PRISONERS OF THE MIND: Shining Masonic Light on the Mysterious Meaning of Plato’s Allegory of the Cave

January 20, 2020 By Majesty Montanez in History, Philosophy Tags: Allegory, Cave, Chains, Co-Masonry, Esoteric, Esoteric Path, Esotericism, Fire, Freedom, Freemasonry, Freemasons, Inner, Liberty, Light, Mason, Masonry, Masons, Plato, Prison, Shadows, Socrates, Symbols, The Allegory of the Cave, The Republic, Universal Co-Masonry 8 Comments

What is the meaning of Brother Plato’s Allegory of the Cave in Book Seven of his immortal work, The Republic? And why is this allegory so widely read and studied in the world of “higher education” today, over two thousand years after it was first published? The purpose of this short labor of love is to explore the possible answer to the first of these two vital questions for the mutual benefit of myself and the reader, leaving the answer to the second question to the reader to explore and find independently, if he or she so chooses, as such an intimate journey into the depths of one’s own heart and mind will be sure to reveal to him or her just how important, beautiful, and fulfilling it is for each of us to discover the true meaning and purpose of human existence for ourselves, as common, yet unique, individuals.

Fortunately, for us, Plato explains the gist of the meaning of his allegory of the cave within The Republic itself. This should make things a little bit easy for us. Unfortunately, for some, the fact is that Plato was a mystic and a philosopher– a lover of wisdom— which means that he wrote all of his timeless dialogues for the sole purpose of sharing and examining the nature of wisdom with other philosophers through the interrelated philosophical principles of epistemology, dialectic, metaphysics, ethics, The Republic contemplation, and meditation.

In other words, the genuine and intended meaning of Plato’s allegory will forever remain an incomprehensible mystery to any reader of it who is not a true wisdom lover. Furthermore, the meaning of all of Plato’s sublime wisdom that has come down to us in written form through the ages, can only be captured by one who pursues true and ancient philosophy in the manner of the immortal philosophers of antiquity, who were known Initiates of the Ancient Mystery Schools such as Freemasonry. Such a noble pursuit demands nothing less or more than an open heart and mind that are both truly focused and desirous of knowing ultimate reality, as well as the true meaning and purpose of living in this world as a mortal– as a human being. From this we can understand that no matter how clearly and eloquently Plato may have briefly explained his allegory’s hidden meaning through the wise lips of Socrates within the pages of The Republic, it can only begin to be even vaguely understood by the man, woman or child who deeply loves wisdom.

And there is more: The meaning of the allegory of the cave will not unfold and reveal itself deeply within one’s soul if we overlook the importance of the philosophical concept of justice. This is due to the resplendent fact that The Republic is a philosophical lamp whose light is centered around the mystical oil of the search for the true meaning of justice and the heart’s burning desire to know what it truly means to be Plato Cave justor virtuous. We must therefore keep the mystery of justice firmly in heart and mind as we proceed. Now, let us step into the Light.

A QUICK SUMMARY OF THE ALLEGORY

There is a group of chained prisoners in a cave, who have been prisoners there since they were born. They are chained in such a way that they can only see a low stone wall in front of them, and they have never seen anything else in their entire lives. There is also a fireplace constantly burning at a short distance behind them, which allows for the shadows of people outside the cave, who walk past it, to be casted upon the low wall in front of the prisoners. The prisoners, who have never seen anything else in life but themselves and these shadows, believe that these shadows are real things, and that there is nothing much more to life than the appearance of these shadows. One day, however, one of the prisoners in the cave breaks free and escapes from the cave. Upon seeing the world outside of the cave for the very first time, he quickly realizes that his former perception of life was limited, and all wrong. He has seen the light of the Sun and now knows that the shadows in the cave were not what they appeared to be. He then returns to the cave in an attempt to enlighten his former prisonmates about the true nature of the shadows, but they do not believe him. Instead, they threaten to kill him when he offers to set them free so that they can see the truth for themselves.

THE SECRET AND INNER MEANING OF THE ALLEGORY

The prisoners in the cave, as Plato vividly points out in The Republic, are us, or “you” and “I”. They are the symbolic personifications of the popular but mistaken notion that there really is such a thing as a separately existing “you” and “I”, as it is the crown jewel of true plato-allegory-of-the-cave and ancient philosophy that there is really only one I or self that exists, and that this authentic I exists eternally as the infinite Universe in its entirety.

According to Plato, the underground den or prison within the cave is symbolic of the “world of sight”, by which he means the objective world as perceived by a non-discriminating and irrational mind through the five outward-focused senses of sight, taste, touch, sound, and smell. This prison is therefore a philosophical symbol of the mind itself, which lets us know that the cave, which contains this prison, and which, like the mind, is a secret dwelling place, is likewise a philosophical symbol of the mind, so that there is essentially no difference between the cave and the prison described by Plato. More precisely, the cave symbolizes the human mind in general, while the prison within the cave symbolizes the human mind or ego that is delusional and out of touch with reality.

The fire and light that are both inside and outside of the cave are symbolic of the “light” and life of both individuated consciousness and cosmic or universal consciousness, which are ultimately interconnected as One Mind. Plato states this darkly through the symbolic character of his wise teacher, Socrates (whose name means master of life), by having Socrates explain to Plato’s brother, Glaucon (whose name means owl-eyed), that, “the light of fire (in this allegory) is the Sun, which, when seen, is inferred to be the universal author of all things that are beautiful and right. It is the parent of light and the lord of light in this visible world, and the immediate source of reason and truth in the intellectual world. It is the power which he who wants to act rationally in public or private life must keep his eye fixed upon.” Now, ask yourself, does it sound like these alleged words of the enlightened Socrates are referring to the Sun in a literal sense, or to the Sun as being an ancient symbol of the “light” and life of consciousness which constitutes the The-Allegory-of-the-Cave-by-Plato-1-1024x761 mind? Isn’t it true that you can close your eyes and still see things through the “light” of your mind, even while you are sitting or lying down alone in the dark?

What about the shadows in the cave? And what about the wall in the cave that serves as the screen upon which these shadows are seen? This wall and the shadows casted upon it are symbolic of the various objects, or people, places, and things, that the individual mind perceives as the objective world, or the world “outside of”, and “separate from”, one’s own relative self or ego-personality. Like shadows, these objects or forms that collectively make up the objective plane of life are merely the fleeting reflections of something that can be said to be real. They are nothing more than transitory effects that are caused by the obstruction and limitation of the light or illumination of consciousness. These philosophical shadows are what Plato would call relative and substantially illusory or unreal “forms”, while the metaphysical objects of which they are merely the reflections and imperfect revelations are what he would call the absolute, eternal, and perfect “ideas” behind these phantom-like forms.

As for the chains that keep the prisoners locked up and divested of mental and spiritual freedom within the cave of their own dim consciousness, they are a potent symbol of our closed-minded concepts and selfish ways of thinking, as these counterproductive mental constructs keep us mentally binded, blinded, and unable to behold the light of metaphysical and philosophical enlightenment. When we succeed in breaking these chains by freeing our minds through true education, which involves philosophy and meditation, we discover the greatest secret of life and existence, which in turn gives us insight into the true meaning of justice, the main subject of Plato’s Republic. Platos - Cave This most valuable secret of all secrets is that all life is One Life, all minds are One Mind, and all things are One Thing.

Not only does Plato’s Republic teach us that the mind can be, and that it all too often is, the worst kind of prison that we can ever find ourselves locked up in, this golden dialogue also teaches us, perhaps paradoxically, that the mind is also the key that we must use in order to free ourselves from that prison:

The mind is the prison

And also the key

And as Freemasons

We have chosen to be free

The Dionysian Artificers – Part 2

August 16, 2019 By Kristine Wilson-Slack in Esotericism, History, Literature Tags: Apollo, Bro. Albert Mackey, Co-Mason, Co-Masonry, Co-Masons, Death, Dionysian Artificers, Dionysus, Eleusinian, Freemasonry, Hippolyto Da Costa, Hiram Abiff, Horus, Isis, Masonry, Mithras, Nonnus, Orpheus, Osiris, Persia, Plato, Resurrection, Socrates, Thamuz, The Sketch of the History of the Dionysian Artificers, The Symbolism of Freemasonry, Titans 4 Comments

We discussed briefly, in Part 1, the text of the book, “The Sketch of the History of the Dionysian Artificers,” by Hippolyto Da Costa. The book, written in 1820, is the author’s take on where Freemasonry originated, and what the “guts” of Freemasonry’s teachings are about. However, no where in the text does Da Costa state this is about Freemasonry nor does he use the term Freemasons. What is this text attempting to say, and why should Freemasons care?

Let’s return to the myth of Dionysus. According to Mackey’s “The Symbolism of Freemasonry,” there were two myths of Dionysus and the one particularly noted to Freemasonry and the Dionysian Artificers is the one which involves the Titans. Dionysus had two births, according to some, including the Greek poet Nonnus, who has provided the account of his first birth and death. From Wikipedia…

“The Greek poet Nonnus gives a birth narrative for Dionysus in his late 4th or early 5th century AD epic Dionysiaca. In it, he described how Zeus “intended to make a new Dionysos grow up, a bullshaped copy of the older Dionysos” who was the Egyptian god Osiris. (Dionysiaca 4).
Zeus took the shape of a serpent (“drakon“), and “ravished the maidenhood of unwedded Persephoneia.” According to Nonnus, though Persephone was “the consort of the blackrobed king of the underworld”, she remained a virgin, and had been hidden in a cave by her mother to avoid the many gods who were her suitors, because “all that dwelt in Olympos were bewitched by this one girl, rivals in love for the marriageable maid.” (Dionysiaca 5)^[162] After her union with Zeus, Perseophone’s womb “swelled with living fruit”, and she gave birth to a horned baby, named Zagreus. Zagreus, despite his infancy, was able to climb onto the throne of Zeus and brandish his lightning bolts, marking him a Zeus’ heir. Hera saw this and alerted the Titans, who smeared their faces with chalk and ambushed the infant Zagreus “while he contemplated his changeling countenance reflected in a mirror…”
However, according to Nonnus, “where his limbs had been cut piecemeal by the Titan steel, the end of his life was the beginning of a new life as Dionysos.” He began to change into many different forms in which he returned the attack, including Zeus, Kronos, a baby, and “a mad youth with the flower of the first down marking his rounded chin with black.” He then transformed into several animals to attack the assembled Titans, including a lion, a wild horse, a horned serpent, a tiger, and, finally, a bull. Hera intervened, killing the bull with a shout, and the Titans finally slaughtered him and cut him into pieces. Zeus attacked the Titans and had them imprisoned in Tartaros. This caused the mother of the Titans, Gaia, to suffer, and her symptoms were seen across the whole world, resulting in fires and floods, and boiling seas. Zeus took pity on her, and in order to cool down the burning land, he caused great rains to flood the world (Dionysiaca 6).”
Wikipedia: Dionysis

The first dating of Dionysus comes from approximately 13th Century BCE in Thrace, possibly migrated from Ionia. Mackey discusses in his chapter, “The Dionysiac (sic) Artificers,” how the rites of Dionysus, as it relates to the first death of Dionysus are nearly ubiquitous throughout the ancient world and how, over time, they have morphed into several rites which we are also familiar with – those of Osiris, Orpheus, and Mithras. After reading the passage above, it is hard not to see the connections in the death and symbolism connecting them together.

In one version of the myth, the events described above are directly attributed to Isis, Horus, and Osiris, with Horus taking the place of the Titans. From some sources, it is speculated that Dionysus was the only foreign God to be accepted into the Greek pantheon, and that many believe this myth of Dionysus to be the source of all other mystery schools. What is fascinating is we have a 4th or 5th Century CE author, Nonnus, writing about a God that has been in human consciousness for nearly 2000 years, at the very least.

What does this have to do with Freemasonry? Much, if you take Da Costa’s take. From Pgs 5 and 6 of the “Dionysian Artificers,” we read:

Amongst those mysteries are peculiarly remarkable the Eleusinian. Dionysius, Bacchus, Orisis, Adonis, Thamuz, Apollo, etc., were names adopted in various languages, and in several countries, to designate the Divinity, who was the object of those ceremonies, and it is generally admitted that the sun was meant by these several denominations.
Let us begin with a fact, not disputed, that in these ceremonies, a death and resurrection was represented, and that the interval between death and resurrection was sometimes three days, sometimes fifteen days.
Now, by the concurrent testimony of all ancient authors the deities called Osiris, Adonis, Bacchus, etc. were names given to, or types, representing the sun, considered in different situations, and contemplated under various points of view.
Therefore, these symbolic representations, which described the sun as dead, that is to say, hidden for three days under the horizon, must have originated in a climate, where the sun, when in the lower hemisphere, is, at a certain season of the year, concealed for three days from the view of the inhabitants.
(sacred-texts.com: Dionysian Artificers)

The conjecture that the worship of the sun came from a climate (Persia, for example, Mithraic Rites) is, in Da Costa’s view, erroneous. The worship of the sun came from the northern-most climates, and thus came from Atlantis, as documented by Plato and, according to him, Socrates. While the origin of the Sun Worshiping rites is still open to debate in Da Costa’s work, he emphasizes that the numbers, in accordance with the Order of Nature, are important and that the mysteries themselves are teaching their initiates about the cycle of life and death. If we are to believe that these mysteries came from Atlantis, then the one common language that could have been passed through the ages is numbers and symbols, as expressed through the laws of nature which all Earth inhabitants share.

Da Costa continues to trace the lineage of the mystery schools through the modern day, including how the worship of the Sun and Dionysian Rites in particular became associated with the art of building and architecture. From the book, again, pages 30-32:

About fifty years before the building of the Temple of Solomon in Jerusalem, a colony of Grecians, chiefly Ionians, complaining of the narrow limits of their country, in an increased population, emigrated; and having been settled in Asia Minor, gave to that country the name of Ionia.
No doubt that people carried with them their manners, sciences, and religion; and the mysteries of Eleusis among the rest. Accordingly we find that one of their cities, Byblos, was famed for the worship of Apollo, as Apollonia had been with their ancestors.
These Ionians, participating in the improved state of civilization in which their mother country, Greece, then was, cultivated the sciences, and useful arts; but made themselves most conspicuous in architecture, and invented or improved the order called by their own name Ionian.
These Ionians formed a society, whose purpose was to employ themselves in erecting buildings. The general assembly of the society, was first held at Theos; but afterwards, in consequence of some civil commotions, passed to Lebedos.
This sect or society was now called the Dionysian Artificers, as Bacchus was supposed to be the inventor of building theatres; and they performed the Dionysian festivities. They afterwards extended themselves to Syria, Persia, and India.
From this period, the Science of Astronomy which had given rise to the symbols of the Dionysian rites, became connected with types taken from the art of building.
(sacred-texts.com: Dionysian Artificers)

As the migration of the Artificers coincided with the building of the Temple of Jerusalem, Da Costa speculates that the building afforded a new way to communicate the mysteries, and thus tied together the mysteries of ancients with a legend of Hiram Abiff. Additionally, Da Costa alludes to the idea that the Artificers might have had a hand in building or advising on the Temple’s completion. He states that the Temple represents the “Universal System of Nature.” In other words, the study of the Temple’s actual layout may symbolize the whole of the cosmos in the Hermetic principle of correspondence: “As Above, So Below.”

Da Costa concludes his paper very quickly and simply: With the advent of religions, and science, the ideas of the ancients faded into obscurity.

In the tenth century, during the wars of the crusades, some societies were instituted in Palestine, and Europe, which adopted some regulations resembling those of the ancient fraternities. But is was in England, and chiefly in Scotland, where the remains of the old system, identified with that of the Dionysian Artificers, were discovered in modern times.
sacred-texts.com: Dionysian Artificers

Again, without discussing Freemasonry, Da Costa specifically calls out Freemasonry as a repository of the Dionysian Artificers and any student of modern Freemasonry would recognize many of the hallmarks of the mystery schools. In many places, and some even to modernity, regard these ancient mystery schools as heresy, atheism, or paganistic idolatry. A fascinating read, to accompany reading the Dionysian Artificers, is a section from the Theosophical Society’s website, entitled “Part 1 – The Mystery Schools” from the book “The Mystery Schools,” by Grace F. Knoche (Second Edition: 1999). While this is, of course, a decidedly Theosophical take on the origin and meaning of Mystery Schools, it can give the reader a very different view from the propaganda that has been surfaced through the ages and has influenced our modern thinking about Mystery Schools.

My take is, that in short, the Dionysian Artificers were and are those who are working to keep the venerable Mysteries alive; this is ancient knowledge passed down to us to use to live and to prepare for our own deaths. It’s knowledge of the world we are a part of, and if we listen closely can affect us in profound ways. Nature teaches us to live but more importantly, She teaches us to move through life to our inevitable destiny, and beyond. The stories repeated by the Artificers are not necessarily meant to provide profound enlightenment and help us all transcend to a perfect heaven or afterlife. The Artificers are those who work to continue the refinement of the human species and, over time, help us to move in concert with Nature & Science, and be the best version of Humanity. If that is the goal of the Artificers, perfecting humanity, then it seems that Freemasons are the modern Artificers, just as Da Costa, 100+ years ago, theorized.

Triangles Everywhere

November 21, 2018 By Kristine Wilson-Slack in Formal Science, History, Philosophy Tags: Alchemy, Astrology, Co-Freemasonry, Co-Masonry, Euclid, Freemasonry, Geometry, Grand Triune, Mason, Masonry, Plato, Pythagoras, Seven Liberal Arts and Sciences, Thales of Miletus, The Pythagorean School, Triangle, Triangles Leave a comment

I was recently exploring the idea of the triangle – its form, function, stability, and meanings. In Freemasonry, as in many traditions, the triangle holds significant influence in symbolic meanings.

A triangle is a polygon with three sides and three vertices. There are many forms of triangles – right, equilateral, obtuse, acute, isosceles, and scalene. There are also oblique and degenerate triangles. Triangles may be multiple types. Triangles are generally believed to be two-dimensional objects whose interior angles, at least in Euclidean space, equal 180 degrees. They can be various shapes but the ones most often seen are right triangles and equilateral triangles.

Of the triangle knowledge from history, the famous philosophers Pythagoras, Plato, and Euclid are known best for theorems, ideas, and esoteric supposition surrounding the form. The form is so basic that it’s most likely older than written history. Ancient petroglyphs, such as those from Columbia, the Sierras in North America, and Mexico, show humans with bodies and heads in the form of triangles. This is a basic shape that mimicked the human form, with wide shoulders and narrow waist, or a wide head crown and narrow chin. There isn’t anything to indicate, in-depth, the symbolic meaning of the triangle other than it being incorporated into the human form.

The Egyptians used the triangle quite often, generally in the realignment of land plots after the Nile floods but also in architecture. In a 2000 thesis article regarding the “sacred triangle,” the author asserts that Egyptians knew and used, even in the Old Kingdom, the “sacred triangle” of 3:4:5. Indeed, the author goes on to state that using straight vertices, or a “simple, straight vertical pole,” to find location or identify specific time of day or days of the year. While this is a heavy-mathematics article, the reader might find some deeper, symbolic meanings in the geometry.

During the 6th C. B.C.E., the School of Pythagoras became known for its theorem regarding the formation of the ‘sacred triangle.’ Pythagoras left no mathematical writings of his own, while Euclid and Plato did. Thales of Miletus is really the creator of basic mathematics and geometry, and probably the first to give us theorems about the triangle. Pythagoras, who created the words philosophy and mathematics, is more well-known and did much to bring the form of the triangle into deeper meaning.

To Pythagoras, the number 10 was the holiest of numbers; the tetractys is a triangle form of 10 dots, created by interlinking the dots into nine triangles forming the 10th, larger triangle. It is used to symbolize the creative forces of the universe. From ancient-symbol.com, “In the figure, the first row has a single point that is representative of the Creator, the active principle, the divine power behind all creation and is associated with wisdom. The second row contains two points that represent the passive principle and are associated with friction, movement, impulse, strength, and courage. The third row with three points signifies the world coming out of the union of the above two, a union of physical and mental balance and is associated with harmony. The fourth row has four points that represent the four liberal arts & sciences that complete the world. These four points symbolize the four elements of earth, fire, air, and water.” This was, generally speaking, the first time that the philosophical meaning of a number, its holiness and perfection, being derived from pure mathematical reasoning rather than from inductive reasoning. It was more than the total of our fingers on our hands. Another interesting article on the triangle and tetractys, among other things, can be found here: http://www.projectawe.org/blog/2015/12/21/up-and-down-the-monochord-part-iii-triangle-trinity-unity. The author of this blog does a very good and thorough job of digging into these ideas, and I would highly encourage everyone interested in these subjects to read it.

In the alchemical writings of the Middle Ages, the classical elements of hermeticism were based off the form of the triangle, turned upward or down, with a line to denote the opposite or without to indicate the base elements. The conjoining of fire and water is indicative of balance and achieving perfection. The triangle is also seen in the “triangle of art” also known as Solomon’s Triangle. The circle in that triangle represents the space where spirits are called, with the triangle representative of the safe space from which the magician worked.

Triangles in astrology are seen as very positive, and a grand trine, or golden triangle, is seen as a creative, harmonious flow of energy in a person’s life; they generally are composed of the objects being in the same elements, in the form of an equilateral triangle.

Triangles are a form of stability, where two extremes are balanced by a third point. Triangles are everywhere in Freemasonry, overt and subtle, and have different stories surrounding each. These different stories speak to individuals differently even if the core remains the same; depending on the degree being worked and studied, the aspirant may find different aspects of the same truth. These truths are not much different than the ancient Egyptians and Greeks found and used in their daily lives. There are always extremes and balance is achieved by that third, divine point. One might also see that all emanates from the Divine, the single point, which may also turn into that point within a circle which is perfect balance. The perfect man may be the one who finds equilibrium during whatever storm shakes him. Taking this symbolism into our daily lives and applying it to our relationships with people is really the value of the study of symbol. We can work toward being the middle point between extremes, able to see both sides in equal measure. A more holistic view of those things that permeate our lives creates a better person.

Soma and the Holy Grail: What Role Have Psychedelics Played in the Mysteries?

November 18, 2018 By jonathandinsmore in Behavioral Science, Esotericism, History, Natural Science Tags: Acacia, Albert Hoffman, Alchemy, Ancient Egypt, Ancient Hebrews, Ancient Mysteries, Aristotle, Ayahuasceros, Blue Lotus, Brahmanism, Brahmins, Brother P.D. Newman, Cicero, Descartes, Eleusinian Mysteries, Freemason, Freemasonry, Freemasons, Gordon Wasson, Hermeticism, Hinduism, Hiram Abiff, History, Holy Grail, Homo Sapiens, Indigenous People, Mason, Masonry, Masons, National Center for Biotechnology Information, Natural Science, Northern Sami, Osiris, Philosophers Stone, Plato, Plutarch, Psychedelics, Psychonautics, Research, Rosicrucianism, Science, Scottish Rite, Shamans, Soma, Stoned Ape Theory, Theosophy, Tree of Life, Vedic Religions 1 Comment

In the past two decades, the world has seen a renaissance in research on psychedelics, after being completely banned for the previous twenty-five years. Continuing the research that was done in the 1950s and 60s, scientists are further validating that the use of psychedelics in a therapeutic context has a high success rate for treatment of various mental disorders, ranging from addiction to depression and social anxiety. The research seems to indicate that it’s possible to treat, or in some cases perhaps cure, long-term mental disorders with only a short series of psychedelic-assisted therapeutic sessions.

Psychedelics are arguably much more fascinating than any other class of psychopharmacologicals, in that the action which produces the healing effects is not simply an alteration of mood, but rather the creation of a radically altered, non-ordinary state of consciousness, leading to an acceleration and exacerbation of dormant or subconscious mental processes, which the patient can then face and deal with, to ultimately resolve the underlying psychological issue. It also includes, in some cases, the manifestation of the classical mystical experience, which has a healing power all it’s own. This last case is perhaps the most interesting as it relates to freemasonry, hermeticism, alchemy, and gnosticism, and the ancient mysteries to which we trace our origins.

Among the stories and legends of the esoteric mystery traditions are various clues and indications that psychedelics have played a role. So, how great a role have these magical substances played in the origins of Freemasonry and related occult sciences?

Ancient Psychedelic Use: Shamans to Kykeon

If current indigenous peoples are any indication, we can be fairly certain that humans have been utilizing psychedelics perhaps since we became human. The Stoned Ape Theory, though considered radical by many evolutionary theorists, posits that psychedelic consumption may even have been a primary contributing factor to our development of language, culture, abstract thought, and everything that we typically regard as uniquely human.

Regardless of whether psychedelics were critical for our evolution to homo sapiens, there is no question that psychedelics have played a critical role in human life, particularly as it relates to the religious, or sublime. Shamans have been using these compounds for various purposes ranging from healing to divination, initiation, and ritual communion with spirits presumably from the time humans first gathered in tribes. This pattern extends even to this day, including the Ayahuasceros of the Amazon rainforest, the far Northern Sami using amanita muscaria mushrooms, the indigenous people of Central America’s consumption of psilocybin mushrooms, and in the depths of Africa where Iboga and other plant medicines are still used for healing and initiation rites. These are simply some of those ancient traditions which have survived to modern times, but we can reasonably infer that untold numbers of other cultures, now wiped out by colonialism and religious persecution, have utilized psychedelics for spiritual and other purposes from time immemorial.

psychedelic soma Among the history of what we refer to as civilization, we have evidence that the shamanic thread continued and evolved as a component of some earlier human societies. Perhaps the oldest example is that of Soma, a mysterious drink consumed by the Brahmins of India, who are the highest priestly caste in traditional Indian culture. Soma was also used by Zoroastrians of ancient Mesopotamia, meaning it extended beyond the boundaries of modern India. Some of the most ancient texts of the Vedic religions speak at length about Soma and its effects, which included mystical experiences, feelings of bliss, lightness of being, inspiration, and visionary states. Although there is no consensus or absolute proof of exactly what the ingredients for Soma were, the descriptions of its effects certainly fit the bill of a psychedelic. This doubtlessly influenced the philosophies and traditions of India, which ultimately have impacted the Western mystery traditions to some extent.

eleusinian mysteries kykeon
Another famous ancient psychedelic brew a bit closer to home for the Western mysteries is Kykeon. Kykeon was a visionary drink which was imbibed at the ancient rites of Eleusis, commonly known as the Eleusinian Mysteries. The most popular theory on its ingredients is that it was made from barley infested with the fungus ergot, which contained alkaloids similar to LSD. No one knows with absolute certainty what happened in these rites, but they involved the participant going into an underground cavern or structure to drink the Kykeon and undergo a death and rebirth, an experience which was said to free the participant from fear of mortality. These psychedelic rites were undergone by great philosophers and influential figures including but not limited to Plato, Plutarch, Cicero, Aristotle, many playwrights, and the highest hierophants and priests of the day. Plutarch wrote:

“Because of those sacred and faithful promises given in the mysteries…we hold it firmly for an undoubted truth that our soul is incorruptible and immortal…when a man dies he is like those who are initiated into the mysteries. Our whole life is a journey by tortuous ways without outlet. At the moment of quitting it come terrors, shuddering fear, amazement. Then a light that moves to meet you, pure meadows that receive you, songs and dances and holy apparitions.”

These are some of the most famous examples of psychedelic use in ancient civilizations, and it seems to me that there are clearly symbolic correlations to the Eleusinian Mysteries in modern masonic ritual, at least in general theme of death and rebirth.

Psychedelic Traces Left by Egyptians and Hebrews?

Perhaps most significant to freemasonry, alchemy, and hermeticism are the clues of possible ritual psychedelic use in ancient Egyptian, and even Hebrew cultures. However, these cultures’ psychedelic traditions are also the least popularly explored, or supported by evidence. While there is some speculation about the Egyptians’ use of blue lotus, which does have psychoactive properties, this particular plant is not known to be psychedelic at any dosage. Rather, it has a more mild, sedative effect. What is far more interesting is the possibility, though only supported by scant clues, of the Egyptian and perhaps Hebrew ritual use of acacia.

Egyptian acacia Acacia’s significance is attested to throughout ancient Egyptian hieroglyphic writings, where some even believe that it is equivalent to the Ished Tree, or the Tree of Life. Historians believe that Egyptians used acacia for a wide variety of medicinal applications, including the treatment of wounds, eye problems, and skin disease. Mythologically, the first Gods of Egypt were born beneath, or emerged from the acacia. In one version of the death of the God Osiris, he was buried in a coffin of acacia, out of which a new acacia tree sprouted, and Horus emerged. This is commonly regarded as one of the possible origins of the story of Hiram Abiff.

It just so happens that this plant so revered both medicinally and mythologically by the Egyptians also contains large quantities of the single most potent psychedelic known to man, n, n-dimethyltryptamine, more commonly known as DMT. This has been referred to by some as The Spirit Molecule, and is also thought to possibly be produced naturally in the pineal gland of the brain, which was also theorized by Descartes to be the “Seat of the Soul.”

moses burning bush acacia In the Hebrew tradition, acacia is likewise regarded as sacred, and one controversial Israeli scholar even thinks that Moses may have had a psychedelic experience, possibly arrived at through the use of acacia, when he saw the burning bush on Mount Horeb. The acacia would likely have been combined with other plants which are also native to the region, which would add MAOIs to render the DMT orally active. If true, this would be a middle-Eastern analog to the ayahuasca of the Amazonian rainforest shamans, using different plants which are native to the Middle East, but with the same active components.

There also seems to be some evidence that the use of psychoactive ritual incense of various sorts was a very common method of communing with God or various supernatural beings, which the Hebrews (among other ancient peoples) brought with them from Egypt as they wandered the desert. This tradition was possibly even revived temporarily by King Solomon, according to a speculative interpretation of certain biblical passages about the dedication of Solomon’s temple. If true, presumably the sacred acacia might be among the plants used as this sacred incense for divine communion, given it’s highly psychedelic contents.

While the theory of Egyptian and Hebrew use of acacia for its psychedelic properties is not heavily supported by concrete evidence, the more well-established fact that both cultures regarded the plant as extremely sacred and medicinally useful should lead us to at least ask the question: Was their reverence for the sacred acacia purely because of its medicinal and perhaps symbolic significance? Or did it also represent for them a gateway to other realms, in which they could die and be reborn, or connect with supernatural intelligences?

A Psychedelic Thread Through History

Because of the prevalence of the use of psychedelics in rites and rituals in various civilizations throughout ancient history, we must ask ourselves: Did they simply stop, and their use in civilization die out until their rediscovery by Albert Hoffman, Gordon Wasson, and others in the mid-20th century? This seems like a strange idea, and if true, requires some explanation. Certainly, from a historical perspective, the spread of the Abrahamic faiths correlated to a decline, or more accurately, a persecution and religious cleansing of all psychedelic rites and rituals, particularly in Europe. This was certainly the reason for the fall of The Eleusinian Mysteries, and all similar “pagan” rites in general, whether involving psychedelics or not.

At least by outward appearances, the ancient mystery traditions seem to have been crushed beneath the heel of dogmatic empires, and to have disappeared from mainstream knowledge. Yet, you and I both know that they did not disappear, they merely went into hiding during the millennia of Abrahamic regimes.

Could the same be true of the ritual and sacramental use of psychedelics? Have traditions such as alchemy and hermeticism kept the use of some types of psychedelic compounds alive secretly, or are their practices the symbolic echoes of ancient psychedelic rites? Certainly, figures such as the controversial hermeticist Aleister Crowley employed drugs of various kinds in ritual and magical use, but there is no known use of substances like this, or even much discussion of it, in organizations like Theosophy, Rosicrucianism, or Freemasonry.

In lieu of any direct evidence of the ritual use of psychedelics in the more widespread modern mystery traditions, I present to you an alternative hypothesis: Could it be that these traditions hand down to us ritual structures which were originally based on psychedelic use, and that these ritual structures so painstakingly preserved through the millennia are like a holy grail, a container into which the sacred waters of psychedelic experience are waiting to be poured?

Certainly, based on what we know about psychedelics through both modern science, ancient shamanism, and the explorations of modern psychonauts, the ritual experiences of death and rebirth so emphasized in these traditions would almost certainly be given an exponential increase in potency, if undergone in a psychedelic state. On the other hand, the legal and ethical ramifications of doing so right now would be extremely prohibitive; however, perhaps someday in the future, when the therapeutic and religious ritual consumption of psychedelics is more widely accepted, as it is no doubt destined to be by the march of progress, this could be a possibility.

I’ll leave you with this passage from P. D. Newman, a Brother of the Scottish Rite:

The principle goal of Alchemy was (and is) the production of the lapis philosophorum. The Alchemical axiom states that the coveted stone is made “not of stone, not of bone, not of metal.” That is to say, it comes not from the mineral kingdom and not from the animal kingdom. It must, therefore, be deduced that the true stone of the philosophers is to be found only within the vegetable kingdom… the production… [was said to be derived] from the mysterious prima materia, or first matter… Truly, acacia is referred to precisely as the prima materia by both Cagliostro and Melissino in the respective Alchemico-Masonic rites authored by them. The same is true of the Fratres Lucis…

“The search for physical immortality proceeds from a misunderstanding of the traditional teaching. On the contrary, the basic problem is: to enlarge the pupil of the eye, so that the body with its attendant personality will no longer obstruct the view. Immortality is then experienced as a present fact.” …The Alchemists purport that the stone of the wise has the power to give its possessor the knowledge of his very immortal soul. Hence, it’s also being called the stone of projection. For, the soul of its possessor is the very thing that appears to be projected upon the stone’s proper application.

Obligation in Modernity

August 29, 2018 By Kristine Wilson-Slack in Behavioral Science, Philosophy Tags: Buddhists, Christianity, Co-Freemasonry, Co-Mason, Co-Masons, Collective Effort, College, commitment, Contract, Creation, Creators, Divorce, Duty, Emotional Work, Epictetus, Esoteric, Esoteric Path, Esotericism, Failure, Freemasonry, Gospel of John, Grateful, Heraclitus, High School, Individual Path, Jews, Life, Logos, Marriage, Masonry, Mental Work, Middle English, Obligation, Obligations of a Freemason, Oblige, Operative Masonry, Philosophy, Physical Work, Pietre-Stones, Plato, Spiritual Work, Strength, Suffering, Taoists, The Wizard of Earthsea, The Word, Ursula K. Le Guin, Will, Work 1 Comment

Freemasonry is built on the idea of obligating yourself to perform certain tasks, with a specific set of goals in mind. The word “obligation” comes from the roots of Middle English, from the verb “oblige,” which means to formally legally or morally bind someone to a promise. North Americans are used to hearing the phrase “much obliged,” in a sort of archaic sense, which means “to be indebted or grateful.” This is a derivation of the word; the more archaic form, from where the word “obligation” comes from is “to bind (someone) by an oath, promise, or contract.” The current 21st century definition is “an act or course of action to which a person is morally or legally bound; a duty or commitment.”

The most common obligation people run into is that of marriage. Divorce rates in the United States are down, possibly because marriage rates are also down. A shift? What about other obligations we make during our lives, especially the ones to ourselves? Upwards of 25% of current high school Freshmen will never complete high school. College drop out rates are the highest they have ever been, even with the highest enrollments ever. Even fraternal and social groups suffer from those who start and, for whatever reason, drop out.

To be fair, there are many reasons for giving up the path; financial, health, and family issues may cause problems for the student or spouse. Yet, we find little effort being made to surmount those challenges; we see the heroes as ones who complete school against all odds – but those odds are sometimes no greater than odds we all face. Everyone has challenges in their life. Completing or dedicating yourself to an endeavor takes will and strength, a desire to go against the easy life and really work hard to achieve your own success, whatever that might be. In an age of “Alexa” and “Siri,” doing things for yourself is seen as too much effort.

Molecular Thoughts

People who choose an esoteric path have put themselves on an extremely hard working journey. It’s not easy. As Buddha said, “life is suffering.” Enlightenment is not found in simple meditation. Physical, emotional, mental, and spiritual work are all necessary. Freemasonry, an esoteric and mystery path built on the foundations of “operative masonry,” is perhaps the epitome of working esoterically and externally.

An excellent article on the “Obligations of a Freemason” can be found on Pietre-Stones. In this article, the author expounds on the obligations of the individual as well as the collective. As Freemasonry is an “individual path worked in a group/collective,” it’s very right that we also look at not only what our obligations to ourselves but also to the group. In fact, from the very onset, in our application, we are promising certain actions that are considered obligatory.

Why all this emphasis on obligation, promises, and commitment? Is there some deeply esoteric meaning in obligating yourself to someone or something? Perhaps.

“In the beginning was the Word, and the Word was with God, and the Word was God.” ~ (John 1:1)

Much has been said about the divine logos, or, according to the Greeks, “The One Great Reason.” It’s representative of the unseen force of the universe that links us all together, whether we call it God, Love, the Divine, the Force, or whatever. Our ideas about “the Word,” and I suspect John’s as well, came from the Greek philosophers – Heraclitus, Plato, and Epictetus. Where Plato defined logos as an archetype, an idea representation of the divine in an independent-of-physical world, the Stoics refined the idea of logos to impart to it an active principle, and one which incorporated “the Reason” for all being into the function of “The Word.” It’s clear that The writer of the Gospel of John, as well as Buddhists, Jews, Taoists and others have also integrated this idea of the logos into the active Divine in the function of speaking the Word.

The divine Logos is the divine purpose, plan, or word that is the ultimate reason for the cosmos, which orders the universe and gives it meaning. That is, the sound or word has meaning, weight, in creation. As noted above, the Stoics defined logos as the law of generation in the Universe, which was the principle of the active reason working in inanimate matter. Humans, too, each possess a portion of the divine logos. That is, we humans, through our actions and words have generative power. The act of committing ourselves, or creating a binding agreement to complete work has power over us, either consciously or subconsciously. It also has the power to affect other individuals and other groups. This is a ripple effect; what we achieve has a lasting effect on the world around us, and flows out from us in a physical and metaphysical wave.

LOGOS-Greek Thus, in giving our “word” or “bond,” we are creating. We create not only the superficial matter – such as our place in a Lodge or our status as spouse in a marriage, but we are creating an unseen, immaterial ripple that will create an effect throughout time. We create – it’s what humans do – and through our words, we create more than just simple relationships. Each word is a spoken manifestation of divinity.

Thus, promises, obligations, and commitments have weight – perhaps even more weight than we realize – when it comes to our overall spiritual life. It is important that we chose and use them carefully.

It’s funny that some individuals see their obligations as infringements on their time, or resources, or futures; funny because most, if not all commitments, promises, and obligations are solely made as the choice of the individual. We think the promise we make to ourselves and others is somewhat disposable, minimal, with little effect on others and perhaps not even ourselves. Divorce and breakups, broken familial relationships and school dropouts – these are the failures of not understanding ourselves and our words. Failure is always an option and do-overs are necessary – but in order to achieve relief from the suffering, we have to be willing to be honest with ourselves. Pain is inevitable, and suffering doesn’t arise from pain but from our resistance to it – from our resistance to honesty and careful thought; it comes from our resistance to speak “the Word.”

I’ll leave you with a quote from a children’s fantasy book, one which understands and captures the essence of “the Word” in a very real sense – The Wizard of Earthsea.

“It is no secret. All power is one in source and end, I think. Years and distances, stars and candles, water and wind and wizardry, the craft in a man’s hand and the wisdom in a tree’s root: they all arise together. My name, and yours, and the true name of the sun, or a spring of water, or an unborn child, all are syllables of the great word that is very slowly spoken by the shining of the stars. There is no other power. No other name.”
― Ursula K. Le Guin, A Wizard of Earthsea

Is Freemasonry a Spiritual Practice?

November 22, 2017 By Kristine Wilson-Slack in Esotericism, Philosophy Tags: Albert Pike, Allah, Aristotle, Atheist, Catholic, Co-Freemasonry, Co-Masonry, Co-Masons, Esoteric, Exoteric, Freemason, Freemasonry, Freemasons, God, Goddess, Jehovah, Neoplatonists, Plato, Plotinus, Practice, Religion, Socrates, Soul, Spirit, Spiritual, Spirituality, Tao, The Great Law, Wiccan, Work of Masonry, Zeus 1 Comment

In keeping with the discussion surrounding soul and spirit, I wanted to complete the examination in a part 2, looking at Freemasonry as, to use the “new age” term, a spiritual practice. Freemasonry has been called many things in its lifetime: a fraternal group, an esoteric organization, a cult, a charity organization, and a religion, among other things. Whatever the masses call Freemasons or the Freemasons call themselves, their mission has been the same from the beginning: to create a better world starting with the improvement of humanity at the individual level.

“Remember always that all Masonry is work”, says Albert Pike, a prominent 19th Century Freemason. The Masonic “work,” in my view, is the internal, oblique ritualistic work by which Masons are made and educated for the exoteric work, which consists of activities for the welfare of mankind according to Masonic principles. It is in this mysterious, hidden ritualistic work where much of the speculation of what Freemasonry does and does not do begins. Indeed, sometimes Freemasons themselves may have a difficult time understanding what the “secret” things of Masonry are all about.

In at least one Masonic Order, and probably many others, it is specifically stated that Freemasons have a special charter to input esoteric knowledge into the Masonic members. By esoteric, let’s use the basic form of the word, meaning “knowledge meant only for a few.” Freemasonry, being a select organization, is “esoteric” in this way. That is, generally speaking, the percentage of the overall, human population that belongs to Freemasonry is extremely low. Esoteric, in its uncomplicated form, does not connote anything spiritual, religious, or occult. While some aspects of those forms of study may be “esoteric,” the word “esoteric” does not mean spiritual, religious, or occult.

AstralProjection3 Be that as it may, many people find that Freemasonry lends itself toward “spirituality.” “Spiritual” means, quite simply, “pertaining to spirit.” This begs the question, then: what is spirit?

To be simple and clear, for this I’ll use the dictionary.com definition, which is “the principle of conscious life; the vital principle in humans, animating the body or mediating between body and soul.” Could it mean “the soul as it is separated from the body at death” or even “an angel, demon; sprite?”

Yes, absolutely; however, when speaking in relation to philosophical discussions, the first definition is the one to which most people seem to refer. It is the one that for the purposes of this exposition that we will accept and use. The “principle of conscious life” or spirit, and its existence or non-existence, has been for all of human existence the core of much conflict.

What is spirit? Why do people, cultures, and religions view it differently? Is the spirit of humanity divine? Why is this so important? What about the spirit of animals, trees, and rocks? Whence does this spirit emanate? What is its birthplace? The source of many people’s idea of “spirit” seems to be either what many would call God, or gods and goddesses, and the qualities or virtues we assign them accordingly. If we are animated by this “spirit,” and we ascribe this to “God” and say that this part of our being has “godly attributes” or it is “divine.”

However, as is defined above, the term “spirit” is not demarcated by some kind of divine or godly source. It simply is an animation or “vital principle in humans.” It is when we ascribe this spirit’s existence to a specific external entity – be it God, Allah, the Tao, Jehovah, or Zeus – that we run into human conflict. If one is right and true, all others must be wrong and false. Wars have been and continue to be fought over such questions as the origin of “spirit.” Yet, do humans fight over “spirits,” or do they fight over “souls?”

This is where the subject of spirit becomes confused and perhaps convoluted; it is when the word “soul” is interchanged with “spirit.” Wars have been fought over “souls,” not “spirits.” When we discuss soul, I feel we must continue to be very clear about the terms that we’re using, and that the meaning of the word should be as neutral as possible.

“Soul” to a Catholic is very different than a “soul” to a Wiccan, Neo-Platonist, or an Atheist. Resorting to Merriam-Webster for common ground, and looking at this from a purely English literary and linguistic sense, both “soul” and “spirit” originate from a core meaning of “breath, life.”

The major difference between the two seems to be that one is immortal (soul) and one is pure animation and life (spirit) with a specific beginning and ending event. The idea, from these definitions, is that the soul lasts forever while the spirit comes into existence at birth and expires at the death of its human host.

In the base meaning of the word “soul,” there is also the inference of “life giving” qualities. Given that both concern themselves with the essence of life and seem to inhabit the same physical space, it is easy to see that these could be confused and muddled in discussion, debate, and theology. I hear many Freemasons refer to Spirit and Soul interchangeably, but I am unclear whether or not they mean the same thing or spiritual eye something different. I do believe that Freemasonry helps provide us a path toward an answer.

We do not normally say we perform a “soul practice”; what we are concerning ourselves here with is the idea of a spiritual practice, as most Westerners use the term. As a verb, to practice is to do something again and again until we’re better at it.

Interestingly, the word “practice” is not a noun – it is in all cases a verb. It is an active principle; as we’ve noted above, so too is Freemasonry. A spiritual practice, using the terms we’ve outlined here, would really indicate “to regularly or constantly work at bettering the vital principle of conscious life.” The term “spiritual practice” is something which we might say develops, by repeated efforts, that vital principle animating humans, “animating the body or mediating between body and soul.”

As the soul is the vital “breath” of humans, one must ask whence it comes, in order to understand if it can be developed. Yet, if this principle is just that, a principle, can it be “trained?” Is it not already perfect how it is? There have been many philosophers, Aristotle, Plato, Plotinus, and Socrates that have all debated this very question – the immortal and thus incorruptible nature of the “soul.” Can something which is, at its core, incorruptible and pure, be “trained?”

Again, if we examine the word soul, as a vital and immortal principle emanating from a divine source, then one must assume that it is something that is pure and pristine as it is. If the Divine is infallible, is not the soul then also infallible? However, if the spirit, being that conduit between or mediator of the body and soul, is truly a breath that can expire at death, then perhaps it is this part to which we are seeking refinement. It would be the washing away of the film of emotions and desires that cloud the conduit that would be the province of a spiritual practice. This is very clearly outlined in some allegorical journeys of English Rites, particularly the higher degrees. In truth, we see it in all allegorical journeys, and stages, that the Freemason takes throughout their entire Masonic career.

Perhaps, what we call a spiritual practice is something that is not to improve or better the spirit itself but to find a way to remind our bodily world of what spirit, and soul if one believes in this, really is. Perhaps it is not to develop the spirit or even a relationship to the spirit but to be conscious and aware of it, to be cognizant of what clouds, conceals, obstructs, or harms that clear pathway of information between body and soul.

If our Divine self, as the soul, is to speak in the material world, the spirit must be clear to enable this to happen. Perhaps this is the reason that Freemasonry does not concern itself with a single religion but with Religion as a whole; if one is to know there is a soul, then there must be a reason for its existence. Perhaps this is also the reason that one must have a belief in a divinity to even be a Freemason. Why would you want to improve Stone_Masons copy the channel between body and soul if you did not believe that one of these pieces did not exist?

To develop the spirit first means to remove those things which impair the conduit and support that which assist the spirit in its duties. This practice would not concern itself with the reason for the soul’s existence – only that it would be able to communicate clearly with the other members of the human world.

This is where Freemasonry interests itself, specifically. As we progress through the degrees, different stories and symbols speak to us; based on our experience, one may find resonance more in one than in the other. They bring forth ideas and discoveries that enhance the channel between body and soul; by bringing forth triggers which illustrate our own blockages, we can identify the reasons and clear the path.

Being self-aware is the first step. As we rise in Freemasonic degrees, the perception and understanding of what bars our way becomes more subtle and refined, and practice of clearing the way becomes more layered. Freemasonry teaches its adherents, with many varied messages and depths, how to clear and keep clear the conduit; it teaches us how to act according to “the Great Law” which permeates the idea of human existence.

One reason Freemasonry builds upon itself, in my opinion, is that you must be able to remove the common, grosser obstructions in communication before you can work on the subtleties. Yet, if we slip, we need to start again. Practice. Hence, the reason Freemasons consider themselves to “always be in the first degree.”

In addition, Freemasonry seems to concern itself with all aspects of the human being, refining and finessing as we progress deeper into its teachings. That is, it concerns itself with our mental, physical, and emotional well-being and actions. One must learn the fundamentals of the physical world, via ritual and memorization, before he navigates into the emotional world: subduing passions, for example. Then, only by understanding and mastering these worlds can he hope to achieve any sense of stability and growth in the realms of the mental.

Most, if not all of us, struggle at any one of these levels and have to pick ourselves up from a setback, working at their rough courser nature again and again. Is this not practice?

Perhaps, then, all of this work we do in all these degrees is the aspect of Freemasonry which seeks to refine the spirit. If one views the degrees as a spiral of life, then one can see the practice built into each of them, culminating in a birth/death. Not only does Freemasonry teach us how to improve the spirit it also tells us why.

Freemasonry does not ascribe a specific religious or theological source to the soul or the body or the spirit – it accredits the supreme & sovereign manifestation with the lessons of the degrees – a divine source. It assists us to understand how to let the unique symbols_masonic_collage message of our individual Divine sparks to be heard and enables us, through the lens of Freemasonry, to understand why it exists in the first place.

There are many ways to understand the soul; religions provide manifold reasons for its existence and purpose of being. While some religions also teach us through their ritual how to access the soul, they may or may not allow for the rich diversity of human culture and multifarious modes of understanding.

I believe, in their dogmatic and rudimentary way, they seek to remove the moral obstacles which block the spirit (conduit) from achieving its goal, which is the free flow of Divine essence from the soul to the expression within this physical, emotional, and mental realm called Earth. Where they might fall short is the lack of cultural messaging that seeks to embrace all, with different messaging tailored to the different human stories that arrive at their doorstep.

Freemasonry seems to provide support for not only a diversity of “soul origins” but also finds that middle-path, the neutral ground in order to develop that pathway that connects between the world we live in and that world in which the Divine resides. The repeated journeys of the degree system seek to teach us, in a variety of ways, what the blocks might be and how to remove them, in straightforward, non-confrontational, and non-segregated language.

Freemasonry allows us as individuals find our own path to the Voice of whatever Divinity speaks to us, and encourages us to express it as who we really are – without pretense, illusions, or corruption. The Work of Masonry is the Work on our self – repeated trials and approbations, developing, cleaning, clearing, and recognizing the path which connects the Divine Soul to our human host. In this way, to me, nothing else could be more spiritual.

Masonic Soul Food

November 8, 2017 By Kristine Wilson-Slack in Esotericism, Philosophy, Theology Tags: Abraham Hicks, Big Bang Theory, Cell, Co-Freemasonry, Co-Masons, Consciousness, Cyndi Dale, Energy, Freemasonry, Freemasons, God, Mason, Masonry, Mitochondria, Neal Peart, Neoplatonists, Neurotransmitters, Philosophers, Plato, Plotinus, Psyche, Religion, Science, Socrates, Soul, Spirit, Tao, The Subtle Body Leave a comment

“What is a Soul? What is Spirit? What is Energy?” We begin to engage in conversations about such esoteric terms as soul, energy, and spirit without being cognizant that we are not speaking the same language. The words may be the same but meanings span the spectrum. We can debate these questions all night, all month, and for the rest of our lives and never come to understanding. Do people really know what they mean when they talk about energy, soul, or spirit? While these are common discussions amongst Freemasons, they are sometimes the most difficult subjects on which to remain impartial and fair.

Humans seem to have a lot invested in the idea of their souls, and in other people’s souls, too.

Many people join Masonic groups so they can “have an energetic experience” or “touch something mystical.” Some talk about experiencing something that touches their soul or provides a spiritual meaning to their lives. Some Freemasons mention how they “love the energy of Lodge” or how it’s our job to “raise the vibration of our material world and send out ‘healing’ energy.” Many people start their Freemasonic career looking for something mystical, something secret that only they have learned, that no one else knows, that provides them a conduit to perhaps special insight that no one else has. Because Freemasonry deals with the questions of life and death, the neophyte may be looking for Freemasonry to unlock all those special secrets and have the answers. They use terms like soul, spirit, and energy without defining them for themselves and in their communications with others.

energy1 It seems that many times, the conversations are about what people want to believe rather than reasoned conclusions. Discussion and debate are the way we educate ourselves and grow. Transformation requires thought.

To those who let go of preconceived desires and wishes, Freemasonry is transformative in many ways. It does discuss these questions of life and death. It leaves the aspirant to mull over symbols and meaning and yes, come up with personal insights on perhaps souls and spirit and energy. Freemasonry provides us the opportunity to to convert from a polarizing human nature to one of balance. We need to learn to deal with all aspects of our temperament in order to understand all the features of this life – material, emotional, mental, and spiritual. It is this last realm, spiritual, that trips many up.

Most Freemasons accept the presence of a greater power, something undefined that connects us all to a single purpose. Most would agree with the idea of the multi-faceted nature of human existence, struggling with the balance of brain, mind, body, and this idea of “connectedness.” Many have experienced things they can’t explain, the nudges of intuition, and the sudden flashes of insight that seem “deep.” These are all valid experiences. It’s taking them from the experience to meaningful communication that humans struggle. We throw out a word like “soul” or “spirit” or “energy” and assume that the people we communicate with understand what they mean. Freemasons are philosophers, and any good philosopher will not abide a discussion with random, undefined terms. When asked about souls, there are vague allusions to something energetic, mystical, unique, and connected to some form of god/goddess/force/Tao. A soul is what makes us individuals. A soul is something that is part of God. A soul is our energetic self. “When our eyes met, our souls touched.”

What does any of that really mean? For each individual who speaks on these subjects, there is a different answer. Pinning people down about souls and spirits and such can be quite agitating for people. Some people get downright angry.

Can we define any of it? Perhaps. Perhaps we can start with energy.

socrates Unless you wholeheartedly dismiss science, there can be no doubt for one second that we are energetic beings. Neurons use electrical impulses and neurotransmitters (chemicals) to enable our bodies to function in its entirety: to think, feel, heal, sense, breath – everything. Without energy, our hearts would not pump, we would cease to be able to think and process information, and we would die. Mitochondria, in a weird symbiotic relationship with us, enable us to live by helping us process the material world around us into energy. Every cell has mitochondria and every cell is able to produce energy of some sort. Life is energy.

Okay, we’ve established we’re energetic beings, and by the nature of the material world, energetic beings are everywhere. We communicate with our senses and receive communication with our senses. Abraham Hicks said, “We talk with words but communicate with energy.” Cyndi Dale, author of “The Subtle Body: An Encyclopedia of your Energetic Body,” states that “energy is information that vibrates.” This latter definition is a little more trustworthy, it seems, than the former. We can test it. We can retest it. We can play with it and work to define examples. However, this is also where it gets tricky, right? Let’s take a page, well, a short paragraph from Wikipedia: “In physics, energy is the property that must be transferred to an object in order to perform work on or heat the object. It can be converted in form but not created or destroyed.”

BB_timeline Well, okay then, simple question: where did the energy that makes up us come from? Ouch, right? In a recent conversation, I posited this question to a fellow Freemason. He answered, “the stars.” I said okay, get me from B to A. He said “Stars created the elements that trapped the energy that went into making us.” I replied that I agreed, but then, what makes up the stars? He said it must be “the Big Bang.” Humans are the trapped energy of the material created during the Big Bang. To him, we all derive from the single moment that created time, matter, and energy. Physicist or philosopher, the topic of energy is where we converge. We can conclude from this that elements that make up the material world are trapped energy. Is this trapped “energy” spirit? Is that our “soul?”

If we are trapped energy of stars, as is everything around us, then we have far more in common with other matter than we think we do. If we are all made of the same matter, we should be able to recognize one another by way of transferring energy. Or, so one would think. What is interesting to note is that many psychologists and philosophers considered love to be a transference of energy. Freud dwelt on the physical aspects of love while Plato talks about spiritual or unselfish love; but one in the same, what we call love is, to them, a transference of energy. When we love something, we do put energy into it, and it into us. Perhaps this is the idea of spirit. Spirit, Plato said, that that way we communicate emotionally with other humans. Is this not love? So, love is spirit. We can also say love is energy.

So if love, life, and elements are all energy, can we draw any conclusions about the soul?

Many philosophers have tried to explain ‘soul.’ Just one example, Plotinus, the first Neo-Platonist, did his best to help us along in understanding that the soul doesn’t necessarily need a body; yet, without a body, it can’t exist in the “intelligible realms and express itself in the visible realms.” This concept tells us how he thought the soul expressed itself, but not what it is. In a very basic sense, Neoplatonists call the soul “consciousness” or “psyche.” Still, it’s unclear even in modern terms what consciousness is. If we thought defining “soul” in religion is difficult, try the philosophical bent…Truly angst-ridden. It seems that Plotinus and Plato are already agreed that there is a soul, even if they can’t agree on its definition. Maybe it’s something that we all have to debate on until we get to learn for sure. Maybe we’ll never learn for sure, at least not in this world. galaxy-wallpaper-preview-4

One solid conclusion is that the meaning of a soul does not seem to be the meaning of a soul for everyone, and spirit is not something we can agree upon, either. If nothing else, the myriad world religions would illustrate that. The phrase “our souls speak to each other” doesn’t mean much if you can’t really explain to someone else what it means. “We communicated ‘energetically’ is really worthless unless you can really understand clearly what you intend. It doesn’t even matter if you can explain it to someone else; do we even understand ourselves? A wise Freemason once said that if you can explain something to a five-year-old, and the five-year-old gets it, then you really understand the concept of it. Simple terms, clearly defined, done. We definitely need more five-year-olds around us to keep us honest and clear.

Freemason, scientist, philosopher, or physicist: regardless of what you believe about soul, spirit, energy, or anything else esoteric, definitions are important and personal understanding moreso. The exploration of life’s meaning is, whether we agree on terms or not, something we all share.

“Why are we here? Because we’re here. Roll the bones.” – Neal Peart

Why Beauty? The Splendor of Truth

September 27, 2017 By Pamela McDown in Art & Music, Esotericism, Literature, Philosophy Tags: Beauty, Co-Freemasonry, Co-Masonry, Co-Masons, David Hume, Freemasonry, Freemasons, John O’Donahue, Philosophy, Plato, Plotinus, Poetry, Strength, The Symposium Leave a comment

Is beauty important? Why does it even exist in the first place? Everyone has a definition of beauty, and they are all different: A beautiful body, a beautiful painting, a beautiful sunset. It captivates and arrests the gaze. Beauty shines through the whole universe. When confronted by true beauty, one cannot turn away one’s eyes. We aspire to be beautiful so people will love us. It captivates all the senses, the soul and the spirit.

Maybe the question is not “what is beauty,” but “why is beauty?” Why is it any use to us at all? How do we know it? As Freemasons, we are taught that Beauty adorns all great and important undertakings. Beauty in the arts gives pleasure through inspiration. A gentle obsession with beauty is a source of much in our lives. Let us muse together on beauty.

How does one decide if something is beautiful or not? The Greek philosophers Socrates and Plato are said to have been the first who tried to define beauty. They thought that an object is inherently beautiful. Other philosophers argued that beauty is subjective. Beauty is not the quality of the object but it is an experience of our own, thus the popular phrase, “beauty is in the eye of the beholder.” For example, after seeing a starry sky, a gorgeous painting, or a mystical rainbow, a person may feel wonder and awe by the beauty in it. But not everyone may feel the same way about those same things.

Is beauty objective or subjective? Does our perception of beauty define us?

Plato’s Ladder

Plato uses the symbol of a ladder to show different levels of beauty in his dialogue in The Symposium. Each rung of the ladder gives a different perspective. On the first step or level, a person loves a body, and then all bodies. By the third step, he relates to the beauty of souls over that of bodies. This leads to the love of laws and institutions, leading to the love of certain types of knowledge. It ends in the pursuit of knowledge, or the love of wisdom. Upon reaching this, the person will see Beauty in its purest form or Beauty itself. 8154643392_20cf304518_z

Step 1 – A beautiful Body
Step 2 – All beautiful Bodies
Step 3 – Beautiful Souls
Step 4 – Beautiful Laws, Institutions
Step 5 – Beautiful Knowledge
Step 6 – Beauty Itself

Looking at this it seems that beauty is not just about pretty things, but it’s something much deeper and vaster. It involves some sort of process of transformation. There is a saying In Italian, “bello da morire” which means “beautiful to die for.” The presence of beauty creates the possibility for a shift in us. If we change too much, we die of our old selves. According to philosopher David Hume, “Beauty is no quality in things themselves. It exists merely in the mind which contemplates them; and each mind perceives a different beauty.”

I think that beauty is like love in that it is one of those big realities in our life. Our relationships may be complex and at times contradictory and difficult. For example, we know that someone who looks traditionally very beautiful could be very dreadful indeed.

Ultimately, we face a paradox. Beauty may be important because it has strength and the power to transform us. But there are parts of us that resist that; we are attached to our old images of ourselves, old dogmas, and habits, and therefore, we prefer not to let in too much to beauty. It can be dismissed or ignored, and life goes on anyway in quiet desperation.

Do we even dare climb the ladder to this ineffable beauty? Plato said that beauty is truth. For example, if a statement is true it will also be beautiful. But there is even a problem 3913221135_a6918bf8cf_z with this. We might see a statement that is beautiful to us, yet if we test it we find out it is not true. Beauty is a very complicated relationship.

Beauty in Freemasonry

In Freemasonry, we learn the concept of beauty cannot only be of a material beauty. If we go deep enough we will indeed find out that beauty is the splendor of truth. Inner beauty is goodness, and inner goodness is beauty. At some point, comes a decision to tread the way and be a better person. Embracing beauty helps with that.

Plotinus, one of the most influential philosophers in the ancient world, talks about fostering an inner vision:

Cut away that which is superfluous, straighten that which is crooked, purify that which is obscure: labor to make all bright, and never cease to fashion your statue until there shall shine out upon you the godlike splendor of virtue, until you behold temperance established in purity in her holy shrine.

By making “crooked things straight,” it seems that we can begin to experience a portion of those beautiful truths. Raise your consciousness and beauty will unfold before you. Attending a beautiful masonic ceremony or engaging in the creative arts can be enlightening and so can eating a box of chocolates. Divine!

I recently was listening to an interview by the late poet John O’Donahue. Something in his words and in his haunting deep Irish voice touched my soul ever so beautifully. I closed my eyes to as if to pay homage to the gods of poetry and philosophy. It was one of those rare encounters with beauty. We have all had them. In a moment of sublime Beauty, we are all rendered speechless. Beauty is ineffable. Why Beauty? It conveys something Divine that book knowledge doesn’t. Beauty gives way to contemplation. Admittedly, the very heart of Beauty cannot be captured in words.

Beauty does not linger, it only visits.
Yet beauty’s visitation affects us and invites us into its rhythm,
it calls us to feel, think, and act beautifully in the world:
to create and live a life that awakens the Beautiful.

– John O’Donahue

The Quadrivium

June 28, 2017 By Kristine Wilson-Slack in Art & Music, Esotericism, Formal Science, History, Music, Natural Science Tags: Arithmetic, Artisotle, Astronomy, Boethius, Cassiodorus, Co-Freemasonry, Co-Masonry, Co-Masons, Freemasonry, Geometry, Loeb Classical Library, Mathematics, music, Plato, The Platonic Theology, The Pythagorean School, The Quadrivium, The Republic 1 Comment

What scholars call the “foundation of Liberal Arts” – the Trivium – is taught in order that one may expand to other subjects, building upon the skills learned. These subjects have been varied over time, based on the philosopher teaching them but they are now generally accepted as mathematics, geometry, music, and astronomy – the Quadrivium. While these subjects were taught by ancient philosophers (Pythagoras, Plato, Aristotle, etc.), they became “the Quadrivium” in the Middle Ages in Western Europe, after Boethius or Cassiodorus had a go at translation.

(Encyclopedia Britannica has an excellent article on Mathematics in the Middle Ages, which discusses the Quadrivium briefly.)

Anicius Manlius Severinus Boethius (usually known simply as Boethius) (c. 480 – 525) was a 6th Century Roman Christian philosopher of the late Roman period. Flavius Magnus Aurelius Cassiodorus Senator (c. 485 – c. 585), commonly known as Cassiodorus, was a Roman statesman and writer, serving in the administration of Theoderic the Great, king of the Ostrogoths. The former, Boethius, did a great deal to translate most of the ancient philosophers from Greek to Latin. Many of his works on Aristotle were foundational learning in the Middle Ages. Cassiodorus made education his life’s passion, particularly the liberal arts, and worked diligently to ensure classical literature was at the heart of Medieval learning. Both men have been credited with coining the term “Quadrivium,” or “where four roads meet.” Adding to the mix of Medieval education “influencers” is Proclus Lycaeus, one of the last classical philosophers and an ardent translator of Plato. He is considered one of the founding “fathers” of neoplatonism and had a great influence on Medieval education as well. His translations of Plato are peppered with his own ideas of education and philosophy. One of his most interesting books, considered a major work, is “The Platonic Theology.”

sevenLA1 For the serious student of the classics, all of these philosophers, in their original Greek or Latin (with English translations alongside the original) can be found in the Loeb Classical Library series. Many used book stores, especially near universities, carry these books and they can be had for about 10$ each. There are hundreds of books but all are quite good as original references (See NOTE below) Back to the Quadrivium…

While many see the Trivium and Quadrivium as “separate,” I think this is a manufacture of our modern educational system. The Trivium are the basics for communicating thought, generating ideas, and conveying those thoughts clearly; yet, like Freemasonry, I don’t know that you would have jumped completely away from your foundations. Plato, in The Republic, does note that the quadrivium subjects, as identified above, should be taught separately. The Pythagorean School divided the subjects up between quantity (mathematics and harmonics, or otherwise known as music) and magnitude (geometry, cosmology or astronomy.) Personally, I find it difficult to talk about music without first having at least fundamental mathematics and exploring both together makes sense. I have not delved into the curriculum of the universities of the Middle Ages in Europe but if someone else has, it would be interesting to hear about it. sevenliberalarts

What I find most fascinating about the art surrounding the Quadrivium (and the Trivium, for that matter) is that nearly all of the plates, pictures, or engravings represent the subject matter as female or feminine. Perhaps it has to do with the receptive qualities of studiousness, or the idea of fecundity or maybe gentleness; whatever the reason, many of the Medieval and Renaissance European depictions show all subjects with a feminine demeanor. Since nearly all scholars in the middle ages in Europe were men, perhaps it was simply a bleed-over of the Medieval ideal of women. I am sure this is another subject for another time.

On an additional side note, I searched for representations of the Quadrivium and Trivium in Islamic art, also knowing full well that Islam is aniconistic. Islam really had begun to gain ground at the last part of the classical period in North Africa & Europe and as such did not really experience the same type of “downfall” or Dark Ages, that Europe did. The schools of Islam continued to develop the subjects of the quadrivium and trivium uninterrupted until Europe “caught up.” In fact, many of the mathematics, geometry, and astronomy texts of the latter Middle Ages were translated from Greek to Syriac Aramaic or from Arabic to Latin, and later taught in Latin universities in Europe. Suffice to say that Islam did have an impact of the learning of the West, probably much more than most people today are aware.

So, why would the Freemason study the Quadrivium? The answer, to me, is obvious. If the one of the primary studies we must take on is Geometry, we need to understand how number fits into this process. We need Mathematics to understand Geometry, and Music to understand relationship of numbers, working in harmony. Astronomy teaches us our place in universe, and allows us to expand our knowledge of our own earth toward the heavens. Geometry, or the study of the measurement of the earth, is far more than the squares and triangle theorems we all know…and love. It’s about how to apply these numbers to the world around us. As we will see in each of the subjects, they can be taken for their base modern “ideas” or we can expand and overlap them, apply them to the natural world, and thereby become better caretakers of not only the earth we live on but the beings who live on it with us. The idea of a Renaissance Man is one who is well-versed in these foundations and has ideas that expand the world around us. They make the world a better place to live in, now and for the future. The Freemason, to me, embodies this idea completely.

Next stop, the subjects of the Quadrivium. Thank you for joining me!

NOTE: For those interested in more of the Loeb Classical Library, but limited access to purchase these books, Harvard University Press has been working to put them online. The link is here: http://www.hup.harvard.edu/features/loeb/digital.html.

Individuals can subscribe for a yearly cost, with subsequent years being cheaper, and non-profits can also subscribe for a reduced cost. If you are a serious researcher and you would like primary sources, this library is an excellent resource.

The Seven Liberal Arts – The Trivium

May 24, 2017 By Kristine Wilson-Slack in Art & Music, Behavioral Science, Esotericism, Formal Science, History, Literature, Music, Natural Science, Philosophy, Theology Tags: Arithmetic, Astronomy, Co-Masonry, Dialogues, Freemasonry, Freemasons, Geometry, Grammar, Literature, Logic, Masonry, Masons, music, Plato, Pythagoras, Rhetoric, Seven Liberal Arts and Sciences, The Trivium 3 Comments

There is a real affinity for the goals of Freemasonry and the Seven Liberal Arts. From earliest teachings, we see that they are the foundation of many degree rites, the first of which is the FellowCraft Degree. To understand why this is, I think we must first understand the structure of the Seven Liberal Arts and what their history is.

The Liberal Arts have been, from antiquity, been the foundation stone upon which knowledge of the natural world rests. The seven liberal arts have been utilized since ancient Greece. Plato and Pythagoras were first in codifying their importance; the flowering of our western understanding of the liberal arts took place in medieval education systems, where they were categorized into the Trivium and the Quadrivium. Grammar, Logic, Rhetoric are the Trivium, and Arithmetic, Geometry, Music, and Astronomy are the Quadrivium. The Trivium combines the use of the senses with knowledge to lay the foundation for further study. The Quadrivium was considered to be the higher level education for the philosopher, and employed the use of the Trivium to be able to compose higher ideas and thereby, expand the knowledge of the human condition.

Freemasons the world over have expounded on the Seven Liberal Arts ad infinitum. All you need to do is search Freemasonry and Seven Liberal Arts, and you get a great deal of regurgitated drivel. That is not what I am striving to do in this next series. Here, my goal is to simply explain why the Seven Liberal Arts seem to have a kinship with Freemasonry, and perhaps provide small examples of each – with sevenliberalarts and without a Freemasonic connection. It’s up to you, the reader, to decide what you’d like to do with the information.

Plato’s Dialogues explain the curriculum outlined in detail and for any serious student of liberal arts, Plato is required reading. I, therefore, will not relate these concepts here. Suffice to say that the study of the Liberal Arts is more of a study of knowledge than it is of any specific actual data and information. As we may have learned by now, knowledge without application is dead and useless. Knowledge in the pursuit of higher ideals and higher ideas is more valuable than… than… well, you get the idea. Remember, one of the goals of Freemasonry is to better the human condition while standing up in defiance of falsehood, ignorance, and hatred. How do we do that if we are not searching to better our communication and knowledge, and the ways to bring both to life?

The Trivium is, as I said above, the foundation stone of the Seven Liberal Arts and really provides us the method and ability to communicate. It is composed of Grammar, Logic, and Rhetoric.

Grammar: Knowledge and Learning of Language
Logic: Reasoning, Questioning, and Thinking with Language
Rhetoric: Directing, moving, and Persuading using Language

While these all seem to be in relation to language, they are much more than language. They are the skills involved in achieving these ends. Therefore, the study of Grammar is also the study of history, geography, reading, and writing. It is basic, absolutely, but more encompassing than simply learning one’s ABCs and how to put pen on paper and write. Logic is about how we learn – we use our senses to experience, put our minds to thought, question, and experiment. We learn to ask the correct questions to achieve the answers we seek. They are not provided to us – we must seek them out and test for ourselves. Finally, rhetoric is the ability to take what we have learned with grammar and dialectic and put them firmly into the hands of an audience we are attempting to persuade. Rhetoric uses emotional discourse, thoughtfully created and properly applied, to communicate new ideas.

If it is not clear to the Freemason now why at least the Trivium is not important, one might want to question what they have actually learned while being a Freemason. Many may think that Freemasonry is all about enlightenment, walking in squares, or religious meanings. It might be those things to some but I think the true goals of Freemasonry are to provide a framework of how to be in the world, to make that world better for those that follow us but more importantly, for our own betterment. We cannot communicate lofty ideals via ritual alone – we need to be able to express what we have learned to a wider audience, to bring new thoughts to a wider world. To me, when we talk about service to the world, there is no greater service than being a hand-up to the betterment of the human condition and we do that by “teaching a man how to fish.” Study of the Liberal Arts is by one means to catch that “fish.”

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