in The Magic Flute

At the age of twenty-eight, Mozart joined a Masonic Lodge in the autumn of 1784 and spent a total of seven years as a Mason. Many of his compositions during this period demonstrate his dedication to Masonry, including his final masterpiece, The Magic Flute. The Opera celebrates several integral Masonic themes: the importance of morality, the destMozart_magic_fluteruction of ignorance through enlightenment, and the virtues of knowledge, justice, wisdom, and truth. Moreover, the Opera includes the evocation of the four elements of earth, air, water and fire and the requirement of silence.

The number three is repeated throughout the story and in the music of opera: three women in service to the Queen of the Night, three boys, three doors to the Temple, three loud chords at the beginning of the Overture, the three flats of E-flat Major key throughout much of the score.

“He who treads the road full of care,

Is purified by fire, water, air and earth.

If he can overcome the fear of death,

he soars heavenwards away from earth!”

Viewed within a historical and political context of the Age of Enlightenment, the Opera’s Queen of the Night was seen to represent the Austrian empress Maria Theresa who vehemently opposed Freemasonry. Her antagonist, Sarastro, symbolized an enlightened sovereign who ruled according to the principles of reason and wisdom. Providing an allegory to the ideal progress of humanity towards enlightenment, Tamino journeys from chaos as represented by the serpent through the religious superstition of the Queen of the Night, and eventually arrives at rational enlightenment at the Temples of Sarastro.

The Magic Flute demonstrates an enlightened portrayal of gender equality through Pamina’s invitation to join Sarastro’s order by undergoing her own initiation. Scholar Julian Rushton argues in the publication, New Grove Opera, that “the implication that women should become initiates is the opera’s title to true Enlightenment.” In the second act, the Two Men in Armor counsel Tamino and address Pamina’s fate stating, “A woman who is not afraid of night and death, is worthy, and will be initiated.” Musicologist H. C. Robbins-Landon has postulated that the Opera demonstrated Mozart’s wish “to reform the St. John Masonry to which he belonged by asking that women be included in the Craft’s membership.”

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