Masonic Poetry

Masonic Poetry

Poetry is “literary work in which special intensity is given to the expression of feelings and ideas by the use of distinctive style and rhythm; poems collectively or as a genre of literature.” Poetry tends to be those written works which are short in phrase or sentence and long on emotion, wanting to evoke sympathy or empathy in the reader. Poetry may take stiff, rhythmic inflection or it may be flowing, more akin to prose. From Auden to Shakespeare to Solomon, poetry has struck a chord in human consciousness for thousands of years and its popularity has not waned in modernity.

Poetry, in a modern mindset, may not feel very relevant. We have, literature-wise, moved from very constructed and structured forms of poetry to the later 20th and early 21st century use of exploded syntax, compound words, and disjointed phrasing. Modern poetry uses the impact of singular language to convey emotions based on the listener’s personal experience. While this is true of all poetry, the poetry of the 18th, 19th, and early 20th centuries were far more lyrical and visual, wrapping the listener into not only the emotional impact of words but drawing them into a mindset where those emotions were relevant.

An example is the poem “Victor” by W.H. Auden. It is a ballad form to tell the story of one man’s life journey. It starts thus:


Victor was a little baby,
Into this world he came;
His father took him on his knee and said:
Don’t dishonour the family name.

Victor looked up at his father
Looked up with big round eyes:
Victor, my only son,
Don’t you ever tell lies.

This is a very rigid structure, true to Auden’s voice and style and while it does evoke very specific emotions, it does so in the context of a very visual story.

Over the past three centuries, there have been many writers who have joined the Masonic Fraternity: Robert Burns, Joseph Fort Newton, Manley Palmer Hall, Carl H. Claudy, Mark Twain, Rudyard Kipling, Jonathan Swift, Sir Arthur Conan Doyle, Benjamin Franklin, Sir Walter Scott, Oscar Wilde, and Alexander Pope. Very few of these authors wrote directly about Freemasonry and even fewer were poets.

In reading some Masonic poems, it is clear that while there is form and structure, there are varying degrees of illustration. Brother Robert Burns, who wrote specifically about becoming a Mason, has a lyrical style and dancing emotion, with little meaning to the non-Mason:

A Mason’s Song (excerpt)

I cryed and wailed but nought availed
He put a forward face on
And did avow that he was now
A free accepted Mason.

Still doubting if the fact was true
He gave me demonstration
For out he drew before my view
The Jewels of a Mason.

Rudyard Kipling, known for his beautiful and insightful poetry, penned this, “A Pilgrim’s Way,” specifically about Masonry. The first stanza is below.

A Pilgrim’s Way

I do not look for holy saints to guide me on my way,
or male and female devilkins to lead my feet astray.
If these are added, I rejoice — if not, I shall not mind
So long as I have leave and choice to meet my fellow-kind.
For as we come and as we go (and deadly-soon go we!)
The people, Lord, Thy people, are good enough for me!

While I find such poetry easy to relate to as a Freemason, I struggle with the idea of Masonic poetry bringing about the same emotions as the actual experience of Freemasonry. Metaphysical or esoteric poetry of the Age of Enlightenment seems to be more fitting to stimulating the Masonic ideals that the ritual may provide. Think, John Donne or John Davies. Yet, there can be some Masonic Poetry which stirs the ideals in the listener, be they Freemason or not. Take this example, from 1915 by Freemason C. M. Boutelle, entitled “In Fellowship.”

In Fellowship

My foot to thy foot, however thy foot may stray;
Thy path for my path, however dark the way.
My knee to thy knee, whatever be thy prayer;
Thy plea my plea, in every need and care.
My breast to thy breast, in every doubt or hope;
Thy silence mine too, whatever thy secret’s scope.
My strength is thy strength, whenever thou shalt call;
Strong arms stretch love’s length, through darkness, toward thy fall!
My words shall follow thee, kindly warning, fond,
Through life, through drear death-and all that lies beyond!

Masons and non-Masons alike can relate to this kind of call of strength in character and love; however, the Freemason will find it particularly significant due to his or her experiences within Freemasonry. There are many beautiful examples of poetry of Freemasons which can be both affecting and lyrical, pleasant to the soul and to the ear. A good deal of Masonic poetry espouses the ideals of the Order in many ways which do not specifically discuss ritual. Even Albert Pike, a thorough ritualist and writer, brought a Freemason’s ideals to poetry. An example of one of his poems is below.

The Struggle for Freedom 

The Ancient Wrong rules many a land, whose groans
Rise swarming to the stars by day and night,
Thronging with mournful clamour round the thrones
Where the Archangels sit in God’s great light,
And, pitying, mourn to see that Wrong still reigns,
And tortured Nations writhe in galling chains.
From Hungary and France fierce cries go up
And beat against the portals of the skies;
Lashed Italy still drinks the bitter cup,
And Germany in abject stupor lies;
The knout on Poland’s bloody shoulders rings,
And Time is all one jubilee of kings.
It will not be so always. Through the night
The suffering multitudes with joy descry
Beyond the ocean a great beacon-light,
Flashing its rays into their starless sky,
And teaching them to struggle and be free, —
The Light of Order, Law, and Liberty.
Take heart, ye bleeding Nations; and your chains
Shall shiver like thin glass. The dawn is near,
When Earth shall feel, through all her aged veins
The new blood pouring; and her drowsy ear
Hear Freedom’s trumpet ringing in the sky,
Calling her braves to conquer or to die.
Arm and revolt, and let the hunted stags
Against the lordly lions stand at bay! —
Each pass, Thermoplæ, and all the crags,
Young Freedom’s fortresses! — and soon the day
Shall come when Right shall rule, and round the thrones
that gird God’s feet shall eddy no more groans.

Poetry specific to the Masonic experience can be found mostly in the 20th Century, and on several Freemasonry websites. The goals and ideals of Freemasonry can be found throughout these sites as well, and perhaps even more so in the actual writings of Freemasons, like Pike. It’s worth the journey to see what might speak to the modern mind.



On a recent post, some people were critical of the term “enlightenment” and its application toward the human race. Now, this term was being used in conjunction with the “Age of Enlightenment,” something altogether different from our modern American use of the term. Students of History understand, know, or at least have heard of the Western European “Age of Enlightenment,” so called because of the explosion of knowledge, science, and access to those tools that brought forward many of our modern inventions and way of thinking.

According to Websters, enlightenment is explained thus:



1. the action of enlightening or the state of being enlightened. “Robbie looked to me for enlightenment”; synonyms: insight, understanding, awareness, education, learning, knowledge.

2. a European intellectual movement of the late 17th and 18th centuries emphasizing reason and individualism rather than tradition. It was heavily influenced by 17th-century philosophers such as Descartes, Locke, and Newton, and its prominent exponents include Kant, Goethe, Voltaire, Rousseau, and Adam Smith.

Someone very wise once told me that Freemasons fall into two general “modes,” if you will, with regards to their approach to Freemasonry: intellectual and devotional. This is a wide spectrum; and, we all have elements of both within our personalities while some people will fall more towards one side than the other. It’s difficult for someone who leans more toward an intellectual bent to understand a devotional way of being, and vise versa. An intellectually-bent person might look at Freemasonry as a tool to intellectual discovery, a place for concrete fraternal relationships, and a more inward view of life. Analysis. A devotional-bent person may want to explore the esoteric and occult side of Freemasonry, feel more reverential toward their deity through their Masonic work, and perhaps be more inclined toward personal, service-oriented relationships. Feeling. Each person has to some degree these modes of operation. Yet, as a Freemason, they are perhaps brought visible.


Why does this matter when discussing enlightenment? It seems that each of these people view enlightenment in very different ways. Is knowledge derived from a pure scientific approach? Analysis? Is knowledge derived from a pure empirical approach? Feeling? The interesting thing is the judgement that goes along with how each other views the opposite approach. There’s an intellectual snide comment here or there when the devotional Freemason approaches enlightenment with an emotional response. There’s harsh condemnation of science when the intellectual produces a theory based on their analytical approach and disregards the “human” element.  What is interesting is how each immediately judges the other’s approach to enlightenment, as if there is only one way. Even the non-religious discussion can evoke a dogmatic high-horse.

Is it so difficult to imagine that you can have both approaches, and both are valid?There’s also this “great quest” toward enlightenment, as if it’s something that can be achieved through one method, one voice, or one frame of mind. Some think that we can achieve enlightenment in a lifetime, like a Buddha or Christ. Some think that scientists could never achieve enlightenment, no matter how intelligent, because they have no “devotion.” Some think that only scientists could achieve enlightenment because they have “purer” processes. Some think that humans can achieve enlightenment one being at a time, and still others insist that it must be an all or nothing endeavor. I think enlightenment is far greater than the individual, and enlightenment isn’t something sparkly, pretty, easy, or fun. There’s no flash of sudden godhood nor individual ascension into the realms of all-knowing, having-no-use-of-bodies beings that will provide us some unknown fascinating wisdom. I don’t think that we get out of this corporeal manifestation anytime soon.

The idea of enlightenment, as in The Age of Enlightenment of the 17th and 18th C., is really about letting go of the shackles of tradition. It’s about embracing change and using knowledge to propel us, individuals and humanity, forward. Enlightenment isn’t everyone achieving godhood. It’s about all of us realizing that we are already in control, and have the tools inside of us to solve those problems. Deepak Chopra said, “I was an atheist until I realized that god was inside of me.” When asked about his religious views, Einstein replied:

“Your question is the most difficult in the world. It is not a question I can answer simply with yes or no. I am not an Atheist. I do not know if I can define myself as a Pantheist. The problem involved is too vast for our limited minds. May I not reply with a parable? The human mind, no matter how highly trained, cannot grasp the universe. We are in the position of a little child, entering a huge library whose walls are covered to the ceiling with books in many different tongues. The child knows that someone must have written those books. It does not know who or how. It does not understand the languages in which they are written. The child notes a definite plan in the arrangement of the books, a mysterious order, which it does not comprehend, but only dimly suspects. That, it seems to me, is the attitude of the human mind, even the greatest and most cultured, toward God. We see a universe marvelously arranged, obeying certain laws, but we understand the laws only dimly. Our limited minds cannot grasp the mysterious force that sways the constellations. I am fascinated by Spinoza’s Pantheism. I admire even more his contributions to modern thought. Spinoza is the greatest of modern philosophers, because he is the first philosopher who deals with the soul and the body as one, not as two separate things.”

Is finding “God” enlightenment? Born just prior to the Age of Enlightenment, Baruch aristotleSpinoza laid the groundwork for radical thought (in 17th C Europe) regarding the existence and definition of God. Much like Mozart as the pinnacle of Baroque music, Spinoza was the pinnacle of Latin academic writings in rationalist philosophy. According to Spinoza, God is Nature, and Nature is God.

The fascinating thing about Spinoza is that he worked, day to day, as a lens grinder. His passion was philosophy, ethics, religion, and the question of the divine. He did not content himself with or define himself as his day-to-day paying job. He did not accept honors or rewards based on his writings and thought. He died young, at the age of 44, but seems to have accomplished a great deal for the human race in that short of a time. One can read Ethics and Spinoza’s other works at Project Gutenberg.

One would like to think this is true enlightened human being. Spinoza was an everyday man who engaged in deep thought, the search for Truth, and produced that Truth in service to Humanity. He propelled the next generation, and several after, to continue to explore and discover knowledge. He was an individual who kept the greater species in mind, literally. He was not concerned with some idea of heavenly admittance, some monetary gain, or some brilliance that only he could attain. This is someone who is on the path to enlightenment and bringing others along with him by virtue of sharing what he thought. It’s not purely the result of his work that causes him to be enlightened; it is the fact that he is bringing the entire species up to a level of awareness not previously found. He’s enlightened because of his humility and selflessness. Perfecting the human to perfect humanity.

The Age of Enlightenment did that as well; it brought different cultures to new heights of thought, awareness, and knowledge. As a species, it was a leap forward. Each leap of knowledge is usually obvious but not always grand. One cannot leap from the valley floor to the top of a mountain in one go. It also is visible in hindsight, rarely in the present. Enlightenment seems, to me, to be gently incremental. There are no five easy steps to enlightenment, no matter what anyone says. There is no golden knowledge at the end of all the degrees. Enlightenment is work. Hard work by many, many people. And…we can only bring humanity up if we work toward its good, bringing it all up with the talents and gifts that we have, be it a lens grinder or a philosopher.


And why not both? What is stopping us from pushing away from the TVs and video games and doing what Spinoza did? Nothing, as far as I can tell, except our own laziness. We are tempted by many things which bring down our humanity, or at the very least, stagnate and stall our progress. We need to be self-discovering, exploring ourselves, our environment, nature, our own natures, the universe, looking at things we know and don’t know, with both our natures – intellectual and devotional. Science and nature. Analytical and feeling. We might not find “enlightenment” at the bottom of a test tube but we may find wonder, delight, and wisdom on the journey. The results, of the destination and the journey, are the seeds of Enlightenment.