Tag Archives: Sappho

Sacred Lore

January 17, 2018 By in Literature, Theology Tags: , , , , , , , , , , , , , , , , , , , , , , , Leave a comment
Sacred Lore

What is Sacred Lore? These words are on the tongue of almost every Freemason, regardless of obedience, religion, creed, or geography. Yet, I have seen little depth into figuring out what they are, how they made their way into a Lodge and Freemasonry, what is their significance in Lodge. Many writers have spoken about these volumes, which may be termed sacred lore or sacred law. The inference there is that one is suggestive of stories and myths, while the other is orderly and a series of rules and codes by which to live. Here we really get into the difference between dogma, ethics, and morality. Does one need a book to be a moral person? Does one need religion? Does a Freemason need religion to be a true Freemason?

Some Freemasons think so, and others do not. Since its inception, Freemasonry has juggled a thin line between religion and morality. Not all Masonic Orders are the same, and there are wild variations about what is acceptable and what is not. Some Freemasons do not allow anyone who is not an avowed, church-going Christian. Catholics are discouraged, and in some cases forbidden, from becoming Freemasons. Some orders of Freemasons allow atheists, and still others don’t care what you believe in, as long as it is “something greater than yourself.” Religion and Freemasonry have struck a unwieldy dance through the ages and it does not promise to get any better any time soon.

Most Freemasonry groups have a requirement for a general belief in “god,” and study religious texts as they apply to overall morality and ethical behavior. These religious texts are, for the most part, guidelines on how one should live their life and are the generally accepted texts of most major religions. Taken in their “symbolic” form, they are meant to be an expression of the highest human civilization can achieve, for itself and the world it lives in. Whether you call them codes, rules, mores, or dogma, the end result is the same: guidelines for how to be a good human being in a world filled with other human beings and living creatures. We need to get along to survive as a species and these texts are there to provide us the guidelines. While not everyone needs a guideline, many do. Even if you do not feel like you personally need a guideline, it is probably a good idea to know how other people think, in order to get along and be a generally good citizen of the world.

In general, many people take these books to be “inspired by God,” although written by men. When one asks,”Is the Tao de Ching a sacred text?”, the answer is likely to be yes. Written by man, it is still generally to be an inspired text to assist with the building of a human race. Why? Why did a culture choose that particular text to venerate? Isn’t it likely that it could be anything? What about the I-Ching? Is that not a sacred text? Perhaps it is, perhaps not. There may be many answers to the “what makes something sacred” question and any of them may be correct. It may be that the leaders of specific religions are the authority on their related texts; yet, who is to say really what makes something sacred? Perhaps we just take their word for it and call them all sacred.

To be sacred means that it’s entitled to reverence or veneration. It’s set apart – a text, in this case, that is set apart from other texts. This implies that being inspired by divinity sets it apart. It has a different quality; it was written by someone to be venerated or exalted, for example, or it has a quality that we recognize as being special, valued, or important.

The controversial question is this: who are we humans to say what is divinely inspired and what is not? From those who have read widely, it may be clear that works by Shakespeare are something special. Were they not language-changing for English speakers? I do not believe we mere mortals can say that these works were not divinely inspired and yet, we would not call them sacred texts. We assume that a sacred text must belong to a religion. Yet, there is sublime poetry by Sappho, Byron, and Borges that touches the face of god and strikes directly to our hearts. Anything that creates an intense, life-changing emotion could be communication from the divine and perhaps we would do well to listen.

Encyclopedia Britannica states that “…their common attribute is that their words are regarded by the devout as sacred.” That is, the words that are on the page are to be revered by the devout. This does not mean that they are revered by all… except, perhaps, by Freemasons. Freemasons, in general, accept all of the world’s “sacred” texts as words to be studied.

Where a religion may view its own texts with reverence and exclusivity, Freemasons see the wisdom included across all of the world’s religions and venerate them all equally. Why? Because morality and ethical behavior are really the crux of what these texts are about. They teach humans how to live well with each other, how to live well with the world around them, and how to be able to not only help the human race continue to survive but to increase the positive influence in the world and promote the general welfare and progress of human society.

These texts, because of their sacredness, are also open to negative and destructive morality. Religion taken to the extreme, any religion, corrupts the message of something positive into something consumptive. This has been true throughout the history of the human race but even more so in the last two thousand years. The baser human nature twists the message and those who live in primal fear follow that message. There are many who view “sacred texts” of religions with disdain and hatred for the corruption they have sown. In all of this, its up to the human element to decide how the word will be interpreted – for the good of humanity or the destruction of it.

There is truth everywhere we look, depending on how deeply we look. One must take the time to explore to really learn and to experience to really learn. What is it that Mulder would say? The Truth is out there…

Read more Sacred Texts at sacred-texts.com. They have nearly every conceivable sacred text that one could ever want to study.

What is Literature? Bob Dylan and the Nobel Prize

December 8, 2016 By in History, Literature, Music Tags: , , , , , , , , , , , , , , , , , , , , , , , 1 Comment
What is Literature? Bob Dylan and the Nobel Prize

In 2016,  Bob Dylan was awarded the Nobel Prize for Literature, sparking controversy as to whether song lyrics constitute literature. What is literature, and does Bob Dylan’s work qualify him for the Nobel Prize?

The Nobel Prize in Literature

The Oxford English Dictionary defines “literature” as “written works, especially those considered of superior or lasting artistic merit.” When Alfred Nobel signed his last will and testament in 1895, he bequeathed the largest share of his fortune to a series of prizes now referred to as the Nobel Prizes. As stipulated in his will, one of the prizes would be dedicated to “the person who shall have produced in the field of literature the most outstanding work in an ideal direction.” Instituted in 1901, the Nobel Prize in Literature has been awarded 109 times to 113 Nobel Laureates, a group which includes the Freemasons Rudyard Kipling, Winston Churchill, and John Steinbeck.

nobelprize2016-litIn 2016, the Swedish Academy stated that they chose Bob Dylan “for having created new poetic expressions within the great American song tradition.” Following the announcement, the Permanent Secretary of the Swedish Academy, Professor Sara Danius, provided further explanation as to why Dylan was selected stating, “He is a great poet in the English speaking tradition.” When asked if the Academy had widened the horizon of the Nobel Prize in Literature, she replied, “It may look that way, but really we haven’t.” Professor Danius further compared Dylan’s work to that of Homer and Sappho, which were “meant to be performed,permanent-secretary-of-the-swedish-academy-sara-danius2016 often together with instruments.”

Bob Dylan: Lyrical Poet

Born in 1941, Bob Dylan has been influencing popular music and culture for more than five decades as a songwriter, singer, and artist. In the 1960s, Dylan’s work channeled America’s social unrest, and his songs, “Blowin’ in the Wind” and “The Times They Are a-Changin,” became anthems for the American Anti-War and Civil Rights movements. Dylan’s songwriting incorporated controversial subjects such as politics, race relations, philosophy, and religion. His music changed established pop music conventions and expanded the influence of music on the American public. As one of the best-selling artists of all time, Dylan has sold more than 100 million records. In addition to the Nobel Prize, Bob Dylan’s songwriting has also been recognized by the Pulitzer Prize Jury, who awarded him a special citation in 2008 on account of “his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power.”

With thirty-seven released studio albums, the list of songs credited to Bob Dylan is extensive and diverse. Below are lyrics from a few of his most celebrated works.

Every Grain of Sand

Don’t have the inclination to look back on any mistake. Like Cain, I now behold this chain of events that I must break. 

In the fury of the moment I can see the Master’s hand. In every leaf that trembles, in every grain of sand.

All Along the Watchtowerevery-grain-of-sand

“There must be some way out of here,” said the Joker to the Thief. “There’s too much confusion, I can’t get no relief. Businessmen, they drink my wine, plowmen dig my earth. None of them along the line know what any of it is worth.” 

“No reason to get excited,” the Thief, he kindly spoke. “There are many here among us who feel that life is but a joke. But you and I, we’ve been through that, and this is not our fate. So let us not talk falsely now, the hour is getting late.”

Blowin’ in the Wind

How many years can some people exist, before they’re allowed to be free? How many times can a man turn his head, and pretend that he just doesn’t see? 

The answer, my friend, is blowin’ in the wind. The answer is blowin’ in the wind.”

Shelter From the Storm

Twas in another lifetime, one of toil and blood. When blackness was a virtue and the road was full of mud. I came in from the wilderness, a creature void of form. “Come in,'” she said, “I’ll give you shelter from the storm.”

Well, I’m livin’ in a foreign country but I’m bound to cross the line. Beauty walks a razor’s edge, someday I’ll make it mine. If I could only turn back the clock to when God and her were born. “Come in,'” she said, “I’ll give you shelter from the storm.'”

Literature and the Masonic Philosophical Society

The Masonic Philosophical Society was created to destroy ignorance through enabling greater understanding of the sciences, arts, and humanities. Each Masonic Philosophical Society Study Center is designed to ignite discussion centered on nine topics of study, one of which is Literature which is described on the MPS website as “one of the most enduring of man’s creations, giving us glimpses masonicphilosophicalsocietyof our past, present and future.” When Professor Sara Danius compared Dylan’s lyrics to the works of the ancient poets Homer and Sappho, she demonstrated how poetic works can transcend time and connect the ancient past to our current world. Is it too far a stretch to compare Bob Dylan’s lyrics to Homer’s “Be still my heart; thou hast known worse than this” from The Odyssey? Could the lyrics from Sappho’s “Hymn to Aphrodite” be considered similar to Dylan’s ballads when she wrote, “come to me once more, and abate my torment; Take the bitter care from my mind, and give me all I long for?”

The question remains for many as to whether Bob Dylan’s work qualified him for the Nobel Prize in Literature. The album lyrics published do, indeed, meet the criteria of “written works” mentioned in the Oxford English Dictionary albeit most people are more familiar with hearing Dylan’s songs rather than reading his lyrics. In my opinion, the question as to whether Bob Dylan’s musical lyrics constitute “superior or lasting artistic merit” is a somewhat subjective determination,  which the Swedish Academy is at liberty to decide as they see fit. What do you think?