Sacred Lore

Sacred Lore

What is Sacred Lore? These words are on the tongue of almost every Freemason, regardless of obedience, religion, creed, or geography. Yet, I have seen little depth into figuring out what they are, how they made their way into a Lodge and Freemasonry, what is their significance in Lodge. Many writers have spoken about these volumes, which may be termed sacred lore or sacred law. The inference there is that one is suggestive of stories and myths, while the other is orderly and a series of rules and codes by which to live. Here we really get into the difference between dogma, ethics, and morality. Does one need a book to be a moral person? Does one need religion? Does a Freemason need religion to be a true Freemason?

Some Freemasons think so, and others do not. Since its inception, Freemasonry has juggled a thin line between religion and morality. Not all Masonic Orders are the same, and there are wild variations about what is acceptable and what is not. Some Freemasons do not allow anyone who is not an avowed, church-going Christian. Catholics are discouraged, and in some cases forbidden, from becoming Freemasons. Some orders of Freemasons allow atheists, and still others don’t care what you believe in, as long as it is “something greater than yourself.” Religion and Freemasonry have struck a unwieldy dance through the ages and it does not promise to get any better any time soon.

Most Freemasonry groups have a requirement for a general belief in “god,” and study religious texts as they apply to overall morality and ethical behavior. These religious texts are, for the most part, guidelines on how one should live their life and are the generally accepted texts of most major religions. Taken in their “symbolic” form, they are meant to be an expression of the highest human civilization can achieve, for itself and the world it lives in. Whether you call them codes, rules, mores, or dogma, the end result is the same: guidelines for how to be a good human being in a world filled with other human beings and living creatures. We need to get along to survive as a species and these texts are there to provide us the guidelines. While not everyone needs a guideline, many do. Even if you do not feel like you personally need a guideline, it is probably a good idea to know how other people think, in order to get along and be a generally good citizen of the world.

In general, many people take these books to be “inspired by God,” although written by men. When one asks,”Is the Tao de Ching a sacred text?”, the answer is likely to be yes. Written by man, it is still generally to be an inspired text to assist with the building of a human race. Why? Why did a culture choose that particular text to venerate? Isn’t it likely that it could be anything? What about the I-Ching? Is that not a sacred text? Perhaps it is, perhaps not. There may be many answers to the “what makes something sacred” question and any of them may be correct. It may be that the leaders of specific religions are the authority on their related texts; yet, who is to say really what makes something sacred? Perhaps we just take their word for it and call them all sacred.

To be sacred means that it’s entitled to reverence or veneration. It’s set apart – a text, in this case, that is set apart from other texts. This implies that being inspired by divinity sets it apart. It has a different quality; it was written by someone to be venerated or exalted, for example, or it has a quality that we recognize as being special, valued, or important.

The controversial question is this: who are we humans to say what is divinely inspired and what is not? From those who have read widely, it may be clear that works by Shakespeare are something special. Were they not language-changing for English speakers? I do not believe we mere mortals can say that these works were not divinely inspired and yet, we would not call them sacred texts. We assume that a sacred text must belong to a religion. Yet, there is sublime poetry by Sappho, Byron, and Borges that touches the face of god and strikes directly to our hearts. Anything that creates an intense, life-changing emotion could be communication from the divine and perhaps we would do well to listen.

Encyclopedia Britannica states that “…their common attribute is that their words are regarded by the devout as sacred.” That is, the words that are on the page are to be revered by the devout. This does not mean that they are revered by all… except, perhaps, by Freemasons. Freemasons, in general, accept all of the world’s “sacred” texts as words to be studied.

Where a religion may view its own texts with reverence and exclusivity, Freemasons see the wisdom included across all of the world’s religions and venerate them all equally. Why? Because morality and ethical behavior are really the crux of what these texts are about. They teach humans how to live well with each other, how to live well with the world around them, and how to be able to not only help the human race continue to survive but to increase the positive influence in the world and promote the general welfare and progress of human society.

These texts, because of their sacredness, are also open to negative and destructive morality. Religion taken to the extreme, any religion, corrupts the message of something positive into something consumptive. This has been true throughout the history of the human race but even more so in the last two thousand years. The baser human nature twists the message and those who live in primal fear follow that message. There are many who view “sacred texts” of religions with disdain and hatred for the corruption they have sown. In all of this, its up to the human element to decide how the word will be interpreted – for the good of humanity or the destruction of it.

There is truth everywhere we look, depending on how deeply we look. One must take the time to explore to really learn and to experience to really learn. What is it that Mulder would say? The Truth is out there…

Read more Sacred Texts at They have nearly every conceivable sacred text that one could ever want to study.

Eritque Craticula Usque ad Tenebras

Eritque Craticula Usque ad Tenebras

The precipice of Winter. The hollow wind of Autumn. We humans are always on the edge of something. In this case, we are on the edge of seasonal change. As we slip from the warm days of Summer into the chillier nights of Autumn, we sense that change is imminent. We are on the edge, slipping from one day to the next, seasons rushing by in a flowing, ever changing stream. A stream, I must add, upon which we are always standing on the edge.

Nature teaches us a great deal of how to be in the world; most of the time, we just choose not to listen. Cement jungles are no place for the breath of the Green Man or the dance of a water nymph. Yet, Nature finds a way to express herself. In Traditional Chinese Medicine, this is expressed as Yin and Yang. A Taoist concept, everything contains Yin and Yang. Yin and Yang are two opposite yet complementary energies. Although they are opposite in their individual qualities and nature, they are interdependent. They are never separate and cannot exist without one another. The hard Yang of the cement contains in it air and space, Yin, in which it yields to the grass growing in its cracks. The meadow is dotted with hard boulders, unyielding and yet grounding to the lush, loamy soil.


The traditional translation of Yin-Yang is Dark-Bright, which in turn translate to the traditional Chinese icon we see for it – two tear drops, intertwined, with a dot of the other deep in their bellies. Saying they are opposites is a faint allusion to their true natures. They are complex and rich for as simple as they appear. Both are archetypes and ideals, where simple human words are inadequate modifiers. They may be translated as “the shady side of the mountain (yin)” and “the sunny side of the mountain (yang).” Yin may also indicate the feminine, the moon, softness, passivity, sinister, darkness, overcast, or even treacherous. Yang, the “opposite” indicates masculine, the sun, hardness, assertiveness, open, overt, relief, light, and positivity.” There is always a bit of one in the other, a taste which makes them less opposite and more like polarities. Neither is good or bad, they just exist; intertwined for eternity in a dance of possession.

Chapter 42 of the Tao Te Ching (about 500 B.C.E. by Lao Tzu) is where the duality and Yin-Yang are found:

“The Way gave birth to unity,
Unity gave birth to duality,
Duality gave birth to trinity,
Trinity gave birth to the myriad creatures.
The myriad creatures bear yin on their backs and embrace yang in their bosoms.

They neutralize these vapors
and thereby achieve harmony.”

This may be interpreted that while the Way (Tao) gave birth to all of material life, it is contained within that life in the form of this duality. Thus, all matter, of animal, plant, or mineral contains yin and yang. All of Nature contains within it opposing truths, a constant tug of each end of the living spectrum. Being of Nature, we should be intimately at ease with the duality of our natures, right?


Relative and absolute. We see absolute as our eternal goal – absolute truth. Is this not what the philosopher strives to attain? Is this not what the Freemason seeks? Absolute is the Truth which we hold as dearest, that which give us “rightness” of whatever we are understanding. Yet, relativity is important to our personal lives. We make judgments and choices about the relative Truths we perceive with our senses every day. How does that green shirt go with those pink pants? Does the omelet need more salt? Are we thirsty? These are truths, however small, in which we are always seeking answers and using our senses, our knowledge of duality, to provide answers. We are always on the edge, wondering if we are being deceived, somehow, by falsehood and ignorance. Curiosity is a sword to slay our own ignorance. Curiosity is not sheathed in ego.

The philosopher sees the duality in the people and situations around him. We recognize that there may be two sides to a situation: yours and mine, his and hers, etc. Without this sharing, we cannot see more Truth. We have to stand on the edge of reality, with another human being, and accept that this truth might fill in our blanks. Once we let judgement of Truth go, there is vast chasm in front of us. It is in recognizing duality that the pieces start to come together. Unity. We realize that we cannot have the whole picture. We may not ever have the absolute truth; yet, we may have relative truth to share. In heaps and bounds.

Thus, we are always on the edge of true understanding. Of knowledge. Of peace. Thus, perhaps we are always at an equinox within our natures. Halfway to Darkness. Halfway to Light. Eritque craticula usque ad lucem ac tenebras. A motto of change? A reminder of being on the edge? Perhaps we need not be so afraid of the darkness and the change, go out into nature, and learn what living really means. We can find Nature in everyone we meet, sharing in a brief bit of harmony by seeking to understand. Enjoy this Equinox, with balance and joy, understanding that the world will keep turning, seeking balance and yet, always on the edge. The Darkness is coming. So is the Light.


Are Sacred Places Important? The Labyrinth at Chartres

Are Sacred Places Important? The Labyrinth at Chartres

In our present time, there seems to be a huge market for “buying” your way to enlightenment. Everyone is peddling a secret. Chant this mantra. Hold this crystal. Buy some incense. Rub that oil. Say these words. Go to this retreat. Some of these things may have some value. Spiritual longing is a real part of the human experience. Labyrinths hold a special attraction for me. Can a labyrinth really be a tool for enlightenment? Are sacred places important?

The first labyrinth that I ever experienced was a Chartres Labyrinth, although I was not lucky enough to be in at the famous labyrinth in Chartres, France. I liked it so much I began to investigate labyrinths in general and the Chartres Labyrinth in particular.

Chartres Cathedral was built one thousand years ago to be the site of a Mystery School. Not only was the cathedral an architectural feat but was one of the leading learning centers at the time. The edifice combined the visionary teachings of Plato with Christian mysticism. You must walk the entire labyrinth path before gaining entrance to the Temple. It is the “way in,” if you will, a Chamber of Reflection of sorts.

Those who have been to the actual site in France say that the effect of the Cathedral is peaceful and nurturing. You are at rest, left to wander or to meditate in tranquility. The atmosphere suggests that the veil between the human and celestial worlds is thin, and God is very near. It represents the ideal of a sacred space: a blending of the divine and material. The impact of Chartres on people at that time must have been enormous. How can a place be so heavenly?

Sacred Geometry

The Divine mystery of the labyrinth walk might be due in part to the magical pattern. One path leads inwards to the center, and the same path leads back out again. Chartres has an eleven-circuit design, divided into four quadrants. They are encircled by an outer ring of lunations, thought to represent a type of lunar calendar. The quadrants suggest the even armed cross. At the center is a Rosette pattern of 6 petals which is the place of 14761614336_92dabf6bf4_zrest. It reminds us of the sacred lotus, symbol of enlightenment.

In medieval times, the path was considered a substitute for a pilgrimage to the Holy Land. It is symbolic of the pilgrim’s journey into his Soul: the Center. It must be a two-way journey, which ends at the starting point. The pilgrim must not seek to remain inside. He goes and comes back. He visits. He walks from the unreal to the real, from the periphery to the center, from the mundane to the spiritual and back. Is this not life?

Symmetry of the Design

In his book, The Mysteries of Chartres Cathedral, Louis Charpentier recalls his first experience of being inside the cathedral. He was immediately struck with the impression that “everything contained its opposite in itself.” He said that the same balance contained in the secret of the Chinese Tai Chi, is at work in Chartres where the “proportions, orientation, position and symbolism have all been designed to alert the psyche and refresh the spirit.”

This idea is hinted at in Chapter 14 of the Tao Te Ching

LabyrinthWhat we look for beyond seeing 
And call the unseen,
Listen for beyond hearing
And call the unheard.
Grasp for beyond reaching
And call the withheld,
Merge beyond understanding
In a oneness
Which does not merely rise and give light,
Does not merely set and leave darkness,
But forever sends forth a succession of living things as mysterious
As the unbegotten existence to which they return.

Charpentier further states:

“If the pilgrim experienced the entire sensuousness of the cathedral, it would be because the body’s senses had apprehended all the musical and geometrical proportions, and all the numbers and lines expressed in the building’s interior.”

Geometric forms that exist in the labyrinth or even the Masonic Temple such as the cube, triangle, sphere, square, or oblong square could act as a doorway into various states of awareness. “God Geometrizes.” Sacred Temples can be said to stand for an unseen condition of something that can be known.

Beauty as an Expression of Truth

Divine archetypes are said to be not only doorways to the unknown, but as Plato has indicated, they are the very essence of beauty. The nature of beauty cannot always be described in words, and so it is possible, that certain symbols act as a bridge between the visible and the invisible. Satisfying both a physical and metaphysical need, sacred architecture can:


1. Provide an energetic focusing center on the physical plane wherein the mysteries are learned and enacted;

2. Serve those seekers who enter the building and become intellectually and spiritually stimulated.

The more beautiful the appearance in form – the more closely will it correspond with spiritual truth. Buckminster Fuller stated it like this, “When I am working on a problem, I never think about beauty, but when I have finished, if the solution is not beautiful, I know it is wrong.”

My sense is that if a person does not appreciate beautiful or holy things, he will lose them. Without reverence, the sacred feeling will diminish and then be forgotten. Thereafter, his only concern will be his personal comfort and selfish desires.

On the other hand, as we honor holy places we will be entrusted with holy things. Just the opposite of disbelief and despair, the goal is eternal life and peace. Contemplating art and architecture, the spiritual and the divine, moves us away from the mundane world of the daily round.

Do sacred spaces make us more enlightened? Some have scoffed at labyrinths, masonic temples, mantra, and things like crystals or incense for centuries. In times of need, I have tried all of them.