Triangles Everywhere

Triangles Everywhere

I was recently exploring the idea of the triangle – its form, function, stability, and meanings. In Freemasonry, as in many traditions, the triangle holds significant influence in symbolic meanings.

A triangle is a polygon with three sides and three vertices. There are many forms of triangles – right, equilateral, obtuse, acute, isosceles, and scalene. There are also oblique and degenerate triangles. Triangles may be multiple types. Triangles are generally believed to be two-dimensional objects whose interior angles, at least in Euclidean space, equal 180 degrees. They can be various shapes but the ones most often seen are right triangles and equilateral triangles.

Of the triangle knowledge from history, the famous philosophers Pythagoras, Plato, and Euclid are known best for theorems, ideas, and esoteric supposition surrounding the form. The form is so basic that it’s most likely older than written history. Ancient petroglyphs, such as those from Columbia, the Sierras in North America, and Mexico, show humans with bodies and heads in the form of triangles. This is a basic shape that mimicked the human form, with wide shoulders and narrow waist, or a wide head crown and narrow chin. There isn’t anything to indicate, in-depth, the symbolic meaning of the triangle other than it being incorporated into the human form.

The Egyptians used the triangle quite often, generally in the realignment of land plots after the Nile floods but also in architecture. In a 2000 thesis article regarding the “sacred triangle,” the author asserts that Egyptians knew and used, even in the Old Kingdom, the “sacred triangle” of 3:4:5. Indeed, the author goes on to state that using straight vertices, or a “simple, straight vertical pole,” to find location or identify specific time of day or days of the year. While this is a heavy-mathematics article, the reader might find some deeper, symbolic meanings in the geometry.

During the 6th C. B.C.E., the School of Pythagoras became known for its theorem regarding the formation of the ‘sacred triangle.’ Pythagoras left no mathematical writings of his own, while Euclid and Plato did. Thales of Miletus is really the creator of basic mathematics and geometry, and probably the first to give us theorems about the triangle. Pythagoras, who created the words philosophy and mathematics, is more well-known and did much to bring the form of the triangle into deeper meaning.

To Pythagoras, the number 10 was the holiest of numbers; the tetractys is a triangle form of 10 dots, created by interlinking the dots into nine triangles forming the 10th, larger triangle. It is used to symbolize the creative forces of the universe. From ancient-symbol.com, “In the figure, the first row has a single point that is representative of the Creator, the active principle, the divine power behind all creation and is associated with wisdom. The second row contains two points that represent the passive principle and are associated with friction, movement, impulse, strength, and courage. The third row with three points signifies the world coming out of the union of the above two, a union of physical and mental balance and is associated with harmony. The fourth row has four points that represent the four liberal arts & sciences that complete the world. These four points symbolize the four elements of earth, fire, air, and water.” This was, generally speaking, the first time that the philosophical meaning of a number, its holiness and perfection, being derived from pure mathematical reasoning rather than from inductive reasoning. It was more than the total of our fingers on our hands. Another interesting article on the triangle and tetractys, among other things, can be found here: http://www.projectawe.org/blog/2015/12/21/up-and-down-the-monochord-part-iii-triangle-trinity-unity. The author of this blog does a very good and thorough job of digging into these ideas, and I would highly encourage everyone interested in these subjects to read it.

In the alchemical writings of the Middle Ages, the classical elements of hermeticism were based off the form of the triangle, turned upward or down, with a line to denote the opposite or without to indicate the base elements. The conjoining of fire and water is indicative of balance and achieving perfection. The triangle is also seen in the “triangle of art” also known as Solomon’s Triangle. The circle in that triangle represents the space where spirits are called, with the triangle representative of the safe space from which the magician worked.

Triangles in astrology are seen as very positive, and a grand trine, or golden triangle, is seen as a creative, harmonious flow of energy in a person’s life; they generally are composed of the objects being in the same elements, in the form of an equilateral triangle.

Triangles are a form of stability, where two extremes are balanced by a third point. Triangles are everywhere in Freemasonry, overt and subtle, and have different stories surrounding each. These different stories speak to individuals differently even if the core remains the same; depending on the degree being worked and studied, the aspirant may find different aspects of the same truth. These truths are not much different than the ancient Egyptians and Greeks found and used in their daily lives. There are always extremes and balance is achieved by that third, divine point. One might also see that all emanates from the Divine, the single point, which may also turn into that point within a circle which is perfect balance. The perfect man may be the one who finds equilibrium during whatever storm shakes him. Taking this symbolism into our daily lives and applying it to our relationships with people is really the value of the study of symbol. We can work toward being the middle point between extremes, able to see both sides in equal measure. A more holistic view of those things that permeate our lives creates a better person.

Masonic Poetry

Masonic Poetry

Poetry is “literary work in which special intensity is given to the expression of feelings and ideas by the use of distinctive style and rhythm; poems collectively or as a genre of literature.” Poetry tends to be those written works which are short in phrase or sentence and long on emotion, wanting to evoke sympathy or empathy in the reader. Poetry may take stiff, rhythmic inflection or it may be flowing, more akin to prose. From Auden to Shakespeare to Solomon, poetry has struck a chord in human consciousness for thousands of years and its popularity has not waned in modernity.

Poetry, in a modern mindset, may not feel very relevant. We have, literature-wise, moved from very constructed and structured forms of poetry to the later 20th and early 21st century use of exploded syntax, compound words, and disjointed phrasing. Modern poetry uses the impact of singular language to convey emotions based on the listener’s personal experience. While this is true of all poetry, the poetry of the 18th, 19th, and early 20th centuries were far more lyrical and visual, wrapping the listener into not only the emotional impact of words but drawing them into a mindset where those emotions were relevant.

An example is the poem “Victor” by W.H. Auden. It is a ballad form to tell the story of one man’s life journey. It starts thus:

Victor

Victor was a little baby,
Into this world he came;
His father took him on his knee and said:
Don’t dishonour the family name.

Victor looked up at his father
Looked up with big round eyes:
Victor, my only son,
Don’t you ever tell lies.

This is a very rigid structure, true to Auden’s voice and style and while it does evoke very specific emotions, it does so in the context of a very visual story.

Over the past three centuries, there have been many writers who have joined the Masonic Fraternity: Robert Burns, Joseph Fort Newton, Manley Palmer Hall, Carl H. Claudy, Mark Twain, Rudyard Kipling, Jonathan Swift, Sir Arthur Conan Doyle, Benjamin Franklin, Sir Walter Scott, Oscar Wilde, and Alexander Pope. Very few of these authors wrote directly about Freemasonry and even fewer were poets.

In reading some Masonic poems, it is clear that while there is form and structure, there are varying degrees of illustration. Brother Robert Burns, who wrote specifically about becoming a Mason, has a lyrical style and dancing emotion, with little meaning to the non-Mason:

A Mason’s Song (excerpt)

I cryed and wailed but nought availed
He put a forward face on
And did avow that he was now
A free accepted Mason.

Still doubting if the fact was true
He gave me demonstration
For out he drew before my view
The Jewels of a Mason.

Rudyard Kipling, known for his beautiful and insightful poetry, penned this, “A Pilgrim’s Way,” specifically about Masonry. The first stanza is below.

A Pilgrim’s Way

I do not look for holy saints to guide me on my way,
or male and female devilkins to lead my feet astray.
If these are added, I rejoice — if not, I shall not mind
So long as I have leave and choice to meet my fellow-kind.
For as we come and as we go (and deadly-soon go we!)
The people, Lord, Thy people, are good enough for me!

While I find such poetry easy to relate to as a Freemason, I struggle with the idea of Masonic poetry bringing about the same emotions as the actual experience of Freemasonry. Metaphysical or esoteric poetry of the Age of Enlightenment seems to be more fitting to stimulating the Masonic ideals that the ritual may provide. Think, John Donne or John Davies. Yet, there can be some Masonic Poetry which stirs the ideals in the listener, be they Freemason or not. Take this example, from 1915 by Freemason C. M. Boutelle, entitled “In Fellowship.”

In Fellowship

My foot to thy foot, however thy foot may stray;
Thy path for my path, however dark the way.
My knee to thy knee, whatever be thy prayer;
Thy plea my plea, in every need and care.
My breast to thy breast, in every doubt or hope;
Thy silence mine too, whatever thy secret’s scope.
My strength is thy strength, whenever thou shalt call;
Strong arms stretch love’s length, through darkness, toward thy fall!
My words shall follow thee, kindly warning, fond,
Through life, through drear death-and all that lies beyond!

Masons and non-Masons alike can relate to this kind of call of strength in character and love; however, the Freemason will find it particularly significant due to his or her experiences within Freemasonry. There are many beautiful examples of poetry of Freemasons which can be both affecting and lyrical, pleasant to the soul and to the ear. A good deal of Masonic poetry espouses the ideals of the Order in many ways which do not specifically discuss ritual. Even Albert Pike, a thorough ritualist and writer, brought a Freemason’s ideals to poetry. An example of one of his poems is below.

The Struggle for Freedom 

The Ancient Wrong rules many a land, whose groans
Rise swarming to the stars by day and night,
Thronging with mournful clamour round the thrones
Where the Archangels sit in God’s great light,
And, pitying, mourn to see that Wrong still reigns,
And tortured Nations writhe in galling chains.
From Hungary and France fierce cries go up
And beat against the portals of the skies;
Lashed Italy still drinks the bitter cup,
And Germany in abject stupor lies;
The knout on Poland’s bloody shoulders rings,
And Time is all one jubilee of kings.
It will not be so always. Through the night
The suffering multitudes with joy descry
Beyond the ocean a great beacon-light,
Flashing its rays into their starless sky,
And teaching them to struggle and be free, —
The Light of Order, Law, and Liberty.
Take heart, ye bleeding Nations; and your chains
Shall shiver like thin glass. The dawn is near,
When Earth shall feel, through all her aged veins
The new blood pouring; and her drowsy ear
Hear Freedom’s trumpet ringing in the sky,
Calling her braves to conquer or to die.
Arm and revolt, and let the hunted stags
Against the lordly lions stand at bay! —
Each pass, Thermoplæ, and all the crags,
Young Freedom’s fortresses! — and soon the day
Shall come when Right shall rule, and round the thrones
that gird God’s feet shall eddy no more groans.

Poetry specific to the Masonic experience can be found mostly in the 20th Century, and on several Freemasonry websites. The goals and ideals of Freemasonry can be found throughout these sites as well, and perhaps even more so in the actual writings of Freemasons, like Pike. It’s worth the journey to see what might speak to the modern mind.

Acceptable Misguidance

Acceptable Misguidance

Is a lie always a lie? I recently heard the phrase “acceptable misguidance,” in the context of debate, discussion, and rhetoric. I thought this was a very polite term for “lies” but the person arguing for “acceptable misguidance” was making the case that media uses it, specifically in the case of reporting on a story where the producer, owner, or outlet has a particular bias – political or otherwise. What is acceptable misguidance, and does it have a place in enlightened discourse?

Law enforcement is entitled to “lie” in order to have an alleged perpetrator confess to a crime. Lie is a broad term, but, in fact, they can lie as long as it is not construed as coercion. An excellent article about limits on police coercion discusses if there are limits and what those limits, in a psychological context might be. This also begs the question, what about the jurors or judges who have to determine what is coercion and what is just a tactic to elicit a truthful statement from those being interrogated. So, in the context of law enforcement, “acceptable misguidance” is in fact, acceptable.

What is interesting is how polarizing a lie versus “acceptable misguidance” is now perceived in the media. However, lies in the media, and media lying are not a 21st century creation. In the founding of the United States, both “sides” took to printed handbills, papers, and books to bolster their base and promote their politics. In the latter part of the 19th century, Yellow Journalism, mainly the papers of Hearst and Pulitzer (Yes, that Pulitzer), was really the beginning of a frenzy of media hype. While the cause of the sensational headlines was a circulation war between the two moguls, it laid the groundwork for stretching the truth in media. This has not slowed down; several media outlets have stated that they have the ‘right to lie’ as guaranteed by the first amendment. It seems that courts agree and regularly do not convict liars on a regular basis. The onus is on the listener or reader to suss out the facts. It doesn’t matter what voice they are fighting to have heard, they can and do lie on a regular basis. It’s up to us to figure it out. Is this acceptable?

It goes without saying that our politicians lie on a regular basis. We have seen video or written “proof” of the lie, and it still lives on. Whether they see what they are saying as truth, or what someone else is saying as a lie, it does not bear repeating here that politicians words require a vast amount of vetting to make sure we get the “whole” picture. To answer the earlier question, does this have a place in enlightened discourse? Perhaps, if the lines are clearly drawn and the debates and discourse have a philosophical bent. Perhaps, if we’re discussing the larger ideas of life and not the character of another. Then again, perhaps not. Can we envision a world where politicians and their media outlets did not lie? Could we all “take” it?

Law enforcement. politicians. media…we are surrounded by acceptable misguidance. We can choose to listen or not, and we can choose to believe or be suspicious. Some find it easier to simply believe, and some find it exhausting to be suspicious all the time.

Why does this matter to the Freemason? It seems like a good deal, especially in the search for Truth. Do Freemasons lie? Most assuredly. Freemasons are human after all, and even a white lie to save the feelings of a friend happens. Yet, the search for Truth compels Freemasons to seek for more depth of the story, less human nature and more divine nature. If we choose to listen to the human story, we need to spend time to figure out the truth from the acceptable misguidance, and if we look even deeper, perhaps we can actually see the Truth of what is being said. In this way, perhaps acceptable misguidance is a test of our ability to seek and find that which is lost. Perhaps it is a reminder that we should question everything until we find the Truth inside.

Freemasons in The Trenches

Freemasons in The Trenches

I recently attended an M.P.S. Meetup where the topic was “Has War Ever Led to Good?” The presenter had a distinctive bent: absolutely not. The viewpoint was of a passionate pacifist and could only see the negative in war time situations. I felt I should be looking at the bigger picture – how war affects humanity – and the smaller picture – how it affects the individual. While many see the horror of war, there must be something good to also be found, right?

After this M.P.S., I attended a bluegrass festival, John McCutcheon played “Christmas In the Trenches,” based on a letter written by a WWI English private named Edgar Aplin, this song depicts a moment in a bitter and bloody war where two sides came together for a beautiful moment of humanity. John’s song brings about that moment of clarity that everyone thinks about: we’re killing other humans that are just like us. In a tragic war that left millions affected, there is a humanity that we can remember. The lyrics to the song are found here.

Prior to the recent M.P.S. meeting above, and then again after hearing this song again, I looked for incidents of this occurring amongst Freemasons; after all, who else thinks about humanity and the perfecting of it more than Freemasons? Not many. There are many ways in which Freemasons make it known that they are brothers, and perhaps there are moments of “truce” that exist, even if they are not as famous as the U.K. Sainsbury Ad that idealizes the Christmas Truce of 1914.

Some of the most deeply moving stories of Masonic fraternity are from the American Civil War. Author Greg Stewart has written a wonderful article on the American Civil War and Freemasons, found on the Sojourners website. I would encourage anyone who has an interest in history or Freemasonry to read it. He does cite his sources, which is helpful.

In short, the American Civil War tested our country’s ability to fight for what we believed in and at the same time show compassion to our fellow human beings. While it brought out some of the worst fighting, it also inspired the greatest passion to ease the suffering of individuals. Masons strive to erase that which divides us as people. For the fighting Brothers of this war, the inner turmoil must have been great.

The annals of WWI do not have much to say about Freemasonry’s involvement. In an interesting article on skirret.com, we have one author’s exploration into the world and Masonic view of the War. In the article we are given much about how the Lodges felt about the war, but we see little in the way of anecdotal evidence that the war was anything but divisive within the Fraternity. From the loss of recognition to the outright revoking of charters and hostility, even within Lodges in America, we see the seeds of bureaucratic response to the war rather than a human response.

During WWII, Freemasons were one of the persecuted groups under the Nazi regime. A truly wonderful article on this is noted here. Not only does it talk of the secret meetings of Freemasons, after the disbanding of traditional Freemasonry in Germany, but it also describes one of the Lodges that existed within the wire fences of a concentration camp. Another paper, titled “Masons At War: Freemasonry During World War Two,” by Mark Stanford, also documents the Masonic Service Centers that came into being during the war, to care for Service Members at home and overseas. Freemasonry has solidly moved to the larger good works of caring for the members of the armed services, but we rarely hear about the individual’s experience. While acts of heroism show up in small ways by European Freemasons, some documented in various places noted above, the North American experience seems small in comparison.

In looking toward Vietnam, the only real evidence of Freemason’s involvement has to do with, again, the care of wounded soldiers and care packages to military overseas. Military Lodges having long been either frowned upon or banned altogether, there seems to have been very few during WWI and none during the Vietnam era.

From Vietnam forward to today, there seems to be no further evidence of widespread Masonic response to war time situations, either in the form of relief for troops or support of overseas military. While they undoubtedly exist, there is little to record their greater-than-local involvement in war efforts.

A first thought was that the Morgan Affair changed how Americans view Freemasons. It certainly changed how Freemasons viewed themselves and their fraternity. However, we find evidence of individual Masonic charity examples all over the American Civil War, which took place after the Morgan Affair. While anti-Masonic sentiment was still high at this time, it did not seem to affect the person relationships that each man had with Freemasonry and how it affected his actions during the war. Freemasonry overcame bitter rivalry and hatred, and still burned an ideal in the hearts of these men.

Co-Masonry has been in existence in one form or another since the end of the 19th Century, beginning in France and spreading throughout the world. While the numbers were high in its first few decades, Co-Masonry began to decline by the start of WW2; in fact, the decline might have been there for all of Freemasonry. During the war, when Freemasonry was persecuted in Europe, many different Orders originating in Europe found themselves under scrutiny. Those Orders established in France had gone into hiding and Le Droit Humain, a co-Masonic order, was one of these Orders. After the war, Co-Masonry had found itself taken deeper root in countries outside of France and there was an interest in its alternative thought: women could be Freemasons along with Men.

The world was and is decidedly different since WWII. Women in American culture and perhaps in all cultures around the world are more often included rather than excluded. A balanced mindset, toward gender and equality, was perhaps creating a different view of what was needed in the perfection of humanity. In the cultural and societal churn that might be called the “dawning of the Age of Aquarius,” the world may be looking for new types of leaders who are finally inclusive of all humanity.

Warfare itself has changed. Gone are bayonets and buckshot, hand-to-hand fighting where the soldier met the face of their attacker. Warfare has become impersonal drones sending air strikes on faceless dots on a pixelated screen. While Freemasonry is perhaps becoming more inclusive while war is becoming more impersonal: a struggle perhaps looking for balance?

It seems we find ourselves at an interesting point in history: where the facelessness of war impacts our ability to counter it with “good.” Freemasons may need to look beyond the conventional methods of the Craft employed in the past to not only support humanity but find those things which unite rather than divide human beings. Freemasons perhaps need to look beyond the “care package” or “pancake breakfast” for the troops and train for “civil disobedience.” I do not disparage the good works for the service men and women that many fraternal groups supply. They are necessary and selfless, and inspire hope when there is none. However, perhaps Freemasons can do more. As seekers of Truth and proponents of education, they are uniquely suited to combat ignorance, fanaticism, and hatred which is the heart of war.

There will be another war. We are humans, after all. It seems to be as yet in our nature. Deciding to be a pacifist will not stop it. Deciding to hide from it or ignore our leaders will not stop it. The question is how can we prepare for it and will Freemasonry be there to shed Light? Learning to speak Truth is a far greater skill that may be necessary to counter modern military thinking. Perhaps learning to be wise philosophers is more important to stopping war before it starts.

Obligation in Modernity

Obligation in Modernity

Freemasonry is built on the idea of obligating yourself to perform certain tasks, with a specific set of goals in mind. The word “obligation” comes from the roots of Middle English, from the verb “oblige,” which means to formally legally or morally bind someone to a promise. North Americans are used to hearing the phrase “much obliged,” in a sort of archaic sense, which means “to be indebted or grateful.” This is a derivation of the word; the more archaic form, from where the word “obligation” comes from is “to bind (someone) by an oath, promise, or contract.” The current 21st century definition is “an act or course of action to which a person is morally or legally bound; a duty or commitment.”

The most common obligation people run into is that of marriage. Divorce rates in the United States are down, possibly because marriage rates are also down. A shift? What about other obligations we make during our lives, especially the ones to ourselves? Upwards of 25% of current high school Freshmen will never complete high school. College drop out rates are the highest they have ever been, even with the highest enrollments ever. Even fraternal and social groups suffer from those who start and, for whatever reason, drop out.

To be fair, there are many reasons for giving up the path; financial, health, and family issues may cause problems for the student or spouse. Yet, we find little effort being made to surmount those challenges; we see the heroes as ones who complete school against all odds – but those odds are sometimes no greater than odds we all face. Everyone has challenges in their life. Completing or dedicating yourself to an endeavor takes will and strength, a desire to go against the easy life and really work hard to achieve your own success, whatever that might be. In an age of “Alexa” and “Siri,” doing things for yourself is seen as too much effort.

Molecular Thoughts

People who choose an esoteric path have put themselves on an extremely hard working journey. It’s not easy. As Buddha said, “life is suffering.” Enlightenment is not found in simple meditation. Physical, emotional, mental, and spiritual work are all necessary. Freemasonry, an esoteric and mystery path built on the foundations of “operative masonry,” is perhaps the epitome of working esoterically and externally.

An excellent article on the “Obligations of a Freemason” can be found on Pietre-Stones. In this article, the author expounds on the obligations of the individual as well as the collective. As Freemasonry is an “individual path worked in a group/collective,” it’s very right that we also look at not only what our obligations to ourselves but also to the group. In fact, from the very onset, in our application, we are promising certain actions that are considered obligatory.

Why all this emphasis on obligation, promises, and commitment? Is there some deeply esoteric meaning in obligating yourself to someone or something? Perhaps.

“In the beginning was the Word, and the Word was with God, and the Word was God.” ~ (John 1:1)

Much has been said about the divine logos, or, according to the Greeks, “The One Great Reason.” It’s representative of the unseen force of the universe that links us all together, whether we call it God, Love, the Divine, the Force, or whatever. Our ideas about “the Word,” and I suspect John’s as well, came from the Greek philosophers – Heraclitus, Plato, and Epictetus. Where Plato defined logos as an archetype, an idea representation of the divine in an independent-of-physical world, the Stoics refined the idea of logos to impart to it an active principle, and one which incorporated “the Reason” for all being into the function of “The Word.” It’s clear that The writer of the Gospel of John, as well as Buddhists, Jews, Taoists and others have also integrated this idea of the logos into the active Divine in the function of speaking the Word.

The divine Logos is the divine purpose, plan, or word that is the ultimate reason for the cosmos, which orders the universe and gives it meaning. That is, the sound or word has meaning, weight, in creation. As noted above, the Stoics defined logos as the law of generation in the Universe, which was the principle of the active reason working in inanimate matter. Humans, too, each possess a portion of the divine logos. That is, we humans, through our actions and words have generative power. The act of committing ourselves, or creating a binding agreement to complete work has power over us, either consciously or subconsciously. It also has the power to affect other individuals and other groups. This is a ripple effect; what we achieve has a lasting effect on the world around us, and flows out from us in a physical and metaphysical wave.

LOGOS-GreekThus, in giving our “word” or “bond,” we are creating. We create not only the superficial matter – such as our place in a Lodge or our status as spouse in a marriage, but we are creating an unseen, immaterial ripple that will create an effect throughout time. We create – it’s what humans do – and through our words, we create more than just simple relationships. Each word is a spoken manifestation of divinity.

Thus, promises, obligations, and commitments have weight – perhaps even more weight than we realize – when it comes to our overall spiritual life. It is important that we chose and use them carefully.

It’s funny that some individuals see their obligations as infringements on their time, or resources, or futures; funny because most, if not all commitments, promises, and obligations are solely made as the choice of the individual.  We think the promise we make to ourselves and others is somewhat disposable, minimal, with little effect on others and perhaps not even ourselves. Divorce and breakups, broken familial relationships and school dropouts – these are the failures of not understanding ourselves and our words. Failure is always an option and do-overs are necessary – but in order to achieve relief from the suffering, we have to be willing to be honest with ourselves. Pain is inevitable, and suffering doesn’t arise from pain but from our resistance to it – from our resistance to honesty and careful thought; it comes from our resistance to speak “the Word.”

I’ll leave you with a quote from a children’s fantasy book, one which understands and captures the essence of “the Word” in a very real sense – The Wizard of Earthsea.

“It is no secret. All power is one in source and end, I think. Years and distances, stars and candles, water and wind and wizardry, the craft in a man’s hand and the wisdom in a tree’s root: they all arise together. My name, and yours, and the true name of the sun, or a spring of water, or an unborn child, all are syllables of the great word that is very slowly spoken by the shining of the stars. There is no other power. No other name.”
― Ursula K. Le GuinA Wizard of Earthsea

Hidden Mysteries of Science

Hidden Mysteries of Science

Science is “the intellectual and practical activity encompassing the systematic study of the structure and behavior of the physical and natural world through observation and experiment.” We all perform scientific acts each and every day. Being aware and present in our actual work, home life, educational pursuits, and leisure all encompass some aspect of “science,” as described above. Do we not learn relationship interaction through observation and experimentation? Of course we do! Do we study others and then experiment with things like cooking, clothing ourselves, cleaning the house, and raising children? Absolutely. Life is science.

And yet… there are the science doubters. The Washington Post did an article, in 2015, on science doubters. Entitled, “Why is Science so Hard to Believe?” the article goes on to discuss confirmation bias, the discipline of the scientific method, and why so many people would rather believe media hype or misinformation from friends rather than actual science. Media is not science and it is not gospel. We consume the media that’s easy to consume rather than do the work for ourselves. It’s easier to doubt than to verify.

Neil deGrasse Tyson has an interesting quote: “The good thing about science is that it’s true whether or not you believe in it.” He also said that “the universe is under no obligation to make sense to you.” Both of these quotes speak to the hubris of humans – we think we know much more about the word than we really do.

In a quote from an article on National Public Radio, the author quoted his friend, a professor of Jewish philosopher, as saying “science tries to make magic real.” The author goes on to specifically outline activities, now commonplace human activities, as ones that we once thought of as magical, for example, flying. We fly without a second thought; yet, 500 years ago, to say one flew was heresy, possibly leading to death. Other examples are the knowledge of “invisible” animals capable of making humans ill, or being able to see great distances into space (the past) through a telescope. The ability for our phones to “think” and talk with us would have been quite astounding to the medieval mind.

The author continues his journey with the main difference between science and magic: his belief is that the power of magic originates within us, where as science’s power originates outside of humans. Science is a set of immutable laws of the universe. Right?

Well, no. Science updates theories based on knowledge gained from further expressions of the scientific method, and then new theories are postulated. Science is evolving, a never-stagnant set of data that we are constantly testing and proving or disproving. Magic is generally seen as not obeying the laws of nature, being outside of those “rules” or “metaphysical,” as it were. Yet, we’ve all said it: couldn’t what we see as magic just be unexplained scientific laws that we do not understand quite yet?

Why are Freemasons charged to examine and study nature and science? Nature AND science? It seems that it might be because the world is made up of both the understood and the mystery. We have many questions to answer about nature and we use science to get there. Perhaps we could say we have many questions to answer about magic and science is the method. There’s no reason we can’t have wonder and reason hanging out together in our minds. We can appreciate the brilliant stars and the awe of an eclipse and still want to know how it happens. Knowledge does not take away wonder.

I want to believe that perhaps science and magic are part of the same evolutionary cycle – what starts out as magic becomes understood by science, which breeds questions within our curious minds, wonder at something unknown, triggering us to embrace the tools of science to explore. Freemasons get to play in both realms, being co-creators on the path of humanity.

Hidden Mysteries of Nature

Hidden Mysteries of Nature

Recently, I was with a group of Freemasons having a passionate discussion about the word “magic.” Some of the members of the discussion group felt that Freemasonry is “magic,” while others disregarded the word as superstition and illusion. Still others were exploring different meanings, trying to find within themselves how the word made them feel, what it made them think, and what was their own relationship to magic. As Freemasons, we regularly discuss religion, or rather, being religious. We sometimes specifically compare religious symbols to one another and generally explore spiritual diversity and messages. Often corrupted by men, we lose site of what being religious truly is. We almost never talk about magic, even in free-thinking circles and in public, you only hear “magic” discussed, generally, with humor, disgust, or fear.

Most humans may lose sight of what being “magical” is. Our current world is corrupted by the thoughts of the fearful in so many ways, it’s often hard to tell that we’ve been conditioned by it, by ourselves, by our family, media, and friends. For example, when we use the word magic, it tend to conjure up thoughts of either something horrific, like ritual sacrifice or Voldemort (Yes, I said his name). It might bring to mind witches, burned at the stake, or witches doing strange things in forests at night. Yet, the word magical also tends to bring us to Disney artifacts (Tinkerbell, anyone?), gigantic film special effects, or even dreamy, personal experiences – think, Christmas at Rockefeller Center. The point is, we have not explored the word magic as much as we’ve explored the word religion. However, both may be important to humanity and the Freemason as well. Our ingrained fears stop us from talking about the word and stick it in a cave, hidden from the rest of the world. It’s time to do a little word spelunking.

img_0249The word magic is presumably derived from Old Persian and possibly from the proto-Indo-European language as meh-gh, which means “to help, power, to be able to.” It’s taken many forms over the years, from everything to indicate the workings of scholars, sages, Zoroastrian priests, rituals, spells, and eventually related to something or someone not of your religion. If you didn’t understand it as part of your personal religious upbringing, it was considered magic, especially by both Judaism and Christianity (13/14c C.E) . In Frazer’s The Golden Bough, he illustrates a very thorough journey from folklore, myth, magic, and religion, to the science of modernity. From what I have so far deduced and experienced, the knowledge and wonder of discovering how the natural world works is what magic has been for thousands of years. It’s learning, understanding, exploring, and working in conjunction with the natural world. Forget the word’s baggage and take it back to its origins: the wonder of the natural world that brings us awe and teaches us reverence and respect.

We’ve all learned that humans put their own connotation on the words we use, and shared and agreed-upon usage are how they become “fact.” We should do our best discard dogma; if something imparts an emotional response, it seems to be time to explore it, not shun it or parrot someone else’s belief. Understanding the words we use, like understanding ourselves, gives us authenticity and gives the words power.

Understanding the truth of what magic is seems to be related to how we are in relationship with our natural world. I understand magic to be the physical laws of nature and the universe that I do not currently comprehend thoroughly, and and magic is the process of continually learning how to “be” and be in harmony with our universe. This is not so far from what we perceive herbalists do when they understand plant lore and heal the sick, or weirdly enough, the gymnast who understands the laws of gravity and motion in his body, and can execute the most incredible flips and jumps. Have you ever had someone throw a ball in your direction and you reached up your hand to grab it at the perfect time, even if you might not have been looking at it coming toward you? How did you do that? Magic? Perhaps you understand the laws of motion and the physics of gravity well enough to make the catch. Others may not. To them, it appears as magical.

img_0250The “magical” feelings evoked are the impetus for the process of discovery. We first see something that entices us, intrigues us, gives us a certain spark of interest and imagination. What did we just see? What happened there? Then, we may try to recreate it, seek its origin, find out how to do what it is we saw. “To be able to” means we’re learning magic. From the learning how to do, we wonder and our interest continues. We start dissecting, breaking apart the machine of nature to figure out its meaning, its purpose, and its origin. We might take a path through religion to get there, or we may jump right to science – either is an option. Once we find the how, we seek the why.

There is a quote from a book by Arthur E. Powell, The Magic of Freemasonry, which takes me toward the part Freemasonry plays. It is this:

“Why do men love Masonry? What lure leads them to it? What spell holds them through the long years? What strand is it that tugs at our hearts, taut when so many threads are broken by the rough ways of the world? And what is it in the wild that calls to the little wild things? What sacred secret things do the mountains whisper to the hillman, so silently yet so surely that they can be heard above the din and clatter of the world? What mystery does the sea tell the sailor; the desert to the Arab; the arctic ice to the explorer; the stars to the astronomer? When we have answered these questions mayhap we may divine the magic of Masonry. Who knows what it is, or how or why, unless it be the long cable tow of God, running from heart to heart.”

So, is Freemasonry magical? Not in the way that Disney or Satanists or even fundamentalists of any religion would have the world think. That is fear and ignorance asserting themselves.

img_0253I believe it’s the discovery of the world around us that is magical. It persuades us to keep seeking and searching for the mysteries of nature and science. It speaks to us of understanding our world – not just the laws of men but also the laws of nature and whatever source it is that keeps us all “together.” Some may call it God, The Force, Allah, Jehovah, Yahweh, Diana, Odin, the Tao, Krishna, and a host of other names. Perhaps they are just human mirrors of the same “thing” that ties us together. Perhaps that is the thing I am truly seeking: smashing the mirrors to understand what lies on the other side.

I would say that Freemasonry encourages magic and magical behavior, magical thought, and a magical mind. Ritual of any sort has a purpose and the structure, words, ritual, and trappings of Freemasonry are not as simple as to call them purely “magic.” Freemasonry requires a curious mind to work on its initiates. If one is not curious about Freemasonry and about the world in general, they will see Freemasonry as an institution, made for charity work, a fraternity in which to socialize, and a series of rituals that just encourage the participant to gain degrees. Maybe, for those masons, that is a first step, and maybe if there are more lives than this, we keep Freemasonry going for theirs, and our, future selves.  I see it as the Freemason’s duty to continue to keep our minds open and test our theories, test the world, be inquisitive; thus, perhaps Freemasons are magical scientists.

I do not think that magic is the antithesis of science. I think it is a step in the process of discovery, of which science is another. Science, which is “such knowledge, general truths, or such a system of knowledge concerned with the physical world and its phenomena” is another charged word, especially in the information and technology age. Is Freemasonry scientific? Take your own voyage and let me know what you think. This is your journey, too.

The Summer Solstice

The Summer Solstice

The Summer Solstice, which is also commonly known as Midsummer, takes place when one of the Earth’s poles reaches maximum tilt towards the Sun. In the Northern hemisphere, this occurs when the Sun enters Cancer, somewhere around June 21st. In the Southern hemisphere, it occurs when the Sun enters Capricorn, somewhere around December 21st. As a result of this tilt, the Summer Solstice is the longest day of the year.

Human beings have been marking the Summer Solstice for a very, very long time. In Wiltshire, England, from the vantage point of the middle of the stone circle at the famous Bronze Age site of Stonehenge, the sun rises directly over the Heel Stone. At Fajada Butte in Chaco Canyon, New Mexico, a dagger of light appear to pierce the heart of theNewmexico petroglyph’s spiral. The Greek Antikythera mechanism which, depending on which set of scientists you ask, has been dated anywhere from 250 to 60 BCE, is a marvelous piece of engineering that was used to track, among other dates, the Summer Solstice and the start of the Olympic Games.

Today’s Druids celebrate the Summer Solstice with the festival of Alban Hefin, which means “The Light of the Shore.” For them, the seashore is a place between the worlds, where Sky, Sea, and Earth meet. They view the Summer Solstice as an expression of that liminality, because while the Sun God is at His strongest, His strength is also declining, and the days will grow shorter.

Ancient Druids gathered mistletoe from oak groves at high noon on the Summer Solstice. Mistletoe does not have berries in the summer, and in that form it was prized for its powers of protection. In order to ensure that none of this protective power was lost, Druids would spread or hold white linen under each tree so that the mistletoe would not Lithafall directly on the earth and send the power into the ground.

Wiccans and similarly oriented Pagans refer to the Summer Solstice as Litha. Named after the Anglo-Saxon grain goddess, Litha celebrates the fertile powers of nature at their highest point. It is a time for feasting, swimming, bonfires, and even fireworks. As the Summer Solstice represents the marriage of heaven and Earth, it is also a popular time for Pagan weddings, complete with couples “jumping the fire” to cement their vows. One ancient tradition that is being revived in some areas is the ritual of driving livestock through the dying embers of the Midsummer fire, though with the safety precaution of actually having two smaller fires with a path between to lead the animals through.

Among the metaphysically inclined, one common belief about the Summer Solstice is that it is one of those times of the year when the “veil” between the living human world and the Otherworld becomes thinner. In particular, many stories of humans entering the world of the faeries, or sightings of faeries in the human world, occur at Midsummer. Perhaps some of these stories – or sightings of his own – inspired William Shakespeare toA-Midsummer-Nights-Dream_859_ write A Midsummer Night’s Dream.

The Summer Solstice is a traditional time to gather herbs for purpose of protection, both for homes and animals. Boughs of rowan can be hung over entrances to stables, barns, chicken coops, sheep and goat enclosures, etc. – to protect the animals from disease or harm caused by evil magick. By the same token, a sprig of rowan hung over a pet’s favorite spot would confer the same special protection. Rue is considered protective against disease and poison, though it is poisonous itself when ingested in sufficient quantities. In Italy, rue was considered such an important herb that jewelry makers would make silver replicas of it to act as protection against the Evil Eye. In England, rue was believed to confer protection against faerie enchantments.

In one of many attempts by the Church to eradicate Pagan practices over the years, June 24th was designated “St. John’s Day,” in hopes that it would replace Summer Solstice celebrations. This is how St. John’s Wort, another herb traditionally gathered at johns2Midsummer, came by its name. St. John’s Wort flowers around the Summer Solstice, and those flowers are a cheerful, sunny yellow. In addition to making a lovely yellow dye, St. John’s Wort is also credited with the ability to bind spirits wherever it is hung.

Vervain is another herb that is traditionally gathered at the Summer Solstice. Vervain is believed to have the power to purify and to banish evil and negativity. Lavender is also gathered at this time and is used to make incense for Summer Solstice rites. Fern seeds, which are really spores still attached to the leaf and worn in the shoe, were once believed to make the wearer invisible. Today, the root of the male fern, with leaves intact, is dried over the Summer Solstice fire to create the “lucky hand” amulet.

In the East Anglian Tradition, the Summer Solstice is the seventh of the eight festivals of the natural year, which are celebrations of what Nigel Pennick calls “The Stations of the Year.” These stations express the round of life, death, and rebirth that is such an integral part of the agricultural cycle. At the same time, they are also a way of exploring the metaphysical questions of life, death, and the path to spiritual enlightenment. In this tradition, the stations are as follows:

Station Festival Event Agricultural Cycle
1 None (it’s a mystery) Death/rebirth Plant produces seed and dies.
2 Autumnal Equinox Calling/summoning Fruit ripens/harvest.
3 Samhain (October 31) Awakening Letting go, seed is released.
4 Yule Enlightenment Rebirth of the spark of life in the seed.
5 Vernal Equinox Reconciliation Seed, apparently dead, comes back to life.
6 Beltane (May 1) Mystic union Plant grows in harmony with environment.
7 Midsummer Sanctification Flower opens and is fertilized.
8 Lammas (August 1) Completion The circle turns.

Druids, Wiccans, and Celtic-centered Pagans have a slightly different approach to observing the overarching cycle of the natural world. They refer to it as “The Wheel of the Year,” and conceive of the cycle as follows:

Festival Event Agricultural Cycle
Samhuinn (October 31) Ending and beginning of the year. Remembering and contacting the honored dead. The final harvest; livestock who won’t be overwintered are slaughtered.
Winter Solstice (Alban Arthan) Death and rebirth. Death of the Holly King and rebirth of the Oak King. Longest night of the year.
Imbolc (February 2) Honoring the Mother Goddess. First faint signs of spring, lambs are born (in some climates).
Spring Equinox (Alban Eilir, Eostre) Celebrating the Resurrection of the God, light overpowering darkness. Equal day and night; flowers begin to appear; first seeds are planted.
Beltane (May 1) Celebrating the Fertility of the Land. Spring is in full bloom.
Summer Solstice (Alban Hefin) Celebrating the union of heaven and Earth. Longest day of the year.
Lughnasadh (August 1) Giving thanks to the Goddess. First harvest, particularly of grain.
Autumnal Equinox (Alban Elfed, Mabon) Giving thanks to the Goddess, and preparing for the return of the dark. Equal day and equal night. Second harvest, particularly of fruit.

Although the Summer Solstice occupies the seventh spot in the Stations of the Year, and the fourth spot in the most common Wheel of the Year, its essential significance is the same in both calendars. The Summer Solstice is a time to celebrate the light when it’s at its strongest, when exuberant growth is at its height. At the same time, we are reminded that the light will begin to wane thereafter, and that we would do well to consider the nature of our spiritual harvest.

 


Sources:

Campanelli, Pauline. Ancient Ways: Reclaiming Pagan Traditions. First Edition, Second Printing, Llewellyn, 1992.

Zell-Ravenheart, Oberon. Grimoire for the Apprentice Wizard. New Page, 2004.

Pennick, Nigel. The Pagan Book of Days. Destiny, 1992.

Huson, Paul. Mastering Witchcraft. Perigee, 1970.

“Summer Solstice.” Wikipedia, https://en.wikipedia.org/wiki/Summer_solstice.

“Archaeoastronomy.” Wikipedia, https://en.wikipedia.org/wiki/Archaeoastronomy.

“Antikythera mechanism.” Wikipedia, https://en.wikipedia.org/wiki/Antikythera_mechanism.

“Summer Solstice – Alban Hefin.” The Order of Bards, Ovates, and Druids. https://www.druidry.org/druid-way/teaching-and-practice/druid-festivals/summer-solstice-alban-hefin

“The Eightfold Wheel Of The Year & The Druid Festivals.” The Order of Bards, Ovates, and Druids. https://www.druidry.org/druid-way/teaching-and-practice/druid-festivals/eightfold-wheel-year-druid-festivals

Traversing Transitions: Where Freemasonry and Tibet Meet

Traversing Transitions: Where Freemasonry and Tibet Meet

“It’s hard to have those conversations,” the palliative care doctor was saying. She was talking about telling a loved one that Stage 4 cancer is terminal, and all the discussions and decisions that surround such a prognosis. The patient, an 85-year-old man, had lived a good life and yet, because of his fear of death, of losing this life, he was in denial and angry. This caused him and his family pain and turmoil as he sought to find his way to some acceptance of his situation.

Conversations about death are hard because U.S. culture is steeped in the fear of death. One only needs to look at television or magazine ads to see this; a culture that prides itself on fitness, youthfulness, and acquiring things has little understanding of the true nature of death. Death is a skeleton to be feared, a lurker in the closet that should not be acknowledged. Many aged have lived a life of denial of death, waiting until perhaps the last possible moment to “find God” or think about “the other side.”

People fear dying, not death, in general. They fear the pain and suffering that comes with long illnesses. Who wouldn’t? Cancer is certainly not a pleasant state. We hope for a quick death or to die in our sleep. Death in this way removes the focus on the body, on the horrors of what happens to the flesh that decays. Westerners don’t spend a lot of time on what it means to transition in death; they mostly focus on the unpleasant physical effects of the dying process. What is fascinating is that if one steps outside of perhaps the standard Western religions, he sees a far greater world that is not only accepting of death, but embracing of death.

While the Egyptian Book of the Dead (The Book of Coming Forth By Day) is a book, or set of scrolls, that specifically addresses the stages of death and afterlife, it doesn’t speak to the reader in such a way as to make the stages of death clear. It is still, after all, a Western book, early (2670 B.C.E.) as it may be. The scrolls were lists of spells which were left in the tombs of the dead. Their purpose was to provide the deceased a way to navigate the afterlife successfully. A very good modern interpretation / translation of this book is titled “Awaking Osiris.”

The Bardo Thodol, or “The Great Liberation Upon Hearing in the Intermediate State” is a book which is written for the living to assist the dying and deceased to make the transition off the Wheel of Life to Nirvana. This book is also known as the Tibetan Book of the Dead, although that is a fanciful 20th C. Western name.

Three bardos, or intermediate states between activities, are to be navigated, and success in these provides pathways toward different ends. A bardo may be any intermediate state, such as between birth and death, death and rebirth, even between something like sleeping and awakening. The guru or teacher sits with the person that is about to die and speaks to him of his journey, reminding him of his true being. He is prompted to enter the Clear Light, and thus, remove himself from the path of Earthly physical life. If he transitions to the second bardo, further instructions are given, and so on, until the soul either returns to Nirvana or back into a physical body, depending on the spiritual acumen of the deceased person. That all sounds a little complicated; in essence, it is assistance by the earthly person to the unearthly one, guiding him on his way to reincarnation or elevation.

“O Nobly Born, that which is death being called to thee now, resolve thus: “O this now is the hour of death. By taking advantage of this death, I will so act for the good of all sentient beings, peopling the illimitless expanse of the heavens, as to obtain the Perfect Buddhahood, by resolving on love and compassion towards them, and by directing my entire effort to the Sole Perfection.”

This section, from the First Bardo, is an example of the cultural views of death; not only its acceptance but total embrace to do what is best for the good of the collective humanity. This section goes on to remind the deceased that his life is in service to the greater good. The bardos continue in a cycle, all the while being guided by a guru, a “man of Faith,” a brother, or other person. The person acts as a guide from this realm to the next, allowing the soul to find peace by whatever means it finds possible. The thought of reading these beside the dying person is somehow comforting, perhaps as much to the speaker as to the “hearer.”

I think much of this same type of symbolism and instruction is provided to the Craft Mason, who winds through these bardos in the the rituals of all Craft degrees. Freemasonry, being an initiatory rite, seeks to impress on its membership the repeated lessons of life and death, until these ritual words and actions become very familiar to him. At first he is the recipient and later the provider. The nature of Freemasonry, the Service to Humanity, maybe partly this: imparting the ability to have each human experience a peaceful transition from this life to the next, and thereby improve the overall state of all beings.

The three bardos of death to rebirth transition, as explained in the book, are the Bardo of the Moment of Death, the Bardo of Experiencing Reality, and the Bardo while seeking Rebirth. To me, these mirror perfectly with the Craft degrees, where the lessons are told in with a Western slant. In some Masonic traditions, a chamber is used to create a space for the candidate to experience a true bardo, an intermediate state between activities, where reflection and change can take place. Symbolic in this world, perhaps these ritual trappings are faint shadows of the reality of our earthly transition.

It was said to me, recently, that Freemasons seem to be less afraid of death than perhaps the average Western human. If we listen to what Freemasonry is imparting, the Mason can’t help but put away the denial of his physical, transitory nature. We will die from this world. Freemasons may be better able to embrace the transcendence of being that marks the animus, the soul, the spirit, or whatever you wish to call the immortal principle in each living thing. Fear is the mind killer and is that which brings pain to what may not need to be a painful experience.

Freemasons are repeatedly provided the tools, symbolic and ritualistic, to learn to guide themselves and others through all the bardos of the human existence. It seems to me that all humans could use a lot more peaceful transitions into whatever intermediate state we find ourselves.

“Thine own consciousness, shining, void and inseparable from the Great Body of Radiance, hath no birth, nor death, and is the Immutable Light.” ~ Buddha Amitabha

Death and the Maiden

Death and the Maiden

I’ve long been fascinated by this picture, statue, or representation of “Death and the Maiden” as it relates to Freemasonry. I first saw the picture when I became a Freemason, in one of the many books that I was able to pour through. Masonic art in general has fascinated me because it is, generally, not only beautiful but also weird; it was weird in a way that made you ask “why does that bird sit on the oddly-shaped stone” or “why is that man holding the woman’s hair while carrying a scythe?” It spoke to me, begging me to figure out what it was trying to tell me. Still, today, I can sit for hours and look at paintings, engravings, and statues and wonder what their creators meant to impart.

Death and the Maiden isn’t a new concept. Artists as far back as Duerer, Baldung, and Beham in the Middle Ages were showing that “all human beauty is ended in death (Beham.)” Shubert and Dorothea Tanning created at least two pieces of their art around the concept of Death and The Maiden. Yet, the pictures attributed to the Freemason’s ideas of Death and the Maiden seem to be very specific and rich in symbolism.

The Freemason’s “Death and the Maiden” seems to be attributed to a 19th Century Freemason named Jeremy Cross. A student of Webb and follower of Preston, he taught and lectured on Freemasonry extensively at the beginning of the 19th Century. General knowledge about him seems to be all we can find, according to Phoenix Masonry scholars and articles, but it seems the idea of the entire composition is attributed to his genius.

The composition has been recreated by others, but the basic design is as you see it above. Some have the maiden holding specific tools with an evergreen and others have her holding a piece of Acacia and an urn. The latter is a modern invention as cremation is a relatively modern invention. However, for my purposes for this post, we will still talk about it. It’s important to reflect on how symbols may change but meaning remains the same – and in this case, the emphasis is to see death on one hand, and everlasting life on the other.

Ostensibly, the winged figure behind the Maiden is Death. Shown as an old man, long-bearded, with wings and a scythe, he seems to be, as one author put it, removing the tangles from her hair. When one looks at this picture, it appears that he is about to cut her hair; taking a purely Judaeo-Christian point of view, from the inventor, the inference is that this is about the moment before death, before life is cut short. Tearing of hair and cutting hair were signs of grief and distress to the Israelites, and even implied the whole destruction of a people. Women’s hair was grown long to distinguish them from men but hair overall was a sign of health, virility, and life. That Death’s scythe is not raised implies that death of the physical world is not imminent but it is on the horizon. Death prepares the youth for what may come at any time, as implied by the hourglass sitting beside the figures. As one is born and grows, Death is always behind them, preparing.

The broken column seems to be the main figure of the composition, and implies that it is a symbol of the Freemason who is viewing the piece. Why not “every man?” Because columns are, symbolically, the individual Freemason. Freemasons are columns to uphold that “temple not made with hands.” Freemasons are there to hold up the ideals for others to emulate and must be strong and sturdy enough to do so. As we age, we start to crumble, become weak, and eventually our “bent backs” signify the end of our contributions to Humanity. Again, the broken column sitting beside its foundation shows that while Death is not ready to strike, we must prepare for it by the time our moment draws near. Hence, what appears to be a book of sacred knowledge, of whatever kind speaks to us, sits beneath the Maiden’s hands. She is studying intently, in quiet contemplation and thoughtfulness. She is not distraught or upset. Both figures are somber and still and accepting.

Then what is the Maiden? The Maiden seems to represent the essence of Life, the Will, Wisdom, and Beauty that we all can tap into to do whatever work calls us. This work is not fixing plumbing or diagnosing code or mopping floors; this work is the Work that is remembered when our time is done, in the Service of Humanity. Someone may remember that we always cleaned up the dishes or swept floors, and in that memory they see the love and dedication we had to a principle. That principle might be as material as “cleanliness” or it might be more virtuous, such as loyalty or dedication, sacrifice and service. The floor will get dirty again but the memory of the work we put into keeping it clean is what we bring to the world. The memory of Service to Humanity. The Maiden represents the potential we all bring with us at birth.

The most interesting of the symbols is the acacia plant. There are many, many theories regarding the use of Acacia as regards Freemasonry. I choose to take a more practical approach, beyond the poor or convoluted translations of the word and speculation as to Acaciaits use as a sacred symbol to the mystery school of Freemasonry. It is, generally, a low shrub or tree that grows in all parts of the world but appears to have originated in Africa and the Middle East. It is evergreen with watering, and is still cultivated mainly in the Middle East, Africa, and Australia for its gum. Besides being an evergreen plant and symbolizing ever lasting life, its qualities as a gum make it far more interesting in relation to Freemasonry.

Since ancient times, the gum or sap of the tree has been used as a fixative. Powdered, the sap is a powerful glue that can be ingested by humans. It is used to combine, fix together, and generally adhere human consumables; this includes things like beverages, soaps, and icings and sweets. It is also used to combine and emulsify paints, slips for ceramics, printing inks, and photography. Thus, it is used to bring together individual components into a sooth solution, able to create works of art as well as feed the human body. Weird as that may be, these attributes show it is directly related to our Work as Freemasons – to bring together, to combine into a well-oiled “machine” to nourish the body, mind, and emotions of the Human Being.

Lastly, there is the myth of Osiris’ death at the hands of his brother, Typhon, and his body being placed into a coffin, and the coffin being thrown into a river. Presumably, Osiris dies and the coffin is captured by low hanging Acacia plants by the river. Over time, the Acacia tree is cut down to create a column for a new temple, and in the cutting of the column, the body of Osiris is found by Isis and she uses her wings to breathe new life into her fallen husband. Many myths of Osiris’ death and resurrection are found, in parts or in whole, throughout literature and this is only one of those (Plutarch). What I find this particular myth explaining to me is that the physical form can be had once again, if the aspirant is understanding the nature of everlasting life and perhaps of the lessons that nature and Freemasonry have to teach us. In this, the column and the acacia seem to go hand in hand.

Thus, in one hand we have the energy of our lives holding onto the evergreen which brings us all together, and the ultimate symbol of our physical passing – the urn. In ancient cultures where the belief in the physical body’s transference to the Underworld was prevalent burning of bodies was not performed, namely China and Egypt. In general, however, bodies were burned using many methods, and the remains were sometimes kept in a funerary urn. Additionally, the remains of skeletons and internal body organs were also kept in urns as a sign of respect and reverence. The practice of cremation became even more prevalent in Western cultures after the creation of the first cremation chamber in 1873. For some, the urn is one of those symbols that is still a little vague as regards a deeper meaning. Maybe there isn’t one. Maybe it is simply the reminder of our physical passing, and the fact that we keep the ash-filled urns of our loved ones near us is a constant reminder of the transient nature of this mortal life.

Death and the Maiden is better for its whole than its individual parts. It is a story of humans who strive for better, only to be still chained and linked to the eventual death we all face. That the Maiden is not facing her Death but still working to better the world is hope to me. It is the hope we all bear that in our work as Builders and Creators, we have left Humanity a little better for our having been part of it. We leave behind our passions, our principles, and our virtues to be passed on to further generations of humans. Our ripples effect the ocean of Mankind. While I live, I can carry on the Work of those who have passed before me, and I hope I leave a good enough legacy that others may find their burdens lighter.


For Joy Cornell, who will always remind me to be Authentic, Passionate, Joyous, Lively, and Loyal to home and hearth. Thank you for your Light. And May Light Perpetual shine upon you, my dearest brother and friend.