The Key of Solomon

The Key of Solomon

Many people have heard of the Key of Solomon, and indeed, Dan Brown’s book The Lost Symbol emphasized some of its mysterious ideas and brought them to the fore of modern culture. The Key of Solomon is ostensibly a text of “revealed” secret information given to King Solomon, son of David (Israel), and written by Solomon, to help others gain deeper knowledge of the mysteries of the universe.

The text is now thought to be a 14th or 15th Century Latin “grimoire” of Renaissance “magic” couched in Judeo-Christian terminology and mythos. This symbolic substitution was a common method of many alchemists and “magicians” in an age of the Catholic Inquisition and heresy trials. The majority of manuscripts of The Key of Solomon have overt references to alchemy, kabbalah, and hearken back to what many would see as the ancient mystery schools (e.g. Pythagoras, Orpheus, and Eleusis) of Greece and Rome. Most remaining manuscripts of this Key of Solomon date from the 16th to 18th Centuries, many of which can be found online in PDF form (sacred-texts.com) or orderable fromSolomon Sheba Amazon or Kessinger’s. You can download an 1888 translation by S.L. MacGregor Mathers here.

The Key of Solomon contains neither a key nor Solomon within it; while the book may have some overtones of unlocking “esoteric” information in the forms of diagrams, the key specifically refers to what it unlocks. In other words, the title Key of Solomon” would translate to the 14th C. alchemist as “that which unlocks what Solomon does/is.” The document was written long after Solomon died, and this might be evidenced in the fact that some of the references do contain links to Jesus. In at least one transition, “Jesus Christ” is mentioned; this is an obvious anachronism to Solomon the King. Why Solomon?

Solomon is found across all of the Judeo-Christian-Muslim religious texts in the form of a wise, wealthy, and learned man. He’s noted as being a prophet, astronomer, poet, builder, architect, and businessman. Biblically, he is attributed to building many temples in his life to a variety of deities, not just Yahweh. Again, I believe we have Solomon as a symbol and not as a ruler in Israel. He’s the symbol of the learned man, striving for knowledge of the seen and the unseen. In this quest for knowledge, the human being will find the success that Solomon had found. Whatever historical or factual information may or may not be found about King Solomon, he has become the ideal of the powerful and wealthy monarch that is wise, intelligent, and devoted. It necessarily follows that the “key of Solomon” would be the guide or guides to unlocking the wisdom, knowledge, and riches of all earthly, and thus natural, matters.

This latter part appears important. If we understand that these original Key of Solomon texts may have been written by both Islamic alchemists and Judaic kabbalists, we can take the meaning of the title Key of Solomon to be as ascribed above: the key to unlocking super-human abilities, especially the ability to manipulate nature. In the Qu’an, Solomon asked for, and received, from God many of these abilities, such as the ability to speak with birds, control of air (wind) and fire (Djinn), and thus the elements.

And to Solomon (We made) the wind (obedient): its early morning (stride) was a month’s (journey), and its evening (stride) was a month’s (journey); and We made a font of molten brass to flow for him; and there were Jinns that worked in front of him, by the leave of his Lord, and if any of them turned aside from Our command, We made him taste of the Penalty of the Blazing Fire.” (34: 12) and “At length, when they came to a (lowly) valley of ants, one of the ants said: “O ye ants, get into your habitations, lest Solomon and his hosts crush you (under foot) without knowing it.” – So he smiled, amused at her speech; and he said: “O my Rabb (Arabic: رَبّ‎‎, Lord)! So order me that I may be grateful for Thy favors, which Thou hast bestowed on me and on my parents, and that I may work the righteousness that will please Thee: and admit me, by Thy Grace, to the ranks of Thy righteous Servants.” (27: 18–19)

key_of_solomon_1One might believe that Solomon was the first, or at least the most famous, alchemist, no? Perhaps.

Several versions, transitions of the manuscripts of various Keys of Solomon, were picked up by the occult movement of the late 19th and early 20th Century, when many of the most recent versions were translated and/or compiled. Waite wrote two editions of his book The Book of Ceremonial Magic (formerly The Book of Black Magic and Pacts)  in 1913, both of which draw heavily on these several Key of Solomon manuscripts. While not a direct correlation, it seems as if the Key of Solomon received a “black magic” reputation from this association, and perhaps fueled some of the aggression toward Freemasonry. One only needs to do a Google search on “Key of Solomon Freemasonry” to see various works on the black, and backwards, associations.

Why would this be? The Key of Solomon is typically associated with the Holy Royal Arch degree, as evidenced by its jewel. A lovey description and write up of the jewel can be found here. For anyone who has seen the jewel, its likeness to any of the seals or glyphs contained in the book Key of Solomon is similar. While it may be a more modern, stylized version of the one of these glyphs, it’s clear that the idea represented is an unlocking of “wisdom” for those who have “ears to hear.”

The idea of anything dark associated with this degree is rubbish; and yet, for the same reasons our medieval ancestors hid the knowledge of alchemy within a Judeo-Christian mythic book, perhaps Freemasons, in developing this degree, felt the same way. Thecompanion-jewel-r-a legends and teachings within Freemasonry have been housed in the same myths of Judeo-Christian-Islamic literature, and it’s no surprise that this figure of Solomon would connect to the conscious and unconscious psyche of the majority of the Western world. Freemasonry is a Western invention.

Additionally, there is a fascination in these tenuous connections from ancient to more modern authors; reading original texts, one hopes to unlock a different way of approaching the problems of life and death, and thus perhaps gain some “secret” knowledge. Like all things esoteric (and Freemasonic), the key to unlocking the secrets lies within the seeker, not in some random jewel on the breast of someone who has taken a degree. As with alchemy, kabbalah, and any mystery school, the seeker must work his mind to gain the insight. These texts, symbols, and mysteries appeals to our sense of power, to the secret knowledge that perhaps we alone can find. To what ends we apply these tools, for the benefit of ourselves or the benefit of humanity, is solely within our sphere of control.

 

 

 

 

Metaphor: The Language of the Mystics

Metaphor: The Language of the Mystics

In the outskirts of every society, you will find the mystics. Some are holy men in monasteries; some are Buddhists seeking enlightenment; some are public figures; some are Christians serving Jesus; some are Freemasons, like myself. Mystics have an amazing amount in common despite all that. They are not satisfied with what they learn in books, with ceremonies passed on for the sake of tradition, or with faith that comes from an assertion that “You really ought to believe in this.” What they want, instead, is conviction— the kind of conviction that comes only from a direct spiritual experience. Many say they have found it.

How do mystic seers convey their experience in words, or in stories? Our ancestors’ answer was: with tons and tons of different images – with metaphors, that is. Metaphors, after all, are symbols used to creatively describe a deeper reality, to give a sense of the color and taste of it. There are many metaphors in the teachings of Freemasonry.

How significant, then, is the relationship between mysticism and metaphor?

There are hundreds, maybe thousands or millions of metaphors in existence about mystical things. Rumi, the great Sufi poet, once said that God created everything in the outer world to serve as a metaphor for the inner. The outside world contains objects that can awaken and remind us of truths that, when applied, can be of real benefit. For example, if you read mystic literature about the soul, you might find the soul as ladder, the soul as garden, the soul as mountain, the soul as ark, the soul as mansion or castle, the soul as shining, living stone or even precious jewel, and so on. There are equally as many metaphors about the path to enlightenment.

34382722213_6e1d57324f_zA metaphor is a comparison. A metaphor establishes a relationship at once; it leaves more to the imagination. It is a shortcut to the meaning; it sets two unlike things side by side and makes us see the likeness between them. A metaphor is a comparison that doesn’t use the words “like” or “as,” while a simile is one that does use those words.

Why do metaphors in the writings of the mystics even matter? As the great consciousness-researchers Julian Jaynes and Owen Barfield both explained in their writings, it is very difficult to discuss consciousness except through metaphor. Metaphors create new ways of thinking, new realities, and new worlds.

Do metaphors shape the way we think? Let us look at an example.

Juliet is the Sun
From Shakespeare’s Romeo and Juliet is the metaphor, “Juliet is the sun.”

This statement equates two different things: one human, the other sidereal. Juliet is a human; the sun is a star. How do they get to be equal?

For the purpose of illustration, I will show how a metaphor is born, logically. We could say:

There is a human called Juliet.
There is a star called the Sun.
The human called Juliet is radiant.
The star called the Sun is radiant.
Therefore, the human called Juliet is like a star, called the Sun (because of the radiance).

Not very thrilling or poetic, is it? How can we make it more exciting? How is the metaphor created? First, we delete all the unnecessary words and steps, only leaving the simile “Juliet is like the Sun.” The final deletion comes about by eliminating the word, “like.” Voila! “Juliet is the Sun.” 34382660583_c940b54102_z

As we can see, this metaphor comes alive through deletion and transformation. Keep taking away words until something “becomes” something else. Keep stripping away the Maya and the illusion until we arrive at the truth: the direct perception or the mystical experience.

In the words of William Blake, “If the doors of perception were cleansed, everything would appear to a man as it is, infinite.”

If you have ever had an “aha” moment, there is something wonderfully joyous about experiencing the mystical – to remember that we have spiritual faculties in us open to the dimensions beyond. Wonder. Awe. The metaphorical language of the mystics points us to the stars – bridging earth to heaven and to a world beyond itself.

But how do we react when we encounter something that exists outside of our realm of study? Does everything have to fit into what is already known, otherwise it doesn’t exist? The experience of the Transcendent seems to defy expression.

One of the greatest mystical saints of all times, St. Teresa of Avila, says that the intellect cannot go with her to the higher realms. It must stay behind. She writes in her book The Interior Castle: “One should let the intellect go and surrender oneself into the arms of love, for His Majesty will teach the soul what it must do at that point.”

I do believe the central role of metaphor in shaping consciousness can be impactful in someone’s life. I also believe the intellect is not always our ally. 35192178685_29b4993ed4_z

Such was the case with Edgar Mitchell, astronaut on the Apollo 14 mission. On his return trip from the moon, he stared out of the window at our blue planet, Earth. At that moment something profound hit him. All of a sudden he was lifted out of his normal consciousness and felt an intense oneness with planet Earth and the universe. In a flash of higher consciousness a higher truth was revealed to him that dramatically changed his intellectual perspective. (Watch Edgar Mitchell’s “We Are One” video)

How lovely to live in possibility, to think in beautiful metaphors, to cherish the precious jewel in each sacred word,  and to overflow with sweeping amazement. Your turn. What mystical metaphor would you want to leave behind as a jewel to humanity?


Note: Featured images are from the Art Exhibition, Beyond the Stars; The Mystical Landscapes from Monet to Kandinsky.