Masonic Soul Food

Masonic Soul Food

“What is a Soul? What is Spirit? What is Energy?” We begin to engage in conversations about such esoteric terms as soul, energy, and spirit without being cognizant that we are not speaking the same language. The words may be the same but meanings span the spectrum. We can debate these questions all night, all month, and for the rest of our lives and never come to understanding. Do people really know what they mean when they talk about energy, soul, or spirit? While these are common discussions amongst Freemasons, they are sometimes the most difficult subjects on which to remain impartial and fair.

Humans seem to have a lot invested in the idea of their souls, and in other people’s souls, too.

Many  people join Masonic groups so they can “have an energetic experience” or “touch something mystical.” Some talk about experiencing something that touches their soul or provides a spiritual meaning to their lives. Some Freemasons mention how they “love the energy of Lodge” or how it’s our job to “raise the vibration of our material world and send out ‘healing’ energy.” Many people start their Freemasonic career looking for something mystical, something secret that only they have learned, that no one else knows, that provides them a conduit to perhaps special insight that no one else has. Because Freemasonry deals with the questions of life and death, the neophyte may be looking for Freemasonry to unlock all those special secrets and have the answers. They use terms like soul, spirit, and energy without defining them for themselves and in their communications with others.

energy1It seems that many times, the conversations are about what people want to believe rather than reasoned conclusions. Discussion and debate are the way we educate ourselves and grow. Transformation requires thought.

To those who let go of preconceived desires and wishes, Freemasonry is transformative in many ways. It does discuss these questions of life and death. It leaves the aspirant to mull over symbols and meaning and yes, come up with personal insights on perhaps souls and spirit and energy. Freemasonry provides us the opportunity to to convert from a polarizing human nature to one of balance. We need to learn to deal with all aspects of our temperament in order to understand all the features of this life – material, emotional, mental, and spiritual.  It is this last realm, spiritual, that trips many up.

Most Freemasons accept the presence of a greater power, something undefined that connects us all to a single purpose. Most would agree with the idea of the multi-faceted nature of human existence, struggling with the balance of brain, mind, body, and this idea of “connectedness.” Many have experienced things they can’t explain, the nudges of intuition, and the sudden flashes of insight that seem “deep.” These are all valid experiences. It’s taking them from the experience to meaningful communication that humans struggle. We throw out a word like “soul” or “spirit” or “energy” and assume that the people we communicate with understand what they mean. Freemasons are philosophers,  and any good philosopher will not abide a discussion with random, undefined terms. When asked about souls, there are vague allusions to something energetic, mystical, unique, and connected to some form of god/goddess/force/Tao. A soul is what makes us individuals. A soul is something that is part of God. A soul is our energetic self.  “When our eyes met, our souls touched.”

What does any of that really mean?  For each individual who speaks on these subjects, there is a different answer. Pinning people down about souls and spirits and such can be quite agitating for people. Some people get downright angry.

Can we define any of it? Perhaps. Perhaps we can start with energy.

socratesUnless you wholeheartedly dismiss science, there can be no doubt for one second that we are energetic beings. Neurons use electrical impulses and neurotransmitters (chemicals) to enable our bodies to function in its entirety: to think, feel, heal, sense, breath – everything. Without energy, our hearts would not pump, we would cease to be able to think and process information, and we would die. Mitochondria, in a weird symbiotic relationship with us, enable us to live by helping us process the material world around us into energy. Every cell has mitochondria and every cell is able to produce energy of some sort. Life is energy.

Okay, we’ve established we’re energetic beings, and by the nature of the material world, energetic beings are everywhere. We communicate with our senses and receive communication with our senses. Abraham Hicks said, “We talk with words but communicate with energy.” Cyndi Dale, author of “The Subtle Body: An Encyclopedia of your Energetic Body,” states that “energy is information that vibrates.” This latter definition is a little more trustworthy, it seems, than the former. We can test it. We can retest it. We can play with it and work to define examples. However, this is also where it gets tricky, right? Let’s take a page, well, a short paragraph from Wikipedia: “In physics, energy is the property that must be transferred to an object in order to perform work on or heat the object. It can be converted in form but not created or destroyed.”

BB_timelineWell, okay then, simple question: where did the energy that makes up us come from? Ouch, right? In a recent conversation, I posited this question to a fellow Freemason. He answered, “the stars.” I said okay, get me from B to A. He said “Stars created the elements that trapped the energy that went into making us.” I replied that I agreed, but then, what makes up the stars? He said it must be “the Big Bang.” Humans are the trapped energy of the material created during the Big Bang. To him, we all derive from the single moment that created time, matter, and energy. Physicist or philosopher, the topic of energy is where we converge. We can conclude from this that elements that make up the material world are trapped energy. Is this trapped “energy” spirit? Is that our “soul?”

If we are trapped energy of stars, as is everything around us, then we have far more in common with other matter than we think we do. If we are all made of the same matter, we should be able to recognize one another by way of transferring energy. Or, so one would think. What is interesting to note is that many psychologists and philosophers considered love to be a transference of energy. Freud dwelt on the physical aspects of love while Plato talks about spiritual or unselfish love; but one in the same, what we call love is, to them, a transference of energy. When we love something, we do put energy into it, and it into us. Perhaps this is the idea of spirit. Spirit, Plato said, that that way we communicate emotionally with other humans. Is this not love? So, love is spirit. We can also say love is energy.

So if love, life, and elements are all energy, can we draw any conclusions about the soul?

Many philosophers have tried to explain ‘soul.’ Just one example, Plotinus, the first Neo-Platonist, did his best to help us along in understanding that the soul doesn’t necessarily need a body; yet, without a body, it can’t exist in the “intelligible realms and express itself in the visible realms.” This concept tells us how he thought the soul expressed itself, but not what it is. In a very basic sense, Neoplatonists call the soul “consciousness” or “psyche.” Still, it’s unclear even in modern terms what consciousness is. If we thought defining “soul” in religion is difficult, try the philosophical bent…Truly angst-ridden. It seems that Plotinus and Plato are already agreed that there is a soul, even if they can’t agree on its definition. Maybe it’s something that we all have to debate on until we get to learn for sure. Maybe we’ll never learn for sure, at least not in this world. galaxy-wallpaper-preview-4

One solid conclusion is that the meaning of a soul does not seem to be the meaning of a soul for everyone, and spirit is not something we can agree upon, either. If nothing else, the myriad world religions would illustrate that. The phrase “our souls speak to each other” doesn’t mean much if you can’t really explain to someone else what it means. “We communicated ‘energetically’ is really worthless unless you can really understand clearly what you intend. It doesn’t even matter if you can explain it to someone else; do we even understand ourselves?  A wise Freemason once said that if you can explain something to a five-year-old, and the five-year-old gets it, then you really understand the concept of it. Simple terms, clearly defined, done. We definitely need more five-year-olds around us to keep us honest and clear.

Freemason, scientist, philosopher, or physicist: regardless of what you believe about soul, spirit, energy, or anything else esoteric, definitions are important and personal understanding moreso. The exploration of life’s meaning is, whether we agree on terms or not, something we all share.

Why are we here? Because we’re here. Roll the bones.” – Neal Peart

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The Key of Solomon

The Key of Solomon

Many people have heard of the Key of Solomon, and indeed, Dan Brown’s book The Lost Symbol emphasized some of its mysterious ideas and brought them to the fore of modern culture. The Key of Solomon is ostensibly a text of “revealed” secret information given to King Solomon, son of David (Israel), and written by Solomon, to help others gain deeper knowledge of the mysteries of the universe.

The text is now thought to be a 14th or 15th Century Latin “grimoire” of Renaissance “magic” couched in Judeo-Christian terminology and mythos. This symbolic substitution was a common method of many alchemists and “magicians” in an age of the Catholic Inquisition and heresy trials. The majority of manuscripts of The Key of Solomon have overt references to alchemy, kabbalah, and hearken back to what many would see as the ancient mystery schools (e.g. Pythagoras, Orpheus, and Eleusis) of Greece and Rome. Most remaining manuscripts of this Key of Solomon date from the 16th to 18th Centuries, many of which can be found online in PDF form (sacred-texts.com) or orderable fromSolomon Sheba Amazon or Kessinger’s. You can download an 1888 translation by S.L. MacGregor Mathers here.

The Key of Solomon contains neither a key nor Solomon within it; while the book may have some overtones of unlocking “esoteric” information in the forms of diagrams, the key specifically refers to what it unlocks. In other words, the title Key of Solomon” would translate to the 14th C. alchemist as “that which unlocks what Solomon does/is.” The document was written long after Solomon died, and this might be evidenced in the fact that some of the references do contain links to Jesus. In at least one transition, “Jesus Christ” is mentioned; this is an obvious anachronism to Solomon the King. Why Solomon?

Solomon is found across all of the Judeo-Christian-Muslim religious texts in the form of a wise, wealthy, and learned man. He’s noted as being a prophet, astronomer, poet, builder, architect, and businessman. Biblically, he is attributed to building many temples in his life to a variety of deities, not just Yahweh. Again, I believe we have Solomon as a symbol and not as a ruler in Israel. He’s the symbol of the learned man, striving for knowledge of the seen and the unseen. In this quest for knowledge, the human being will find the success that Solomon had found. Whatever historical or factual information may or may not be found about King Solomon, he has become the ideal of the powerful and wealthy monarch that is wise, intelligent, and devoted. It necessarily follows that the “key of Solomon” would be the guide or guides to unlocking the wisdom, knowledge, and riches of all earthly, and thus natural, matters.

This latter part appears important. If we understand that these original Key of Solomon texts may have been written by both Islamic alchemists and Judaic kabbalists, we can take the meaning of the title Key of Solomon to be as ascribed above: the key to unlocking super-human abilities, especially the ability to manipulate nature. In the Qu’an, Solomon asked for, and received, from God many of these abilities, such as the ability to speak with birds, control of air (wind) and fire (Djinn), and thus the elements.

And to Solomon (We made) the wind (obedient): its early morning (stride) was a month’s (journey), and its evening (stride) was a month’s (journey); and We made a font of molten brass to flow for him; and there were Jinns that worked in front of him, by the leave of his Lord, and if any of them turned aside from Our command, We made him taste of the Penalty of the Blazing Fire.” (34: 12) and “At length, when they came to a (lowly) valley of ants, one of the ants said: “O ye ants, get into your habitations, lest Solomon and his hosts crush you (under foot) without knowing it.” – So he smiled, amused at her speech; and he said: “O my Rabb (Arabic: رَبّ‎‎, Lord)! So order me that I may be grateful for Thy favors, which Thou hast bestowed on me and on my parents, and that I may work the righteousness that will please Thee: and admit me, by Thy Grace, to the ranks of Thy righteous Servants.” (27: 18–19)

key_of_solomon_1One might believe that Solomon was the first, or at least the most famous, alchemist, no? Perhaps.

Several versions, transitions of the manuscripts of various Keys of Solomon, were picked up by the occult movement of the late 19th and early 20th Century, when many of the most recent versions were translated and/or compiled. Waite wrote two editions of his book The Book of Ceremonial Magic (formerly The Book of Black Magic and Pacts)  in 1913, both of which draw heavily on these several Key of Solomon manuscripts. While not a direct correlation, it seems as if the Key of Solomon received a “black magic” reputation from this association, and perhaps fueled some of the aggression toward Freemasonry. One only needs to do a Google search on “Key of Solomon Freemasonry” to see various works on the black, and backwards, associations.

Why would this be? The Key of Solomon is typically associated with the Holy Royal Arch degree, as evidenced by its jewel. A lovey description and write up of the jewel can be found here. For anyone who has seen the jewel, its likeness to any of the seals or glyphs contained in the book Key of Solomon is similar. While it may be a more modern, stylized version of the one of these glyphs, it’s clear that the idea represented is an unlocking of “wisdom” for those who have “ears to hear.”

The idea of anything dark associated with this degree is rubbish; and yet, for the same reasons our medieval ancestors hid the knowledge of alchemy within a Judeo-Christian mythic book, perhaps Freemasons, in developing this degree, felt the same way. Thecompanion-jewel-r-a legends and teachings within Freemasonry have been housed in the same myths of Judeo-Christian-Islamic literature, and it’s no surprise that this figure of Solomon would connect to the conscious and unconscious psyche of the majority of the Western world. Freemasonry is a Western invention.

Additionally, there is a fascination in these tenuous connections from ancient to more modern authors; reading original texts, one hopes to unlock a different way of approaching the problems of life and death, and thus perhaps gain some “secret” knowledge. Like all things esoteric (and Freemasonic), the key to unlocking the secrets lies within the seeker, not in some random jewel on the breast of someone who has taken a degree. As with alchemy, kabbalah, and any mystery school, the seeker must work his mind to gain the insight. These texts, symbols, and mysteries appeals to our sense of power, to the secret knowledge that perhaps we alone can find. To what ends we apply these tools, for the benefit of ourselves or the benefit of humanity, is solely within our sphere of control.

 

 

 

 

Silence: A Way to Wisdom

Silence: A Way to Wisdom

What happens in silence? Many argue that silence can invite reflection, contemplation, and discipline. In other words, silence  — along with inquiry — engages learning. It makes you wise. The significance of silence has been highlighted in practically all mystery traditions. Secrecy and silence play a big part in the masonic teaching. Pythagoras, one of the best known champions of silence, is thought to have said:

Silence is the first stone of the temple of wisdom. Listen and you will be wise; the beginning of wisdom is silence.

Silence is generally considered to mean quietness or not making any sound. And while this is indeed silence, I do not think it is everything silence is. It can also mean to preserve a secret, calm the emotions, or still the mind. There is no real silence when emotional tides are raging within us and when we find our monkey mind chattering to itself. 

Is cultivating silence a way to becoming wise?

I think it would be fair to say that for many Greek philosophers, the quest for wisdom was the be all and end all of philosophy. Basically, many of us want to be wise. To know the truth. To know thyself. To know others. To know our beliefs. To know answers Silence 2to questions. To know, know, know.

However, I am not sure we all want to know silence. Why?

The practice of silence invites us to not-know. Is there room in our seeking for not-knowing? Is there space in our pursuit for un-knowing? Listening? Unlearning? For dumping how we have come to cherish our beliefs? To dismiss the knowledge that we carry in our small boxes of understanding? To be open to a magnificent, wondrous world of undiscovered realities? To hold a mystery?

Can we embrace a secret? Can we live in the question?

The Pythagoreans were huge advocates of secrecy and silence. A wonderful little book called Divine Harmony describes the Pythagorean way of life as it is thought to have existed, although we know little for sure. To become a member, an Initiate took an oath of silence for two to five years. Novices were called “listeners” and were not permitted to partake in class discussions. The ancient brothers were quite serious about silence, believing it develops powers of attention and memory.

The school curriculum consisted of developing a host of virtues in the students. Silence 3Knowledge was transmitted symbolically, through cryptic statements and riddles.

The Pythagorean Y

One of the symbols studied was called the “Pythagorean Y.” Manly P. Hall explains:

The famous Pythagorean Y signified the power of choice and was used in the Mysteries as emblematic of the Forking of the Ways. The central step separated into two parts, one branching to the right and the other to the left. The branch to the right was called Divine Wisdom and the one to the left Earthly Wisdom.

This symbol reminds me of the fork in the road that Robert Frost talks about in his poem,  “The Road Not Taken.” Earthly wisdom or Divine Wisdom? Each path corresponds to a different direction his life may take. He must choose carefully. Left turn or right turn? Mundane or spiritual?

I look back on my own life, wondering how many times I have faced that fork (and still do). I do not always take the road “less traveled.” Sometimes it is just easier to be busy with the mindless daily grind. Wise people are people who make the hard choices, who know things – things that matter. They put that knowledge to good use in practice. I saw a saying the other day on someone’s T shirt that said:

Knowledge is knowing that a tomato is a fruit. Wisdom is knowing not to put it in a fruit salad.

Confucius, another wise person, once said that there were three ways to learn Wisdom:

First, by reflection, which is noblest;

Second, by imitation, which is easiest; and

Third by experience, which is the bitterest.

As we can see the ancient philosophers thought a lot about the nature of wisdom and silence. But what relevance does it have for our modern times?

Silence in a Modern World

First, it seems to me that silence is a very good thing. The powers of observation can lead to truth and wisdom. Moreover, seeking truth and finding wisdom both have Silence 4instrumental value to the modern world.

On the other hand, not all silences are created equal. Some silences don’t lead to truth. We could, I suppose, spend all our time in silence seeking to know every possible truth, but that does not seem like the path of wisdom. What we want to know are silences that matter, that lead to those truths that are relevant to our practical projects and society. Some truths are clearly more actionable than others.

I find encouragement in the exemplary lives of those who have practiced silence, people like Gandhi, the Indian civil rights leader. He is one of the wisest people I know that did great things while being dedicated to spending one day a week in silence. For him, it was a choice to continue to redeem the world and to save the world from our own selves. He knew that a person cannot be wise if he arrogantly over-estimates the power of his own beliefs and judgments. There needs to be humility: to listen and learn, and to give other voices their due.

Thomas Carlyle, philosopher and writer, speaks of a Ghandi type of silence in Sartor Resartus:

Silence is the element in which great things fashion themselves together; that at length they may emerge, full-formed and majestic, into the daylight of Life, which they are thenceforth to rule.

The great things are not “over there” somewhere. They are all right here, where we are, waiting in silence, the element of not-knowing. Vast. Majestic. Subtle. No knowing them. No rushing them. No trapping them. Only accepting the silence for what it is. And what it will become.

 

Eritque Craticula Usque ad Tenebras

Eritque Craticula Usque ad Tenebras

The precipice of Winter. The hollow wind of Autumn. We humans are always on the edge of something. In this case, we are on the edge of seasonal change. As we slip from the warm days of Summer into the chillier nights of Autumn, we sense that change is imminent. We are on the edge, slipping from one day to the next, seasons rushing by in a flowing, ever changing stream. A stream, I must add, upon which we are always standing on the edge.

Nature teaches us a great deal of how to be in the world; most of the time, we just choose not to listen. Cement jungles are no place for the breath of the Green Man or the dance of a water nymph. Yet, Nature finds a way to express herself. In Traditional Chinese Medicine, this is expressed as Yin and Yang. A Taoist concept, everything contains Yin and Yang. Yin and Yang are two opposite yet complementary energies. Although they are opposite in their individual qualities and nature, they are interdependent. They are never separate and cannot exist without one another. The hard Yang of the cement contains in it air and space, Yin, in which it yields to the grass growing in its cracks. The meadow is dotted with hard boulders, unyielding and yet grounding to the lush, loamy soil.

silhouette-cliff-man-tree

The traditional translation of Yin-Yang is Dark-Bright, which in turn translate to the traditional Chinese icon we see for it – two tear drops, intertwined, with a dot of the other deep in their bellies. Saying they are opposites is a faint allusion to their true natures. They are complex and rich for as simple as they appear. Both are archetypes and ideals, where simple human words are inadequate modifiers. They may be translated as “the shady side of the mountain (yin)” and “the sunny side of the mountain (yang).” Yin may also indicate the feminine, the moon, softness, passivity, sinister, darkness, overcast, or even treacherous. Yang, the “opposite” indicates masculine, the sun, hardness, assertiveness, open, overt, relief, light, and positivity.” There is always a bit of one in the other, a taste which makes them less opposite and more like polarities. Neither is good or bad, they just exist; intertwined for eternity in a dance of possession.

Chapter 42 of the Tao Te Ching (about 500 B.C.E. by Lao Tzu) is where the duality and Yin-Yang are found:

“The Way gave birth to unity,
Unity gave birth to duality,
Duality gave birth to trinity,
Trinity gave birth to the myriad creatures.
The myriad creatures bear yin on their backs and embrace yang in their bosoms.

They neutralize these vapors
and thereby achieve harmony.”

This may be interpreted that while the Way (Tao) gave birth to all of material life, it is contained within that life in the form of this duality. Thus, all matter, of animal, plant, or mineral contains yin and yang. All of Nature contains within it opposing truths, a constant tug of each end of the living spectrum. Being of Nature, we should be intimately at ease with the duality of our natures, right?

260px-Yin_yang.svg

Relative and absolute. We see absolute as our eternal goal – absolute truth. Is this not what the philosopher strives to attain? Is this not what the Freemason seeks? Absolute is the Truth which we hold as dearest, that which give us “rightness” of whatever we are understanding. Yet, relativity is important to our personal lives. We make judgments and choices about the relative Truths we perceive with our senses every day. How does that green shirt go with those pink pants? Does the omelet need more salt? Are we thirsty? These are truths, however small, in which we are always seeking answers and using our senses, our knowledge of duality, to provide answers. We are always on the edge, wondering if we are being deceived, somehow, by falsehood and ignorance. Curiosity is a sword to slay our own ignorance. Curiosity is not sheathed in ego.

The philosopher sees the duality in the people and situations around him. We recognize that there may be two sides to a situation: yours and mine, his and hers, etc. Without this sharing, we cannot see more Truth. We have to stand on the edge of reality, with another human being, and accept that this truth might fill in our blanks. Once we let judgement of Truth go, there is vast chasm in front of us. It is in recognizing duality that the pieces start to come together. Unity. We realize that we cannot have the whole picture. We may not ever have the absolute truth; yet, we may have relative truth to share. In heaps and bounds.

Thus, we are always on the edge of true understanding. Of knowledge. Of peace. Thus, perhaps we are always at an equinox within our natures. Halfway to Darkness. Halfway to Light. Eritque craticula usque ad lucem ac tenebras. A motto of change? A reminder of being on the edge? Perhaps we need not be so afraid of the darkness and the change, go out into nature, and learn what living really means. We can find Nature in everyone we meet, sharing in a brief bit of harmony by seeking to understand. Enjoy this Equinox, with balance and joy, understanding that the world will keep turning, seeking balance and yet, always on the edge. The Darkness is coming. So is the Light.

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Metaphor: The Language of the Mystics

Metaphor: The Language of the Mystics

In the outskirts of every society, you will find the mystics. Some are holy men in monasteries; some are Buddhists seeking enlightenment; some are public figures; some are Christians serving Jesus; some are Freemasons, like myself. Mystics have an amazing amount in common despite all that. They are not satisfied with what they learn in books, with ceremonies passed on for the sake of tradition, or with faith that comes from an assertion that “You really ought to believe in this.” What they want, instead, is conviction— the kind of conviction that comes only from a direct spiritual experience. Many say they have found it.

How do mystic seers convey their experience in words, or in stories? Our ancestors’ answer was: with tons and tons of different images – with metaphors, that is. Metaphors, after all, are symbols used to creatively describe a deeper reality, to give a sense of the color and taste of it. There are many metaphors in the teachings of Freemasonry.

How significant, then, is the relationship between mysticism and metaphor?

There are hundreds, maybe thousands or millions of metaphors in existence about mystical things. Rumi, the great Sufi poet, once said that God created everything in the outer world to serve as a metaphor for the inner. The outside world contains objects that can awaken and remind us of truths that, when applied, can be of real benefit. For example, if you read mystic literature about the soul, you might find the soul as ladder, the soul as garden, the soul as mountain, the soul as ark, the soul as mansion or castle, the soul as shining, living stone or even precious jewel, and so on. There are equally as many metaphors about the path to enlightenment.

34382722213_6e1d57324f_zA metaphor is a comparison. A metaphor establishes a relationship at once; it leaves more to the imagination. It is a shortcut to the meaning; it sets two unlike things side by side and makes us see the likeness between them. A metaphor is a comparison that doesn’t use the words “like” or “as,” while a simile is one that does use those words.

Why do metaphors in the writings of the mystics even matter? As the great consciousness-researchers Julian Jaynes and Owen Barfield both explained in their writings, it is very difficult to discuss consciousness except through metaphor. Metaphors create new ways of thinking, new realities, and new worlds.

Do metaphors shape the way we think? Let us look at an example.

Juliet is the Sun
From Shakespeare’s Romeo and Juliet is the metaphor, “Juliet is the sun.”

This statement equates two different things: one human, the other sidereal. Juliet is a human; the sun is a star. How do they get to be equal?

For the purpose of illustration, I will show how a metaphor is born, logically. We could say:

There is a human called Juliet.
There is a star called the Sun.
The human called Juliet is radiant.
The star called the Sun is radiant.
Therefore, the human called Juliet is like a star, called the Sun (because of the radiance).

Not very thrilling or poetic, is it? How can we make it more exciting? How is the metaphor created? First, we delete all the unnecessary words and steps, only leaving the simile “Juliet is like the Sun.” The final deletion comes about by eliminating the word, “like.” Voila! “Juliet is the Sun.” 34382660583_c940b54102_z

As we can see, this metaphor comes alive through deletion and transformation. Keep taking away words until something “becomes” something else. Keep stripping away the Maya and the illusion until we arrive at the truth: the direct perception or the mystical experience.

In the words of William Blake, “If the doors of perception were cleansed, everything would appear to a man as it is, infinite.”

If you have ever had an “aha” moment, there is something wonderfully joyous about experiencing the mystical – to remember that we have spiritual faculties in us open to the dimensions beyond. Wonder. Awe. The metaphorical language of the mystics points us to the stars – bridging earth to heaven and to a world beyond itself.

But how do we react when we encounter something that exists outside of our realm of study? Does everything have to fit into what is already known, otherwise it doesn’t exist? The experience of the Transcendent seems to defy expression.

One of the greatest mystical saints of all times, St. Teresa of Avila, says that the intellect cannot go with her to the higher realms. It must stay behind. She writes in her book The Interior Castle: “One should let the intellect go and surrender oneself into the arms of love, for His Majesty will teach the soul what it must do at that point.”

I do believe the central role of metaphor in shaping consciousness can be impactful in someone’s life. I also believe the intellect is not always our ally. 35192178685_29b4993ed4_z

Such was the case with Edgar Mitchell, astronaut on the Apollo 14 mission. On his return trip from the moon, he stared out of the window at our blue planet, Earth. At that moment something profound hit him. All of a sudden he was lifted out of his normal consciousness and felt an intense oneness with planet Earth and the universe. In a flash of higher consciousness a higher truth was revealed to him that dramatically changed his intellectual perspective. (Watch Edgar Mitchell’s “We Are One” video)

How lovely to live in possibility, to think in beautiful metaphors, to cherish the precious jewel in each sacred word,  and to overflow with sweeping amazement. Your turn. What mystical metaphor would you want to leave behind as a jewel to humanity?


Note: Featured images are from the Art Exhibition, Beyond the Stars; The Mystical Landscapes from Monet to Kandinsky.

Astronomy and the Quadrivium

Astronomy and the Quadrivium

Perhaps your first thought, as was mine, is: “How can Astronomy be an ‘art?'” Furthermore, how can Astronomy be called a ‘liberal’ art? From a very interesting (and worth exploring) website called “Arts of Liberty,” we have a snippet for explanation:

“To call astronomy an ‘art’ can come as a shock to a modern reader… Perhaps without thinking much about it, we think of “science” as being a genuine and exact knowledge, whereas ‘art’ is more expressive, or touchy-feely.  But, that is not quite adequate, since medicine is also an ‘art,’ and it is anything but touchy-feely… And while ‘science’ and ‘art’ do not appear to be synonyms, it could very well be that the same discipline can be called both a ‘science’ and an ‘art,’ although for different reasons.

To understand this properly requires us to consider a sense of the word ‘science’ not in common use today.  The word ‘science’ comes from the Latin word scientia, which meant a very exact knowledge, a rigorous and sure knowledge of things deduced from self-evident truths.  The ancient Greeks would have called such knowledge epistémé...  

In the vocabulary of the ancients, an ‘art,’ like a science, meant a carefully reasoned-out knowledge, but more than that, it meant a knowledge of how to produce something.  Where there is no ‘product,’ there is no ‘art.’  So it is possible for a form of knowledge to be a ‘science’ but not an ‘art.’  For example, Aristotle considered the study of god to be a ‘science,’ a body of knowledge rigorously reasoned out from self-evident principles, but not an ‘art,’ because it did not teach us how to make gods, or how to do anything about god.”

Ptolemaicsystem-smallClaudius Ptolemy (100-170 CE) was a Greek mathematician living in Alexandria. His work The Amalgest was one of the most influential astronomical works until Galileo’s discoveries in the 17th C. The Amalgest documents many mathematical and astronomical treatises, including works by other mathematicians – works thought to be lost. The most significant piece of this Amalgest (total of 13 books), is the documentation of the geocentric model of the universe. Ptolemy’s work became the accepted theory of the structure of the planets and stars, with the Earth central to all.

This influenced not only astronomy and mathematics but also theology, philosophy, and fine art. Three centuries after it was written, Hypatia and her father Theon, genius mathematicians, added to the work with their own commentary, throwing in their thoughts of elliptical orbits, the procession of the equinoxes, revising Ptolemy’s Handy Tables, and introducing the sexigesimal calculation systems. It’s believed that this rendering of the Amalgest, with the Hypatia/Theon commentary, is the one that was used for the majority of the Middle Ages although no direct reference to Theon survives and Hypatia is mentioned only in a passing 10th C. reference.


And thus, the Quadrivium ends. I hope you’ve enjoyed my answer to the Bro.’s challenge of finding a significant event, work, or person who influenced each specific liberal art. The question was posed, should Freemason’s really learn the liberal arts? The answer, to me, should be obvious. Not only should we learn the liberal arts individually, but understand their context in the whole of being educated about the natural world. Human beings can be taught easily to survive; we cannot just “pick up” how to thrive, generate ideas, and create a better world.

An example of this “Freemasonic mindset” is James Madison, even though he was not a Freemason. In his early twenties, when the United States was in its infancy, he gave up much of his career and life to studying the histories and government of world cultures. He was relentless in his pursuit of the histories and knowledge of government administration, what worked, what didn’t; he studied philosophy, history, theology, art, classical literature, geography – the liberal arts and more. By the time he finished, and began his work in the new nation’s government, he was arguably the single biggest influencer in shaping the United States Constitution and the framework of our Democracy. By learning the past deeply, he was able to innovate and create a new world. To me, that is a main goal of the Service of Freemasons.

Are Sacred Places Important? The Labyrinth at Chartres

Are Sacred Places Important? The Labyrinth at Chartres

In our present time, there seems to be a huge market for “buying” your way to enlightenment. Everyone is peddling a secret. Chant this mantra. Hold this crystal. Buy some incense. Rub that oil. Say these words. Go to this retreat. Some of these things may have some value. Spiritual longing is a real part of the human experience. Labyrinths hold a special attraction for me. Can a labyrinth really be a tool for enlightenment? Are sacred places important?

The first labyrinth that I ever experienced was a Chartres Labyrinth, although I was not lucky enough to be in at the famous labyrinth in Chartres, France. I liked it so much I began to investigate labyrinths in general and the Chartres Labyrinth in particular.

Chartres Cathedral was built one thousand years ago to be the site of a Mystery School. Not only was the cathedral an architectural feat but was one of the leading learning centers at the time. The edifice combined the visionary teachings of Plato with Christian mysticism. You must walk the entire labyrinth path before gaining entrance to the Temple. It is the “way in,” if you will, a Chamber of Reflection of sorts.

Those who have been to the actual site in France say that the effect of the Cathedral is peaceful and nurturing. You are at rest, left to wander or to meditate in tranquility. The atmosphere suggests that the veil between the human and celestial worlds is thin, and God is very near. It represents the ideal of a sacred space: a blending of the divine and material. The impact of Chartres on people at that time must have been enormous. How can a place be so heavenly?

Sacred Geometry

The Divine mystery of the labyrinth walk might be due in part to the magical pattern. One path leads inwards to the center, and the same path leads back out again. Chartres has an eleven-circuit design, divided into four quadrants. They are encircled by an outer ring of lunations, thought to represent a type of lunar calendar. The quadrants suggest the even armed cross. At the center is a Rosette pattern of 6 petals which is the place of 14761614336_92dabf6bf4_zrest. It reminds us of the sacred lotus, symbol of enlightenment.

In medieval times, the path was considered a substitute for a pilgrimage to the Holy Land. It is symbolic of the pilgrim’s journey into his Soul: the Center. It must be a two-way journey, which ends at the starting point. The pilgrim must not seek to remain inside. He goes and comes back. He visits. He walks from the unreal to the real, from the periphery to the center, from the mundane to the spiritual and back. Is this not life?

Symmetry of the Design

In his book, The Mysteries of Chartres Cathedral, Louis Charpentier recalls his first experience of being inside the cathedral. He was immediately struck with the impression that “everything contained its opposite in itself.” He said that the same balance contained in the secret of the Chinese Tai Chi, is at work in Chartres where the “proportions, orientation, position and symbolism have all been designed to alert the psyche and refresh the spirit.”

This idea is hinted at in Chapter 14 of the Tao Te Ching

LabyrinthWhat we look for beyond seeing 
And call the unseen,
Listen for beyond hearing
And call the unheard.
Grasp for beyond reaching
And call the withheld,
Merge beyond understanding
In a oneness
Which does not merely rise and give light,
Does not merely set and leave darkness,
But forever sends forth a succession of living things as mysterious
As the unbegotten existence to which they return.

Charpentier further states:

“If the pilgrim experienced the entire sensuousness of the cathedral, it would be because the body’s senses had apprehended all the musical and geometrical proportions, and all the numbers and lines expressed in the building’s interior.”

Geometric forms that exist in the labyrinth or even the Masonic Temple such as the cube, triangle, sphere, square, or oblong square could act as a doorway into various states of awareness. “God Geometrizes.” Sacred Temples can be said to stand for an unseen condition of something that can be known.

Beauty as an Expression of Truth

Divine archetypes are said to be not only doorways to the unknown, but as Plato has indicated, they are the very essence of beauty. The nature of beauty cannot always be described in words, and so it is possible, that certain symbols act as a bridge between the visible and the invisible. Satisfying both a physical and metaphysical need, sacred architecture can:

2248714047_a3a0d5da4f_z

1. Provide an energetic focusing center on the physical plane wherein the mysteries are learned and enacted;

2. Serve those seekers who enter the building and become intellectually and spiritually stimulated.

The more beautiful the appearance in form – the more closely will it correspond with spiritual truth. Buckminster Fuller stated it like this, “When I am working on a problem, I never think about beauty, but when I have finished, if the solution is not beautiful, I know it is wrong.”

My sense is that if a person does not appreciate beautiful or holy things, he will lose them. Without reverence, the sacred feeling will diminish and then be forgotten. Thereafter, his only concern will be his personal comfort and selfish desires.

On the other hand, as we honor holy places we will be entrusted with holy things. Just the opposite of disbelief and despair, the goal is eternal life and peace. Contemplating art and architecture, the spiritual and the divine, moves us away from the mundane world of the daily round.

Do sacred spaces make us more enlightened? Some have scoffed at labyrinths, masonic temples, mantra, and things like crystals or incense for centuries. In times of need, I have tried all of them.

Music and the Quadrivium

Music and the Quadrivium

Music is delivered to us via our sense of hearing, which when young hears a wider range than when we are older. Our mind processes the complex mathematical formulas of sound waves, and that processing, can affect our mood, thoughts, feelings, and memories. Music is found in all cultures, at all human times – humming, hitting things together, singing, instruments. We have found a way, through music, to sounds and words much more integral to our lives than mere language.

There are so many aspects of music that it is impossible to scratch even the surface here. In a recent conversation, I asked a Brother, proficient in music theory, playing music, and song, what he felt the most important aspect of music was. Without hesitation he said, “The perfect fifth.” I asked him to explain.

M_Octave_Fourth_FifthThe human mind likes consonance, or harmony in its music. We find our minds like notes to be evenly spaced, and those that are not are “out of tune.” The perfect fifth is considered the most consonant of musical intervals. However, the musical scale cannot, mathematically, work with all perfect fifths, up octaves and down. There must be adjustment, otherwise it sounds “off.” This equal  interval spacing, what we’re familiar with today, is called equal temperament. There are several tuning methods, and several types of equal temperaments. These differences come from how the octave is divided mathematically.

This brings us to The Well-Tempered Clavier. The Well-Tempered Clavier is a collection of two series of Preludes and Fugues in all major and minor keys, composed for solo keyboard by Johann Sebastian Bach. It is sometimes assumed that by “well-tempered” Bach intended equal temperament, the standard modern keyboard tuning which became popular after Bach’s death, but modern scholars suggest instead a form of well temperament. There is debate whether Bach meant a range of similar temperaments, perhaps even altered slightly in practice from piece to piece, or a single specific “well-tempered” solution for all purposes. There are 24 pairs of preludes and fugues, in each book (48 total) each representing the entire set of musical keys.

Johann Sebastian Bach

Johann Sebastian Bach (1685 – 1750), German musician and composer playing the organ, circa 1725. From a print in the British Museum. (Photo by Rischgitz/Getty Images)

This set of music is significant for a few reasons. The first is that it is really Bach’s catalogue of the styles and techniques of Bach’s day. It inspired many composers and it can be seen, in some ways, as a type of “color card” for music – not unlike the paint chip cards you find in a hardware store. The music exploits tuning methods, temperaments, and construction that Bach would have used on any keyboard instrument.


Interesting book on humankind and music here: The Singing Neanderthals: the Origins of Music, Language, Mind and Body by Steven Mithen. London: Weidenfeld & Nicholson, 2005. ISBN 0-297-64317-7 374 pp.

Geometry and the Quadrivium

Geometry and the Quadrivium

Whist sitting in school, slaving away with compasses and a ruler, one hardly remembers that geometry is the study of the measurement of the earth. Earth. The thing we sit on, utilize, and finally rest in when this is all over. The geometry in schools today looks nothing like the geometry of 3000 years ago. It is difficult to divorce geometry from the other liberal arts when we take into consideration the scale to while discoveries are interconnected. Geometry arose from the needs of agriculture, civilization, and war. For so much of this, we can thank Archimedes of Syracuse. A student of Euclid in the 3rd c. BCE, his advances in the field of geometry furthered irrigation (Archimedes’ Screw), astronomy (the first planetarium), and weights & measures (Archimedes’ Principle). The most interesting, to me, is The Method of Exhaustion (remember Dialectica) also known as “The Method” or “Archimedes’ Method.”

“…, to estimate the area of a circle, he constructed a larger polygon outside the circle and a smaller one inside it. He first enclosed the circle in a triangle, then in a square, pentagon, hexagon, etc, etc, each time approximating the area of the circle more closely. By this archimedes_circleso-called ‘method of exhaustion’ (or simply ‘Archimedes’ Method’), he effectively homed in on a value for one of the most important numbers in all of mathematics, π.” 1

Linked together with this Method is the “Method of Mechanical Theorems.” Proofs are everything to the mathematician, and in his Method of Mechanical Theorems, Archimedes had none that would be accepted. He set out using Eudoxus’ The Method of Exhaustion to prove what he knew to be true. In a letter to Eratosthenes, in manuscripts discovered in 1906, Archimedes outlines his thought processes. This document is known as the Archimedes Palimpsest.

Certain theorems first became clear to me by means of a mechanical method. Then, however, they had to be proved geometrically since the method provided no real proof. It is obviously easier to find a proof when we have already learned something about the question by means of the method than it is to find one without such advance knowledge.

The importance of these discoveries and the methods by which Archimedes came to them may be obvious – who doesn’t need π? However, it is also fascinating to peer inside the mathematician’s mind and view it with a Freemason’s perspective. Here was a man who could see the Plan, understand the Plan, and only needed to bring it to life: a divine spark of wisdom, the will to discover, and beauty in its presentation.

For an interesting and short expose on The Method and the “Archimedes Palmipsest,” whence this Method is documented, review  “The Illustrated Method of Archimedes” by  Andre Koch Torres Assis and Ceno Pietro Magnaghi. The PDF can be found here.

Additionally, the originally translated letter from Archimedes to Eratosthenes can be downloaded here. (Thank you, JSTOR.)


Just a note (1): The Story of Mathematics, Luke Mastin – http://www.storyofmathematics.com/hellenistic_archimedes.html – I’ve done my best to verify statements here, and so should you.

The History of the All Seeing Eye

The History of the All Seeing Eye

What people in the U.S.A. commonly referred to as the “All Seeing Eye” is more appropriately called the “Eye of Providence.” No, not Rhode Island. This would be the more divine providence – the big guy watching over all of us. Or gal. Or it. Whichever you prefer.

The Eye of Providence is the idea that some divine force is watching over us all, sees our deeds and actions, and judges accordingly. The Eye is associated with the Judgement card of the Tarot: Alchemical texts of the 17th Century and Egypt.

While the Eye of Providence, as noted above, has from the 18th Century C.E. onward been associated with Christianity, the idea of an “all-seeing God” has been around for Millenia. What is called “The Eye of Horus” originally was known as the Wadjet Eye, for the goddess Wadjet.

EyeofHorus

The Eye of Horus

Wadjet, as many can read on the Internet and in several Egyptian Mythology books, was one of the oldest deities in Egypt and dates from the pre-dynastic period. She is associated with Lower Egypt as well as the papyrus. Her name symbolizes the color of blue/green – the color of the papyrus plant. She is nearly always associated with a cobra and is considered the protector of pharaohs and the ruling classes of Egypt.

She’s seen as the Goddess, which represents time, heaven, and hell, and she is an ardent protector, especially of children. Over the millennia, she has been merged with many other goddesses, such as Bast and her sister, Nekhebet, Goddess of Upper Egypt, who is shown as a vulture. Wadjet has also been associated with Buto, the city which first revered her – originally named Per-Wadjet.

According to Herodotus, in his Histories ( Herodotus, The Histories, ii 55, and vii 134), “The Egyptians were also the first to introduce solemn assemblies, processions, and litanies to the gods; of all which the Greeks were taught the use by them. It seems to me a sufficient proof of this that in Egypt these practices have been established from remote antiquity, while in Greece they are only recently known.” There is note of a Temple to Wadjet in Buto (Per-Wadjet) that had an Oracle in it; it was considered that the Greek practice of using Oracles was co-opted from the Egyptians who, as Herodotus states, “taught them in their use.” 

The Eye of Wadget

The Eye of Wadget

Originally, oracles were used to be able to link the individual to the divine. A worshiper would travel to the oracle with a very specific and important question relevant to their lives. Kings would consult oracles to strategize on war or gain insight on divine events which would influence their people, like famine or floods. Using auguries drawn from various animals innards, smoke, visions, the flight of doves, or other “symbols,” the oracle would define the upcoming events based on intuition and divine inspiration. Oracles were eventually replaced by priests and religious figures as a way to connect the individual with their god or goddess, and in a way be a conduit for the divine.

We humans have always been looking for a way to have some kind of communion with the mind of our Divine source, whether it is through other individuals, hallucinogens, runes, tarot, channelling, or simply study. We look for some higher source to tell us what we ought to do, what will help us be successful, happy, healthy, or free. In this case, I find the idea of the Eye of Wadjet to be a symbol that connects us to a dusty, mythic past with some vague idea of what it really meant.

We’ve gone from the protection of a goddess to the protection of a country or our ideals, or maybe even our prosperity. I think this is the most interesting thing in this: the symbols we have in our daily lives are historical treasures that have been modified as our cultures modify them. They come to reflect what, and how we think about the world.